Hawk

Hawk is a dramatic short fantasy film written by Alex McArdell and M J McMahon that delves into the classic storyline of an internal struggle with good and evil. The battle is showcased using the main character Rowan who is brilliantly played by both Robert Gwyn Davin and Steffan Thomas at different stages of the characters life.

The story is set in stunning mystical Welsh landscapes, creating an extremely dramatic backdrop for this suspenseful short fantasy film. The dramatic wide shots of the eery hills with perfectly pairing sinister music creates an intense viewing for the audience.

The film explores traditional folklore with Rowan and his father Gawain at the forefront. It is obvious to the viewer that Gawain cares deeply for his son and wants to give him the best possible chance of survival in the wilderness. This naturally makes the viewer emotionally connected to the characters and creates an interest in the story that is about to unfold.

The pace of the film was rather slow, focusing more on dramatic drawn out shots rather than plot or character explanation. Although this is typical of the fantasy form, it definitely was not an easy storyline to follow considering that it was such a short production. However, I believe this also played in to the films overall mystical feel.

This short stands out amongst Capture's short films as a more ambitious cinematic endeavour, which leaves the real world far behind. Hawk succeeds in seeming to be much higher in production value than it probably is - clever use of drone shots and VFX to create a hawk's eye view of the craggy landscape give the film an epic scale from start to finish. Indeed the way DoP Martin Hill shoots the landscape is shot is a key strength of the film. It is packed with static shots that frame the cliffs and sky very nicely - and the use of the sky different times of day (including some beautiful magic-hour twilight scenes) keeps the lighting varied and interesting. Production Design is also another element that adds value to and richness to the world of Hawk. The shelters, tea boiling bags, drinking horns, leathered and feathered costumes. These work especially well because Rowan and his father would have had to make these by hand which Production Designer Emma Lo Gatto and her team probably did. All of this brings texture and detail to this story and grounds the characters within it by showing us the instruments and tools with which they live day-to-day The story itself is a real journey - from coming of age survival lessons and camp-fire stories with Rowan's kindly, wizened father, to psilocybin-induced nightmarish visions of Celtic demon-gods, and finally to a poignant moment of self-sacrifice. Despite the relatively small cast, the narrative spans many years and many worlds. What's particularly good is that the story is given space to breathe, and the dialogue does not shoulder the entire burden of exposition - meaning we have to fill in the gaps ourselves. All of these elements combine to make Hawk more than the sum of its parts - a short film that feels more expensive and epic, and has the legs to be adapted into a feature.

Hawk is a mythical tale of a boy, Rowan, who is removed from the world of man and due to tragedy must make his way through life alone. The film attempts to tackle immense themes, ideas of morality and the human psyche, natural order and man's relationship with nature. Although there is certainly potential for these grand themes to be developed, the films length prohibits it from expressing all it clearly wants to.

Hawk is an extremely beautiful visual piece of cinema. The cinematography and location choices are outstanding. Stunning scenic shots and numerous visuals of the sky and the clouds, perfectly coloured, are what stand out after watching this short. The dream like sequence comprising of, blurred images of the forest, crisp depictions of Rowan's 'crime' and the dark silhouette of the ominous Antlered God result in a distressing but arresting scene. The use of wonderful use of cinematic techniques and colour – the vivid colour in close ups of the Hawk are resounding – as well as a the intricate set, prop and costume design are real triumphs.

Although the film is delivered through superb visuals, I did not feel I was drawn to Rowan as a character. Jumps in the narrative resulted in a lack of connection with the character; we miss Rowan and his Hawk fostering a relationship, and lack an understanding of the intensity of his relationship with the Antlered God who is integral to the films climax. However, these are elements of the film the audience can conjure up for themselves. Although I felt Rowan's grief and burden of being trapped between fantasy and reality, my lack of feeling for him took away from what could be an extremely emotive ending to the film.

Regardless, Hawk is an extremely good watch. The story told is engaging, steeped in mysticism with classic features of a cautionary tale that make it accessible to a diverse audience. Hawk's haunting score and magnificent visuals transcend this film from a Fantasy short, to something much more memorable.

Hawk has many aspects that are powerful, and more that have potential to be powerful, but my feeling towards the content was predominantly confusion. Although it featured some beautiful landscape and a wonderfully soaring score, the film didn't quite seem to do justice to the wonderful idea at its heart. It felt like it should be a lyrical tale of folklore, a mystical underworld land and one boy's journey into understanding the spiritual worlds of nature and beyond human kind, but didn't quite seem to make it.

The tale is told so much in voice-over from the protagonist Rowan, and there are choppy time jumps so often that it loses the linear narrative and breaks up the genuinely touching relationship between a boy – Rowan - and his grandfather. The way the mystical world is portrayed is tense and at times effectively scary, shown in flashes as the character sees it. This is well done, but I wasn't entirely sure why they'd left the world of humans in the first place and as a result of not knowing what was at stake or their reasons for leaving, I didn't care as much about them as I wanted to.

The way to access this world appears to be through drinking magic mushroom tea. Although at first I was sceptical of an old man getting high while looking after his grandson, it became clear that this was a gateway to a more meaningful world. The dialogue is mostly good, but at times teeters rather too close to the edge of being trite and there were some things I'd prefer to have seen happening rather than been told.

The film really came together at the end, where all is revealed quite beautifully and I really felt for Rowan. The point becomes clear through the moral message and the strongest part of this film is the last ten minutes where the pace picked up, I understood the situation Rowan had found himself in and could empathise with it, and it felt like for the first time, there really was something at stake.

Although I feel that the film was let down slightly by the script and the choice to have a narrator, the idea behind this film is very strong, the images are powerful, the music is wonderful and the end is moving. Hawk is definitely worth watching.

Hawk is a captivating and visually stunning tale of a young boy's journey to manhood through learning the lesson of morality.

We follow Rowan through his childhood as he is taught about the world around him with stories from his Taid, a mysterious man that seems to know more about the world than he confesses to.

The countryside is shown in dramatic landscapes, with a plethora of green forest and hills. The CGI used on the skies is dramatic and enables the world to fully form as a place of nature; a nomadic reserve full of life.

The CGI throughout the film is wonderfully enriching; each sky and landscape is used to full potential and adds to the atmosphere of the narrative as a whole.

There is a strong focus on Welsh lore, which creates a magical atmosphere. However, it feels somewhat compromised by the lack of background story development; we do not learn fully who the characters are or why they live alone, despite the use of a voice-over.

This creates a distance between the characters and the audience as further understanding is compromised by lack of development.

The story is enticing to watch and the use of the Welsh language is clever and intelligently adds to the dramatic atmosphere.

The musical score works discreetly to add an extra layer of atmosphere to each scene when used, and adds a magical feel to the film as a whole.

Hawk falls in between a short and a feature-length film, and it is pronounced in the way that the narrative is large and substantial enough to be developed further (which would push it into the boundary of the feature-length) and yet it is too rich to be squeezed into the short category.

Hawk is a world of intrigue that is well worth viewing not least for its visual beauty, but more so the interesting story of a world that is highly imaginative and inviting.