What Maisie Knew

What Maisie Knew (2012)

*** 1/2 (out of 4)

Excellent updating of the Henry James story about a divorcing couple (Julianne Moore, Steve Coogan) and the impact that their behavior has on their young daughter Maisie (Onata Aprile) as well as the new step parents (Alexander Skarsgard, Joanna Vanderham). WHAT MAISIE KNEW isn't going to appeal to a mass audience but it's certainly a terrific little gem from directors Scott McGehee and David Siegel. What I enjoyed the most was the unique way it told the story. We never get the "full" story of everything going on but instead we get the bits and pieces that a child would remember about something. Instead of finding out why a parent leaves her at school, we just see how the child remembers being left alone. Instead of knowing what the parents are fighting about, we see how it impacts the child and her memories of it. This is a very unique way to tell the story and it gives a touch of freshness to a storyline (divorce) that we've seen before. It also doesn't hurt that the film doesn't shy away from some rather ugly behavior from the parents and especially the Moore character. To say she's an unworthy mother would be an understatement but I appreciate the film playing things straight and not ever trying to make something cute. It also doesn't hurt that we get some of the best performances that you're going to see all year with Moore doing an excellent job in her role as the busy mother who doesn't have enough time for her daughter. This is a rather ugly role so it was brave for the actress to take it on. The same with Coogan who also plays a jerk and delivers with some strong work. Both Skarsgard and Vanderham really steal the film in the roles of the step parents who find themselves being forced to deal with something they never expected. Both of them should be remembered at Oscar time but we'll see how that goes. The same is true for Aprile who doesn't get too much dialogue but we constantly see her reactions to the things going on around here. This is such an excellent and quiet performance and something you'd see in a silent movie. WHAT MAISIE KNEW is about a pretty ugly subject matter but it's a fascinating look at it for those who enjoy great performances and a unique story.

I've read five previously posted reviews of this film and see no reason to repeat what they've already said. I agree, for the most part, with the positive ones. And I suspect the negative ones were written by people whose established taste in movies should have steered them away from seeing this one in the first place.

What I'll add is, I guess, a mostly personal perspective. I've found that I am lately much more drawn to smaller, more deeply felt movies than to bigger, slicker, higher-production-value ones. To "What Maisie Knew," for example, than to "The Great Gatsby." Even though both source novels share a similar interior aesthetic, the treatment in the former stays inside the characters, where James focused the original (thus causing one of the previous reviewers' comments to the effect that "nothing happens" in the movie), while the latter (possibly because of Luhrmann's well-established directorial predilections)stays resolutely focused on the exterior spectacle and barely skims the surface of Fitzgerald's deeply rendered characterizations.

If you like smaller, more closely observed and deeply felt films, you'll like this one.

A gorgeous film that manages to convey the emotion of childhood at its more heart-wrenching. The central performance by Joanna Vanderham is absolutely extraordinary, and reminds me of some of the greatest child performances I've ever seen on film. As her parents, Julianne Moore and Steve Coogan make you feel like you are right in the middle of the tumult of family life. Directors Scott McGehee and David Siegel have created a movie that feels like life, the vulnerability, the abruptness, the comedy, the joy.

With intimacy at times almost startling, this is one of the best adaptations of a novel by Henry James I've ever seen.

What Maisie Knew (2012), directed by Scott McGehee and David Siegel, is an extraordinary movie about an extraordinary young girl. Maisie (Onata April) deserves better parents. Both her mother (Julianne Moore) and her father (Steve Coogan) are self-absorbed people who care about Maisie, but care about their careers more than about their daughter.

Maisie is cheerful, cooperative, and adaptive. Although her life has all the trappings of luxury--a nanny, an exclusive private school--she lives in a precarious world. Her parents make only haphazard arrangements for her care. Sometimes these arrangements work, sometimes they don't. Once, the haphazard plans fall through, and Maisie is literally abandoned among strangers. We don't know what will happen next to Maisie, but it probably won't be good. Her parents don't deserve such a great little girl. But, she is their daughter, and she'll have to play the cards she's been dealt.

The acting is strong in this movie, but I think the most impressive work is done by Julianne Moore. Moore is brave enough to take a role where she often looks tired and worn, and where her character is truly inadequate as a parent. You cringe at the way Moore makes stabs at being a good mother, but never quite works hard enough to actually achieve that goal. I think she deserves--and will get--an Oscar nomination for her work in this film.

There are a few lovely views of a beach and the ocean in the movie. These will work better in a theater, but everything else will work well on the small screen. This is definitely a film that is worth seeking out and seeing.

This is what I hope Henry James would have written, were he alive today. The book is tough sledding, late James when he was dictating his novels (due to tendinitis), and there was no holding him back. At least one Harvard professor called him "the greatest American novelist," but this work is deservedly minor.

The movie was perfect, in the top 1% of all I've seen. The style was the antithesis of James, radical "showing" instead of "telling."

I think the title should have been "What Maisie SAW," but that's too titillating. What she knew or felt only her future therapist will learn. We do have a hint though when her father throws her mother's flowers away, and M explains, "He was allergic."