Drugstore June

This tells a story of a so-called social media star as she works in a local pharmacy and hounds her ex boyfriend for his affection. When one night the pharmacy she works in got robbed, she tries to solve it and starts understanding herself and the people around her.

Its somewhat run on the mill but I felt it tried something AND its mostly works. Its not that bad actually. I do think the initial half of the film was aimless and too stylized to a fault. It could have been tighter or at least setup the ending (which was convoluted and pulled out of nowhere). I also wished that at least two or three characters where built up more as I think that most of the characters has interesting stories in them BUT at least, once the crime starts its picks up AND finds its groove.

Danielle Bregoli is shocking so good in her cameo. I was so shocked how good she was. I wish she tries more acting work to be honest. I do think Esther Povitsky was just ok. I do think the writing failed her initially as it was just a lot of characterization, and skits that felt repetitive at some point. Other than that, this is just a potpourri of semi-famous actor/comedians who are doing their bit parts. Not enough material for judgment.

Overall, better than expected. I really appreciate that they were at least trying to be something, and was witty.

Drugstore June is a film that explores the frustration and annoyance of June, a woman who is a source of frustration and annoyance to everyone in her life. The movie is built around the viewer spending 91 minutes with June, which generates laughs at a joke level but also allows the audience to identify with the poor, exasperated souls conversing with her. The director Nicholaus Goossen, who wrote the script with Esther Povitsky, uses the camera, music, and performances to create a cohesive atmosphere that is indie-comedy quirky but specific enough to allow for some intentional playfulness. The storyworld is somewhat off-kilter, but June is strange by their standards. The film's structure means that her scene partners often determine whether things are working, and mileage may vary significantly. The best moments either have a strong narrative frame or feature characters that collide with June's energy in an interesting way. Some of the best moments include interrogations by two detectives after Bill's pharmacy is robbed, a hostile encounter with her old boss, and delightful back-and-forth with Owen and his friends over pancakes. Beverly D'Angelo as June's mother is also a standout, making the most of every moment she's onscreen. However, the sibling dynamic between June and her brother Jonathan works less well, and the full family scenes generally aren't as engaging as June's investigation of the robbery. Drugstore June is a comedy that showcases the limitations of its director, June. The character's development arc is a highlight, but the filming lacks sincerity. The film is a comedic construct, making it difficult to expect real change from June. Despite this, June learns from the inconsistencies and the film is still funny. It creatively approaches a deceptively ambitious setup without overstaying its welcome. While some ideas feel like raw versions of what could be refined in future films, Drugstore June is a worthwhile watch in an uninspiring month for new theatrical movies.

The character is cringe. That's intentional. It's a satirical look at how those people behave. If you can't see that, you should probably remove yourself from the situations or the people that TRIGGER ... YOU ... into not seeing things for what they are. If you didn't understand the film, you're likely part of the target and you will never understand.

Very few films in the past 10 years have made me laugh out loud. This one accomplished that on multiple occasions. And I'm not some shill for anyone involved in the film. Bill Burr's scene was one of the funniest in years. Perfect delivery. And though I've never seen the lead anywhere else, she delivered as well. Hopefully that's not a reflection of her true self. If so, then at least she'll have a pièce de résistance.

At the very least, will one day perhaps be a cult classic.

I went into this movie blind, but being a fan of Bobby Lee, Steph Tolev and Bill Burr I thought hey- this is going to be so good!

I've seen Esther before in a few things and I know she is funny and she can act.

The first 10 minutes, I gave it the benefit of the doubt. I thought it was setting us up to see what a "loser" this 30-year-old still living with her parents was. I'm still unclear on what age she was supposed to be. There were no stakes in this movie. No one was forcing her to move out, no one was making her do anything on her own. I think they were insinuating that she was overweight throughout the movie, but she didn't visually appear that way.

The main character never became likeable. She wasn't even likeable in an unlikable way. There was nothing redeeming about the character. She wasn't a hero, or an anti-hero.

There was a very loose plot. There was no story arc, no climax, no anything. I still don't really know what the movie was about. The last 10 minutes hastily and quickly wrapped things up. There was no character development, or any character redemption.

This movie was stacked with great actors and comedians, but, where was the funny?

The dad was supposed to be a good for nothing gambler, which was a weird thing that popped up halfway through the movie, even though they live in a giant, beautiful house and their bedrooms were stacked with anything they could ask for.

It just wasn't believable. The brother sounds like he was written by a 50 year old who opened tiktok for the first time.

I don't know. I wanted to love this movie. But it was just impossible.

Seemed like it was going for Juno or Napoleon Dynamite vibes, but the writing wasn't there.

Good satire on the mental state of young Americans. And yes I'm talking about late Gen Y and early Gen Z (specifically you, lol).

This movie while also funny and entertaining with great acting. Is a great way to decompress and see that there are other people than you who think that the InstaTweetTickTock generation is socially awkward, self-absorbed, very frightened of everything, and have very little attention to anything other than the apps on their phones.

The satire in this movie is great, and very interesting, because our main protagonist has almost zero awareness that she is the subject of the satire...and I can see how some audience might not find it funny. Drugstore June heavily relies on irony and sarcasm to get it's comedic point across, and not much else.

I think my favorite shtick, is that June (protagonist) behaves often very cringy, but yet thinks everyone around her is "cringe."

Enjoy!