Save the Date

Though I can't deny that the film's storyline is overly clichéd and hence predictable as the story goes, I still stand by the reassuring assumption that Save the Date is one of the year's most watchable independent romantic comedies. While the film tries too hard to be fresh – and ultimately fails – it promises a perfectly laughable and heartfelt experience, making a good use of the catchy soundtrack and its cast of many promising indie-regulars. After a short conversation with Michael Mahan (during the American Film Festival in Wroclaw), the director of this picture, I rest assured that Save the Date aspires to be mostly an enjoyable and entertaining comedy and that's its unquestionable strength.

Saying that the story exemplifies a real-life one would be perhaps an overstatement, but admitting that the viewers can identify with the characters and the issues that they need to cope with would definitely be all right.

There is romance, sex, marriage, and pregnancy; there are break ups, fights, rock concerts, dances, and parties. Ironically so, the film doesn't seem dull even though it is a mash-up of all those things.

What's more, as corny as it may sound, Save the Date illustrates everything that the word 'indie' brings to mind these days: indie music, indie actors, indie dialogues (words like 'like', 'awesome', 'cool', 'dude' – you know what I mean), indie vibe even.

Save the Date is definitely not a movie for everyone. It's more of an evening-on-the-couch type of thing than a real deal, but still I would recommend it to everyone who is in need of a light-hearted kind of entertainment. Also, admirers of Lizzie Caplan will observe how she – once again – shows her true potential, gradually turning into a rom-com favorite.

This film achieves one thing very well; it is an expose on narcissism while being completely unaware of it. It's so ironic it's good and awful at the same time. The only likable character in the entire movie is Andrew, Beth's fiancée, and his role is quite marginal. The rest of the characters are completely self involved and overly dramatic. The heroine, whom I'm sure was meant to be endearing and enthralling, but is neither, is an "artist" who is evidently inspired by the most important thing in her life; herself. Every work of art she creates is a rendition of some "monumental" moment in her life. I hated this movie because of each characters' self aggrandizement but I loved this movie because I believe it is a pretty accurate depiction of the prolonged adolescent youths of modern day LA. It would be one thing to overtly address/discuss the narcissistic tendencies of each character but some of the "message," which is so so subtle would have been lost. If the movie had acknowledged the blatant theme of narcissism I may have had more sympathy for the characters (which I would prefer to do when watching a film) but it was never acknowledged, it was presented as acceptable, normal, even admirable behaviour and for that reason I couldn't stand any of the characters. No punchline was funny, no pain was potent, no fear, disappointment or happiness was empathetic. They were all just unlike-able people. I'm sure it was never the intention of the director, writer or actors to name and identify the overriding theme of the film. They were all, most likely, completely oblivious to the subject matter of the film and that's what makes it so perfect. If they knew what they were doing I give them major props for being so true to the nature of narcissism and hiding the theme so plainly in sight. Besides enjoying the unintentional subject matter this movie was terrible, boring, bromidic and cliché.

While the story was not that original the performances were great as was the cinematography. However, given the cast I expected this to be a lot funnier than it was.

"Are you happier?" Sarah (Caplan) is starting a new life living with her boyfriend but she isn't totally sure that is what she wants. After a few months she is starting to relax when out of nowhere he proposes to her. After saying no she moves out and isn't sure what to do next. The whole time this is going on her sister is getting ready to marry his best friend. I will start by saying I know the movie isn't geared toward me (being a man) but I did think it was OK. It is a little cookie cutter and the "twists" you can almost feel coming the entire time. If you have seen the movie Your Sisters Sister this is very comparable to that one although I thought that was a little better. As far as a date movie goes there are better and more romantic choices but this is not a bad movie to watch with your significant other. Pretty much if you liked Your Sisters Sister you will like this one as well. Overall, a little generic but overall a good movie. I give it a B.

Save the Date is a very enjoyable romantic comedy with a great cast and a fine script. No, it doesn't have any explosions or aliens from Mars – but neither does my life, so I could really identify with the characters in this little film. Lizzy Caplan is the shining light here, as the non- committal heroine, Sarah. She's joined by a number of actors with familiar faces, if not well- known names, ranging from Mark Webber as the new guy in her life, to her former "Freaks and Geeks" cast member, Martin Starr, who has graduated from playing Bill Haverchuck, perhaps the nerdiest character ever to hit television, to credible roles like this one, as Andrew, a rock drummer and future brother-in-law to Sarah. There's also some fine work by Geoffrey Arend, as Kevin, Sarah's fiancée at the story's start. The laughs are genuine and the characters are likable. As in the case of most rom-coms, you will not have to bust out your thinking cap to follow it or guess where it may lead, but then what's wrong with that? It's good clean fun all around.