Kiss of the Damned

I watched this film on a whim and I can tell you from the start that is mostly a waste of time. Mostly, because the vampires in the film, classical as they were, had this twist of high class addicts that tried to stay off human blood, but occasionally failed. There was even a night of the vampires where they just sat there and discussed their condition. This had a lot of potential. Unfortunately the discussion was stale, the basic premise of the film just a spout between eternal sisters (now that is hell) and nothing else.

The cast was also full of potential. Milo Ventimiglia is a decent actor and rather good looking; I bet he will do increasingly well. Roxane Mesquida is hot as hell, especially in the role of the out of control psychotic bitch. Michael Rapaport, poor guy, had a lot going for him but now is just a fat nobody playing ridiculous roles. However, I am pretty sure this cast could have done a decent job with a good script. Alas, this was anything but one.

Add to this the really bad direction, the weak effects, the obsolete camera techniques and you get a movie that looks made by a student for a cinematography exam. Just avoid it.

In the countryside near to New York, Djuna (Joséphine de La Baume) lives alone with her housemaid Irene (Ching Valdes-Aran) in a manor that belongs to her friend Xenia (Anna Mouglalis). When she meets the screenwriter Paolo (Milo Ventimiglia) at a video rental store, they immediately fall in love with each other. However, Djuna discloses to Paolo that she is a vampire and while making love, she turns him into one. Paolo moves to her house and they happily live together. Out of the blue, her wicked and troublemaker sister Mimi (Roxane Mesquida) appears to stay for a week with them, turning their lives upside-down.

"Kiss of the Damned" is an underrated and sexy film romance with a good romance with an international cast where the female vampires are French actresses. The plot is well developed and the music score is classy. In 2013, Jim Jarmusch wrote and directed the cult "Only Lovers Left Alive" with a similar storyline. My vote is seven.

Title (Brazil): "O Beijo do Vampiro" ("The Kiss of the Vampire")

At the time that I am writing this review, this movie has an abysmal rating on IMDb (less than five stars).

If IMDb were a room full of people with exceptional taste, I guess I would understand why. The movie is thoroughly derivative; it tries a little too hard. I get the feeling that it's supposed to be a 'Hunger' for the modern era, moody and atmospheric-- they've even traded the classical and operatic soundtrack for haze-scene and low key beats looped with synth harpsichord melodies -- and yes, sometimes it falls a bit short and comes off amateurish.

But IMDb is not a room full of people with taste, so I don't get it. There so many movies on this site with absolutely no redeeming value that have ridiculously high ratings. This movie, while not art, did try; it never came off heavy handed, overall it was approachable, and entertaining. I keep asking myself what about it is causing people to react so negatively; the only thing I can figure is that perhaps the vampire crowd are portrayed as too cultured or something, I don't know.

Ultimately I guess I'm writing this review for people like me, those who put a lot (perhaps too much) stock in IMDb ratings. As a fan of films like The Hunger and the whole 'artsy, excessively classy but tortured immortal' cliché I can honestly tell you that I didn't think this film was an utter waste of time (at least no more so than many other movies). It was a perfectly fine hour and a half spent on a rainy afternoon.

I find its current rating a bit unfair.

If European cinema in the 1960s had access to HQ digital cinematography and sound, then a vampire film made then would be like this. Xan Cassavetes has crafted a deliberately retro feel to the movie and it works. I love the soundtrack, which has variety (just listen to the opening few minutes). It uses experimental sounds to crank up the tension for example. If you ever loved prog-rock, and know then that punk rock by comparison has no class, no depth, you will love the fact (is it an in-joke?) that the baddie comes complete a with a punk rock soundtrack. Xan reveals herself to be a delightful musical snob. She is also firmly on the side of the vampires.

This great-looking movie is a mixture of what works and what doesn't, hence a seven. Kudos to getting French actress Anna Mouglalis to play Xena. While beautiful, Anna actually plays Xena as a character actor. What a voice! When her character 'loses it' later on in the film, Anna beautifully conveys the tics, twitches and desperation without overdoing it. She should be in more movies. The bourgeois party scenes are convincing. The film tells a conventional but slight, linear story, with a beginning, middle and end.

On the minus side, although the initial romance is convincing, a better film would have gone deeper into the romance and involved the viewer more, with more complex characters. Another better version would have gone all out to scare you, successfully. The 'horrific' bits here are not really horrific.

This is deliberate. The film is by design a mood piece. It is even relaxing in parts, making it a good film to 'wind down' to with your partner in the evening. Xan understands that relationships, even in a vampire flick, are more interesting than blood and screaming. But she is even more into the 'feel' of the movie. Viewers raised on the Texas chainsaw massacre remakes and their ilk might not want 'relationships' or 'feel'. If you can understand these things before you watch it, you should enjoy the movie.

Visually, nice and dark, as it should be, and cinematographically surprising, considering the rating.

It is underrated to be sure. The group that created and carried through with this work should be encouraged to continue. This is not the usual treatment of the subject matter, and was a highly worthwhile viewing experience for me. This one is different, and enjoyably so. There are rough spots, of course, but on balance, it has earned its place. I am glad that I have been reading user reviews of late, because bare IMDb ratings have not consistently been reliable guides, especially in non-blockbuster situations.