Hawk

The performance of Robert Gwyn Davin in the final stages of 'Hawk' is powerful and yet not quite supported strongly enough by the rest of the film. I care, but I feel I could care more.

The location and the cinematography ensure that the film is consistently visually stunning; creating a sense of otherworldliness that provides a powerful foundation for the action. This combined with the excellent score and the characters' mellifluous Welsh accents, works to provide the entire piece with a strong ethereal quality.

For me, other than the extraordinary aesthetic of the film, its other greatest triumph is the animals. Generally when animals are not just on screen but actually directly contribute to the narrative, it can feel very forced. Instead of it making things feel more real, all I begin to imagine is the animal's handler jumping up and down behind the camera whilst trying to reassure the director that Rover can indeed portray grief. Essentially animals often hinder films by making the audience feel more conscious of the work that is going into telling the story rather than the story itself, and at this point all illusion is lost. However, In this film the hawks are obviously key to the narrative, but actually do much more than simply allow the plot progress. Every movement of each animal and particularly the hawks feels natural, and this provides an integral link between reality and fantasy.

Paradoxically it's often when the audience is unconscious of the filmmaker's touch that they are doing their best work. What is remarkable about 'Hawk' is the delicate way in special effects and shot choice have been deeply thought about and brilliantly implemented, making the natural landscape infinitely more vivid and full of possibility. Just as with the inclusion of the different animals everything feels cohesive and natural but at the same time wonderfully enchanted.

In regards to the story my overriding sense is that what is being told is simply too grand for the 39 minutes it is allowed. Certain shots feel rushed which makes it seem as though the plot progression is too quick to properly do the story justice. It battles with other elements of the film that are particularly strong and simply cannot compete. However this is all that is lost in a film that is visually stunning as well as engaging.

Hawk is a dramatic short fantasy film written by Alex McArdell and M J McMahon that delves into the classic storyline of an internal struggle with good and evil. The battle is showcased using the main character Rowan who is brilliantly played by both Robert Gwyn Davin and Steffan Thomas at different stages of the characters life.

The story is set in stunning mystical Welsh landscapes, creating an extremely dramatic backdrop for this suspenseful short fantasy film. The dramatic wide shots of the eery hills with perfectly pairing sinister music creates an intense viewing for the audience.

The film explores traditional folklore with Rowan and his father Gawain at the forefront. It is obvious to the viewer that Gawain cares deeply for his son and wants to give him the best possible chance of survival in the wilderness. This naturally makes the viewer emotionally connected to the characters and creates an interest in the story that is about to unfold.

The pace of the film was rather slow, focusing more on dramatic drawn out shots rather than plot or character explanation. Although this is typical of the fantasy form, it definitely was not an easy storyline to follow considering that it was such a short production. However, I believe this also played in to the films overall mystical feel.

This is the tale of a boy living in the wilderness with his grandfather, and learning the ways of nomad life. He follows his grandfather's teachings, and fervently believes in traditional stories of spirits, until one day the boy finds his grandfather dead in the forest. The boy seeks solace in a potion of magic mushrooms and becomes entranced. In a daze of hallucinations he panics and commits an ungodly act, upturning the natural balance of nature. He is now forever in the debt of an eerie God. Or is he?

This unusual tale lies on the boundary between reality and the sublime. Stunning cinematography, seamless visual effects and colourist skills, help to bring out the emotion and create atmosphere in the film with the aid of an intense and powerful choral soundtrack.

Parts of this film felt a little rushed or unclear, which is a shame, because it could easily be a really fantastic piece. I feel that more work could have been done to develop the characters and clarify the storyline, which left me a little confused in places. The acting skills also tended to be a little over the top, in contrast to the beautiful realism of the visual effects.

Overall, I feel the technical skill displayed in the film made up for its flaws, and meant I could enjoy the piece based on its creativity.

Hawk is a captivating and visually stunning tale of a young boy's journey to manhood through learning the lesson of morality.

We follow Rowan through his childhood as he is taught about the world around him with stories from his Taid, a mysterious man that seems to know more about the world than he confesses to.

The countryside is shown in dramatic landscapes, with a plethora of green forest and hills. The CGI used on the skies is dramatic and enables the world to fully form as a place of nature; a nomadic reserve full of life.

The CGI throughout the film is wonderfully enriching; each sky and landscape is used to full potential and adds to the atmosphere of the narrative as a whole.

There is a strong focus on Welsh lore, which creates a magical atmosphere. However, it feels somewhat compromised by the lack of background story development; we do not learn fully who the characters are or why they live alone, despite the use of a voice-over.

This creates a distance between the characters and the audience as further understanding is compromised by lack of development.

The story is enticing to watch and the use of the Welsh language is clever and intelligently adds to the dramatic atmosphere.

The musical score works discreetly to add an extra layer of atmosphere to each scene when used, and adds a magical feel to the film as a whole.

Hawk falls in between a short and a feature-length film, and it is pronounced in the way that the narrative is large and substantial enough to be developed further (which would push it into the boundary of the feature-length) and yet it is too rich to be squeezed into the short category.

Hawk is a world of intrigue that is well worth viewing not least for its visual beauty, but more so the interesting story of a world that is highly imaginative and inviting.

'Hawk', a surprisingly dark tale ultimately about survival, sacrifice and loss is a very enjoyable piece of film. Reminiscent of a Tolkien world, the North Wales portrayed in the feature seems like an entirely different plane of existence, allowing the audience to get lost in a fantastical new world. The stunning backdrop accompanied by the great score are two key factors as to why this film is a joy to watch.

The narrative, for the most part, is quite captivating. Gawain mentors young Rowan, where he is also mentoring the audience, truly drawing us in and immersing us, whilst giving us all the information we need to know about this land. Fastforwarding to the end sequence, the build up and the payoff is extremely tense and very exciting to watch.

However, there was one transition that slightly hindered the film somewhat, which is the change from young Rowan to old.

A great deal of the film is dedicated to Gawain mentoring young Rowan, time in which we get to know these protagonists fairly well. In transition, the now adult Rowan, seems to retain little if any of his previous characteristics, thus feeling more like a new character, a stranger. The payoff, whilst powerful, would have been a greater spectacle if we knew this character more or saw something recognisable within him.

That being said, to reiterate, the end sequence makes for some real compelling viewing either way. The Adult Rowan made a great hero - It was a shame we couldn't see more of Rowan as the master hunter/survivalist he had become, but always leave 'em wanting more is the phrase that comes to mind.

'Hawk' is a visually stunning piece of film and a pleasure to watch.

7.5/10