Benito Mussolini's early career from his founding of the Fasci Italiani in 1919 up to the assassination of socialist politician Giacomo Matteotti in 1924 and his speech in Parliament on 3 Ja... Read allBenito Mussolini's early career from his founding of the Fasci Italiani in 1919 up to the assassination of socialist politician Giacomo Matteotti in 1924 and his speech in Parliament on 3 January 1925.Benito Mussolini's early career from his founding of the Fasci Italiani in 1919 up to the assassination of socialist politician Giacomo Matteotti in 1924 and his speech in Parliament on 3 January 1925.
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For those who have any interest in history, politics, and lessons on human nature, this is the show for you. Seeing the rise of Mussolini in such a way - with Luca Marinelli frequently breaking the fourth wall to speak to us, his audience - keeps it captivating and really holds up to the meta spectacle of his character. Despite the seriousness of the topic, the biting sarcasm and amusing moments keep it entertaining, too. Of course, for anyone who's been following the recent global rise in certain political trends, they'll undoubtedly feel a little uneasy when recognizing the patterns in today's day and age. An impressive production, Luca Marinelli's portrayal of the famous Italian dictator is downright stupendous. A wholehearted recommendation to watch and be amazed by M - Son of the Century.
The film presents the beginnings of Benito Musollini's political career. But to a greater extent it is a study of the creation of a dictatorship. And this is a universal and timeless phenomenon.
What is unusual is the form, which may put off some viewers. The main character often speaks directly to the audience, presents his thoughts and comments on the events taking place, sometimes these allusions are current, e.g. In episode four when he says the slogan MIGA (you will understand when you see it). It is a really great scene.
The film is also quite baroque, at times surreal.
The acting makes a great impression. Luca Marinelli (Musollini) behaves on screen like his prototype. If you know the history and have seen Mussolini's grotesque speeches, you can imagine that this required great skills. Other roles, although episodic, are also worth attention. For example, Benedetta Cimatti is great as the suppressed wife of the Duce.
Due to the specific form of the film, some viewers may be put off by it.
But it's a very good movie.
What is unusual is the form, which may put off some viewers. The main character often speaks directly to the audience, presents his thoughts and comments on the events taking place, sometimes these allusions are current, e.g. In episode four when he says the slogan MIGA (you will understand when you see it). It is a really great scene.
The film is also quite baroque, at times surreal.
The acting makes a great impression. Luca Marinelli (Musollini) behaves on screen like his prototype. If you know the history and have seen Mussolini's grotesque speeches, you can imagine that this required great skills. Other roles, although episodic, are also worth attention. For example, Benedetta Cimatti is great as the suppressed wife of the Duce.
Due to the specific form of the film, some viewers may be put off by it.
But it's a very good movie.
The english subtitles are a disaster. They look like automated translations not reviewed by someone who understand italian. For example "Margarita" (the name of a woman) is translated as "margarita pizza". Or "No, no" is translated "ninth", because in italian "nono" means "ninth".
Sometimes these bugs don't help comprehension. They mix up pronouns: "They kick it out" instead of "They kick him out". They don't take into account the formal you that in italian is she. For some complex sentences there is no analysis done by a human : "his husband".
An amateur job done by incompetents.
Such a magnificent work deserves better.
Sometimes these bugs don't help comprehension. They mix up pronouns: "They kick it out" instead of "They kick him out". They don't take into account the formal you that in italian is she. For some complex sentences there is no analysis done by a human : "his husband".
An amateur job done by incompetents.
Such a magnificent work deserves better.
By now it is evident that in the Post-network era and when from the zenith the third Golden Age of Television began its inevitable downward parabola no one, including myself, would have expected such a product... especially an Italian one.
M the son of the century is the classic turn of the century, the breaktrough event or, if you like a film allegory better: it is the hero we need but do not deserve. The future of Our television, it is clear, blatant and unashamed that it will be defined by the 'Before M' and the 'After M'.
Beautiful, beautiful series. Monumental every performance. Ficcanti every dialogue. Generative storytelling from history and brought up to date, without ever becoming exhibitionist. A series one step away from hybris without ever crossing the thin line and, because of this, incredibly verisimilitude in its (deliberate) staging between the theatrical and magical realism.
A possible event, because there is a thick book behind it, not only of volume but also of historical research... but also (oh my God, finally!!!) an adequate budget. It matters little that some images are realistically dated in the staging. It doesn't matter. You want the real date? There's the book but in this instalment it was perfectly there.
A futurist Zang Tumb Tumb series like we've needed for a long time. Because, just like futurism, the last true and pure current of thought and artistic movement that since the publication of its manifesto in 1909 has not found to date a worthy new cultural vision that can be described as truly original and not a rinsing of dishes from other shores. This is M. The first of something else in the making that, los peri pernos, will be even more surprising and innovative.
Zang Tumb Tumb.
M the son of the century is the classic turn of the century, the breaktrough event or, if you like a film allegory better: it is the hero we need but do not deserve. The future of Our television, it is clear, blatant and unashamed that it will be defined by the 'Before M' and the 'After M'.
Beautiful, beautiful series. Monumental every performance. Ficcanti every dialogue. Generative storytelling from history and brought up to date, without ever becoming exhibitionist. A series one step away from hybris without ever crossing the thin line and, because of this, incredibly verisimilitude in its (deliberate) staging between the theatrical and magical realism.
A possible event, because there is a thick book behind it, not only of volume but also of historical research... but also (oh my God, finally!!!) an adequate budget. It matters little that some images are realistically dated in the staging. It doesn't matter. You want the real date? There's the book but in this instalment it was perfectly there.
A futurist Zang Tumb Tumb series like we've needed for a long time. Because, just like futurism, the last true and pure current of thought and artistic movement that since the publication of its manifesto in 1909 has not found to date a worthy new cultural vision that can be described as truly original and not a rinsing of dishes from other shores. This is M. The first of something else in the making that, los peri pernos, will be even more surprising and innovative.
Zang Tumb Tumb.
Interesting drama about the rise to power in Italy of Mussolini. Though did not like when he spoke to the camera as took away the intrigue of it all.
But the real powerhouse of this series is the performance of Luca Marinelli as the dictator, he is truly magnificent and gave out strong reminders of Robert De Niro in his pomp, and dominates every scene he is in Before watching this only really knew of Benito Mussolini from World War Two, so this was an eye opener of a history lesson.
I would be interested in a second series if it happens but mainly just to see Marinelli in action again as he truly is the best thing about it all.
But the real powerhouse of this series is the performance of Luca Marinelli as the dictator, he is truly magnificent and gave out strong reminders of Robert De Niro in his pomp, and dominates every scene he is in Before watching this only really knew of Benito Mussolini from World War Two, so this was an eye opener of a history lesson.
I would be interested in a second series if it happens but mainly just to see Marinelli in action again as he truly is the best thing about it all.
Did you know
- TriviaWhen Joe Wright got on board as director, at first he meant to have the actors say their lines in English. Then he changed his mind and chose to shoot the series in Italian, for a higher immediacy.
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