Kiss of the Damned

Sexy and thrilling! Tired of Twilight histrionics? Sick of slasher remakes? Yearn for classic dreamy elegance and melancholy of The Hunger or Nosferatu? Then dip into dreamy dripping seas in the land of this film. The last time I saw a film this personal yet gorgeous was when I went on a Jean Rollin kick earlier this year. Xan Cassavetes goes right to the European masters for inspiration. She balances spooky house atmospherics with creative humor, and a downright "queer" sexuality as it relates to traditional vampire lore. Bottom line - this is a really unique and special film. I totally encourage you to let go and experience the bliss of one. Become undone as you merge with the infinite beat.

I watched this film on a whim and I can tell you from the start that is mostly a waste of time. Mostly, because the vampires in the film, classical as they were, had this twist of high class addicts that tried to stay off human blood, but occasionally failed. There was even a night of the vampires where they just sat there and discussed their condition. This had a lot of potential. Unfortunately the discussion was stale, the basic premise of the film just a spout between eternal sisters (now that is hell) and nothing else.

The cast was also full of potential. Milo Ventimiglia is a decent actor and rather good looking; I bet he will do increasingly well. Roxane Mesquida is hot as hell, especially in the role of the out of control psychotic bitch. Michael Rapaport, poor guy, had a lot going for him but now is just a fat nobody playing ridiculous roles. However, I am pretty sure this cast could have done a decent job with a good script. Alas, this was anything but one.

Add to this the really bad direction, the weak effects, the obsolete camera techniques and you get a movie that looks made by a student for a cinematography exam. Just avoid it.

I have to be honest because this is not my type of movie. The movie mostly focuses on the romance plotline that I'm not a fan of because I'm not interested in those types of stuff. Their relationship happened pretty quickly , and she tried not to be with him because of her vampirism, but he wanted to see the truth self of her and accept it. The relationship is standard with him learning more about the vampire and slowly getting more about each other. Now, the other plotline is the main character. Sister comes to stay over and is more violent. That plotline is the horror aspects with her killing random people to drink people out of them. It makes it different compared to the other romantic vampire movie that I won't not say. It's the only part that keeps me watching it until the end of the movie. Speaking of the ending, there's no climax to be found in it, and the ending is fine for the most part.

In the countryside near to New York, Djuna (Joséphine de La Baume) lives alone with her housemaid Irene (Ching Valdes-Aran) in a manor that belongs to her friend Xenia (Anna Mouglalis). When she meets the screenwriter Paolo (Milo Ventimiglia) at a video rental store, they immediately fall in love with each other. However, Djuna discloses to Paolo that she is a vampire and while making love, she turns him into one. Paolo moves to her house and they happily live together. Out of the blue, her wicked and troublemaker sister Mimi (Roxane Mesquida) appears to stay for a week with them, turning their lives upside-down.

"Kiss of the Damned" is an underrated and sexy film romance with a good romance with an international cast where the female vampires are French actresses. The plot is well developed and the music score is classy. In 2013, Jim Jarmusch wrote and directed the cult "Only Lovers Left Alive" with a similar storyline. My vote is seven.

Title (Brazil): "O Beijo do Vampiro" ("The Kiss of the Vampire")

At the time that I am writing this review, this movie has an abysmal rating on IMDb (less than five stars).

If IMDb were a room full of people with exceptional taste, I guess I would understand why. The movie is thoroughly derivative; it tries a little too hard. I get the feeling that it's supposed to be a 'Hunger' for the modern era, moody and atmospheric-- they've even traded the classical and operatic soundtrack for haze-scene and low key beats looped with synth harpsichord melodies -- and yes, sometimes it falls a bit short and comes off amateurish.

But IMDb is not a room full of people with taste, so I don't get it. There so many movies on this site with absolutely no redeeming value that have ridiculously high ratings. This movie, while not art, did try; it never came off heavy handed, overall it was approachable, and entertaining. I keep asking myself what about it is causing people to react so negatively; the only thing I can figure is that perhaps the vampire crowd are portrayed as too cultured or something, I don't know.

Ultimately I guess I'm writing this review for people like me, those who put a lot (perhaps too much) stock in IMDb ratings. As a fan of films like The Hunger and the whole 'artsy, excessively classy but tortured immortal' cliché I can honestly tell you that I didn't think this film was an utter waste of time (at least no more so than many other movies). It was a perfectly fine hour and a half spent on a rainy afternoon.

I find its current rating a bit unfair.