Cocorico

The movie is very stereotypical and racist. They make fun of the Portuguese people and of course the role is that of maid and plumber, and the French woman is horrified by her Portuguese roots, as well as the Indian and the others. It always follows the same cliché that only the French are good, which tires the viewer and ends up showing that even today France is not very tolerant of the rest of the world.

It uses offense as a method of humor, which is unethical on the part of the director and I don't even understand why it was in theaters for so long. The good thing about the movie is that in the end, love wins and there is marriage. Although the irony of the parents thinking that France is better remains.

Cocorico is a French comedy that offers a delightful blend of humor, heart, and unexpected twists. The film revolves around two families, the aristocratic Bouvier-Sauvages and the more modest Martin family, who are brought together by the impending marriage of their children.

What sets Cocorico apart is its clever premise: the bride and groom decide to give to their parents DNA tests as a gift!

The performances are strong, with the actors delivering their lines with conviction and comedic timing. The chemistry between Christian Clavier and Didier Bourdon, who play the heads of the two families, is particularly enjoyable.

While Cocorico is primarily a comedy, it also explores deeper themes of family, identity, and acceptance.

Cocorico is a refreshing and entertaining film that is sure to leave a smile on your face. If you're looking for a lighthearted comedy with a heartwarming message, this is definitely worth checking out.

Spoiler Free Review

The plot revolves around the theme of ethnic heritage and belonging. Although I like the idea of the plot, it could use a more streamlined and meaningful storyline. The film navigates through varying tones - casual, formal, comedic, overly silly, and exaggerated - creating a mixed bag of emotions.

The cinematography and editing, though basic, effectively capture the essence of each moment, balancing clarity with depth. However, I have mixed feelings about the editing. The editing sometimes appears rushed, disrupting the flow with abrupt transitions.

The first act is focused on character introductions, their backgrounds and personalities, yet feels somewhat tedious despite its insightful moments. The narrative pace is decent but lacks enough engagement to keep the interest piqued.

In contrast, the second act introduces a flavorful mix of internal and external drama, injecting curiosity and humor into the storyline. The exploration of characters' concerns over their ethnic heritage unfolds with visual flair and comedic timing, showcasing a range of emotions. Some show ego, worry, relief, and pleasure.

The cast's performances range from average to commendable, with certain scenes showcasing their skills as actors.

Conclusion:

Cocorico is a mixed bag. It's marred by pacing issues and an inconsistent tone that may alienate some viewers. Despite its flaws, the film conveys a meaningful message: the significance of growing up in a culture that shapes one's identity, overshadowing the boundaries of ethnic heritage. My final rating stands at 5/10, reflecting a cinematic experience and overall enjoyment. It shines in the idea of the story but falters in execution.

The concept of the movie seemed interesting. Rich people from well-known families discovering that their roots may be more humble than they think, or the opposite, seemed an interesting concept to explore. However, the movie just isn't funny at all. I am not offended by the stereotypical jokes, but they need to be funny and original.

The narrative is boring and the pacing is very slow, especially the first act. The movie spends a lot of time introducing the parents and it becomes boring. It would be funnier if they spent more time analyzing their ancestors history, how the characters' lives are affected by this new information. Instead, they prefer running old, unoriginal jokes -- Germans are Nazis, Portuguese are maids and plumbers, and so on. Those jokes could have been funny, but the script is just bad.

Finally, the direction and cinematography of the movie are plain boring. The movie doesn't have descriptive scenes to break the cadence of the narrative, so the movie feels like a continuous sequence of dialogs, with no time for the viewers to reflect on what they are watching. The actors are also below par, although I like Christian Clavier, but I admit the script doesn't help them.

This comedy might (well I'm pretty sure) not please the 'woke' generation, you know the ones that get offended by almost everything, but if you have a good sense of humor and are not easily offended by racial stereotypes and clichés you will probably enjoy this French comedy. I like almost every movie with Christian Clavier (from l'équipe du Splendid, a well known bunch of French comedians) so watching Cocorico it was almost a certainty I would like it. Didier Bourdon (better known from Les Inconnus) plays the rival of Christian Clavier and what started as a hopefully new friendship quickly turns into a verbal war between them. Sylvie Testud plays the wife of Didier Bourdon and acts like the queen of England. It's all very funny to follow, you just have to give it some time as the beginning starts slow, but once they get going there is no stopping them. I had a good time watching this French comedy, probably because I'm not woke enough in this ridiculous society that takes everything too seriously. Just relax and enjoy the show.