Projet 666

If you're in for a chuckle or two and you have a dark sense of humor this may be your speed. Think Army of the Dead but trying to be more serious and less cheesy. Honestly I've had this movie on my computer for the past two years listed as The Asylum and I spent a while looking for this. It's not a good horror/thriller but then again it's difficult to scare me.

-Possession, overused theme and it's been warn out. I get it catholic church, possession's a thing, I don't buy it but I believe that you believe it's real -Decent roster of actors with a very generic plot line, they managed to make it "work". -Music choice was decent

For the music I give it a 3, and because I kept watching it. I in all good conscience don't believe anything other than The last air bender, Dragonball Evolution, Avatar, and from what I've heard the fantastic 4 reboot deserve less than a 3.

But take my word for it, save yourself the time and skip this movie, all you really want to see is within the first minute or so. You're welcome.

First, the good--I have to say, EXETER is a great-looking and well-made movie. The cinematography is top-notch, the directing is solid, and the acting is not great, but definitely passable. Unfortunately, the movie fails in something that is even more fundamental, which is finding and establishing a consistent tone/style/voice/vibe that works.

If this movie had had the balls to just be an outright comedy, I think it might have had a chance of really working. But by trying to cling to some kind of "real" horror story and attempting to mine real scares and genuinely disturbing moments from the material, it really loses its way.

By not firmly picking a lane between comedy and horror, the comedic moments in Exeter (which could have had promise) don't ever get a chance to really take off and the moments of dramatic life-and-death struggle just seem ridiculous. Rather than working together and potentially complimenting each other, the horror elements in EXETER only seem to undermine the comedy and the comedy makes the attempts at a serious horror story seem silly and ridiculous.

Some movies to a great job at balancing real laughs with real scares, but they seem to ultimately have a firm grasp on their tone and what kind of movie they're trying to be (a horror movie with comic relief vs. a comedy with some occasional horror and scares). Recent movies like HOUSEBOUND or BLOOD PUNCH are great examples of movies that pull off this tricky balancing act by establishing a tone and sticking to it, knowing exactly what kind of movies they are trying to be.

EXETER, unfortunately, never seems to quite find a tone that works for it. The result is a well- meaning but muddled movie that aspires to be both a horror and a comedy but ends up missing both targets completely.

This was one of the best scary movies I've seen since Insidious, and I've seen all there is since the early 70's (and also own them all). Even though it probably classifies as a B movie, I was extremely surprised.

It's very repetitive with the scary scenes and dialogue but it got my heart going a few times and kept my eyes on the screen instead of the clock.

I also found it original enough and new enough to enjoy it more than I thought I would.

Another low-budget movie I thought I would discard within the first ten minutes but got drawn into it.

At an abandoned asylum, a group of teens looking to party decide to experiment come face to face with the possessed. Their only chance of survival is to uncover the asylum's mysteries.

Director Marcus Nispel's Exter a.k.a The Asylum and Backmask is not as genre self aware as the Tucker and Dale Versus Evil. It is a humorous in places, scary and well scripted by Kirsten Elms. Nispel's offers his first film that isn't a remake or an adaptation with some slick direction and the story tries to put a new spin on old clichés. It's basically an updated take on the Evil Dead formula.

The makeup and special effects are finely executed with effective sound design delivering some jump scares. Elms's screenplay tries to ensure the characters are relevant and it's played straight by the majority of likable characters as they get possessed one by one.

It has a hard hitting opening where a record playing tattooed lady meets her maker. Then there's the typical drinking, drug taking and sex. A twisted head, suicide and levitation are all thrown in for good measure. The dilapidated asylum location and setting add some atmosphere and Stephen Lang's extended cameo gives it some further weight.

While not ground breaking, it's still an entertaining, big budget well paced piece of horror.

Saw this at Frightfest Glasgow 2015. When I saw Marcus Nispel's name I knew it couldn't be all bad, and right I was! Nispel has made the Friday the 13th-remake, and Texas Chainsaw massacre remake, and I liked both of those so I felt pretty safe.

This is a decent budget, nice, crisp looking movie. Which are qualities I happen to like a lot in horror movies. The actors do their job, nothing special but alright, the effects are good, pacing is pretty solid.

Unfortunately it's nothing special really, it does it's job pretty well, but nothing exceptional. I was kind of waiting for it to "take off" a little more, which it never really seemed to. Had it gone the extra mile, so to speak, it would have been a clear 8 for me.

To sum up: Decent flick, looks nice, good party-factor, some nice gore, couple of laughs, absolutely entertaining.