EO

The circus was your home but now it's closing, new outcomes are ahead, life's recomposing, a journey has begun, there'll be sorrow and some fun, lots of being led around and often roaming. You'll take the opportunities, that you're presented (you don't have a choice), and quite often you will feel, like you're resented, poorly treated by humans, but not always, some are friends, though they'll always seem to be, distressed, tormented.

The life of a donkey, the people it encounters, for good or bad, and the array of farms, fields, pens, containers, sanctuaries and otherwise that are used to restrict it, often quite unsuccessfully, as it's pushed from pillar to post - just as most animals are on their journey to the abattoir or slaughterhouse, does it remind you of anyone you know?

Breathtaking film. It's so refreshing to see a film like this in 2022. It feels like stuff like this was only produced in the 70's. It never could have happened in modern America. Not a chance. Poland gets big points for this one. Director Jerzy Skolimowski is a bit of a mad man (The Shout is one of the strangest movies I have ever seen).

Eo is a visual feast. Beautiful cinematography that generally stays in the realm of reality but also offers fits of surrealist wonder. The music score is beautifully tragic and tremendous. The sound editing is colossal. And, the legend Isabelle Huppert looks even better now than she did 21 years ago in The Piano Teacher.

You'll barely notice the lack of dialogue because you will be so immersed in Eo's story. It often feels meditative, which is extra intriguing and impressive considering that most of the time Eo is...not in a good place. It makes you wonder...is this what it actually feels like to be a farm animal? Sad but strangely sedated, unfittingly content?

Though Eo never moved me to tears, it is a very sentimental movie. The comedy is minimal but the moments it does have are very memorable. Whenever a human comes around, you can be sure something imbecilic or terrible is going to happen! Towards the end, it almost started reminded me of something like The Painted Bird, just focused on a donkey rather than a young boy, but it never gets even close to as hardcore as that story.

And then, finally, there's the most blatant accomplishment - they actually managed to make a highly entertaining movie about the life of a donkey in 2022. How did they even do it?! Where did they find the inspiration?! Amazing. I definitely recommend this! A highly respectable feat!

IO stayed with me for days. This film is experienced and digested in the flesh. There are not many words in it so it is impossible to distance yourself from it by intellectualizing it. The places where animals live; the situations that happen to them - nothing we didn't know about - but shown from a different perspective - perspective of a donkey, a creature that is dependent on humans: it's owners (caretakers?) and the laws regarding animals.

I was touched and moved by something I had hitherto passed by indifferently: the fate of animals that are not given names. This film was difficult for me and appealed to me at the same time.

And last but not least I'm always very happy to see Isabelle Huppert on the screen.

This nominee for Best International Film Oscar is a look at how humanity treats animals by using the perspective of the animal. In this case, Eo is both a work and a star donkey of a bankrupt touring circus that gets shut down. His true love is his co-star in his part of the show, Kassandra. When the authorities shut down the financially-strained circus, he is part of the confiscation, causing him to be torn away from Kassandra, upsetting him greatly. He escapes to go on a trek to find her. The movie focuses on him and his travails. I thought the perspective was refreshing, but it comes with a caveat that one experiences as the film progresses. I could not help getting caught up in the emotionalism that this displayed. I saw this a week ago and can not get it out of my head.

EO is a thrillingly surreal odyssey that shows the best and worst of mankind in unpredictable fashion whilst always emphasising the beauty of nature. There's so many genuine moments of warmth which only make the darker moments all the more devastating. It's such a unique experience.

The several Donkeys that play EO give a phenomenal performance. The amount of emotion in their eyes is unrivalled and the cries of anguish are equally powerful. EO is supported by some great performances from Sandra Dryzmalska, Isabelle Hupert and Lorenzo Zurzolo in particular.

Jerzy Skolimowski crafts a real technical marvel. Along with Michal Dymek's varied cinematography it swaps between some top tier drone shots, a gorgeous use of colour (especially red) and plenty of Donkey's-eye view shots. Pawel Mykietyn's score adds further beauty to the gorgeous imagery.