Daddy Cool

This incredible actor is given full reign in a film which capitalizes on his ability to be both sweet and intolerably infantile. I am a fan!

I laughed a lot and I really appreciated insight into the world of bi-polar craziness depicted with an even hand and so much love. It was also a skillful depiction of a chaotic 1970's childhood.

This is the director's first feature film, but she knocked it out of the park. Although I would say that casting Mark Ruffalo as a Boston WASP is improbable, it worked for me. The scenes of his extended family are worth the price of admission alone.

Zoe Saldana makes the move possible as she loves everything about Mark Ruffalo that anyone does. I do not know Mark Ruffalo, but I know that he is smart, good-looking, interesting and an exceptionally warm person. The miracle is that this film-maker can tell the story of a difficult youth without any rancor and with insights which are subtle, heart-breaking and hilarious.

The children in this film give it great authenticity. I vote for them!

This film tells the story of a man with bipolar disorder, who has to take care of two children while having unstable mental state.

I find "Infinitely Polar Bear" a realistic and in depth look into the life of a bipolar man. It shows his over-talkative state, his over- friendly personality and the disorganised home. The interaction between him and his children is touching, especially the fact that they accepted the father's embarrassing behaviour. Even if his behaviour is eccentric, he is portrayed to have the best intentions. The wife's support is also very touching. I find that this film is a positive and supportive portrayal of a man with a serious illness.

Despite being a little too by-the-book and repetitive,"Infinetly Polar Bear" is a pleasing piece of narrative that succeeds thanks to a brilliant portrayal and definition of characters.

As stated above the film isn't that fascinating or riveting of a drama. It hits the same note again and again and does not stray away from it almost anytime. It is generally predictable and the dramatic texture isn't as intense as it wants to be,it kind of hits you very light. Moreover there are situations that are overplayed a little too much in the beginning which gave the movie a hard time at getting started and being believable, yet fortunately it picked up immediately as soon as these couple of scenes ended. So to sum it up, it simply doesn't give the necessary gravitas and intensity (both comedic and dramatic) to the situation for it to be as riveting as a drama as it could have as it could have been and I should add that I think that the cinematography partially contributed to this: it doesn't have enough style or distinction for it to stick out, leaving it in super generic dramatic territory and palette and it has a variety of camera movements that get distracting and aren't integrated well enough in the story. It could have really sparked had their been some distinctive look and approach in my opinion.

Despite all of negatives above, this movie really succeeds in making you care about the characters, sticking with them and ultimately giving you a true emotional link. That is undebatable thanks to very good work from both Saldana and Ruffalo and especially the two girls playing their daughters. But even more than that I believe that in the end it is the script that makes you really care because of how well it defines characters, situations and overall story arch. There maybe not enough originality in storytelling or some non-clarity in the bipolar aspect of the film, but man do the characters stick out and make for a pleasant view and journey, culminating in a finale that got me more than I imagined.

Mark Ruffalo stars in "Infinitely Polar Bear" along with Zoe Saldana, Imogene Wolodarsky, and Ashley Aufderheide, from 2014, directed by first-time director Maya Forbes. Forbes is a very talented woman I hope to be seeing more from as a director - she's already an established writer and producer.

The story takes place in Boston in the late 1970s, where Cam Stuart (Ruffalo) lives with his wife Maggie (Saldana) and their children, Amelia and Faith.

Cam is bipolar and job problems lead him to a nervous breakdown. He is institutionalized and then moved to a halfway house. Though he comes from a wealthy family, the money is in a trust. Maggie has a tough time making ends meet. She decides to get her MBA and wins a scholarship to Columbia.

Cam is doing okay on lithium and is more on an even keel, so Maggie has him move in with the kids while she goes to New York for eighteen months, returning home on weekends. Her plan is to return to Boston after school and get a good job, which has eluded her thus far.

It's a tough adjustment. The place is in disarray, Cam constantly embarrasses his kids for either being too friendly with the neighbors or hanging out with them and their friends, not to mention driving around in a pathetic car.

What a wonderful movie told with such warmth and humor. The acting is wonderful all around. Both Ruffalo and Saldana are totally likable, and the kids are great - not cloying at all. The title comes from the kids misunderstanding the term "bipolar."

Definitely worth viewing - a wonderful film.

Living with a bipolar father proves difficult for two young girls when their mother has to move away to study in this comedy-drama blend set in the 1970s. The title comes from the youngest daughter misnaming her father's condition as "polar bear" - thematically relevant as the overall film is about the two girls learning to accept their father's behaviour beyond their own preconceptions, appreciating what he does do well. From such a description, the film might sound overly sweet, and in a way it is, only ever seeming to skim the surface, focusing only on how embarrassed the girls are by their father's inability to integrate into society. There are a couple of moments in which the girls genuinely seem afraid of what their father might do, but the film never tugs at the full experience of living with someone with mental issues; as others have said, Mark Ruffalo comes off as more an everyday eccentric than a manic depressive. That said, Ruffalo's performance is the film's best asset, frequently communicating a genuine interest to bond with his daughters and care for them in small, subtle ways. His facial expressions and movements convey more than his dialogue and it is easy to feel for his frustration at not being able to be everything that his daughters want. It is much harder to reconcile the film's blanket negative attitude to the US public school system throughout, but it does act as an acceptable symbol of all that the girls' parents are worried about, and the film does offer an acute portrait of parents doing what they can for their offspring, even if it falls short in other areas.