Les Derniers Jours

"Los Ultimos Dias" is an excellent offering in the post apocalyptic sci- fi sub genre, in the best tradition of films like "The Road" and "Blindness". The story has a simple premise: what if, one day, for unknown reasons humans are unable to survive out in the open? "Los Ultimos Dias" tackles this premise head on and cleverly plays out the consequences of how humanity would deal with this problem, how would it move about, how would it find food, etc. The acting is solid throughout, as is the cinematography and the special effects, which were never unconvincing or distracting. The story itself is very well told, nicely paced, and never stretches believability. I'd also like to mention the wonderful musical score that beautifully complemented the visuals. This was an engaging, intelligent, and beautiful film that I can't wait to watch again.

Los Ultimos Dias is quite simply one of the best Sci-fis I've seen in years. Apocalyptic in style and set amidst the backdrop of Barcelona it explores several modern themes: our ever increasingly insular, urban and isolated lifestyles and our obsession with individualism and self reliance.

Directors David and Alex Pastor deliver us these themes with European subtlety; never lecturing nor forcing the point in a way American cinema seems often too frightened to attempt with this genre; a film for adults comparable and, dare I say it, even better than The Road (although not quite as morbid).

I suspect the subtitles will put some English speakers off, which is a shame as the script is tight enough, the sets visual enough, and the acting engaging enough, as to hardly notice them; so lost I was at times in this dark, apocalyptic, nightmare.

More ambitious European projects please! I may be English but I still find myself relating more to a Spanish sci-fi than to the heavy handed, patronising, spoon-fed treacle that constantly oozes from Hollywood.

Who else came here because of the COVID-19 quarantine? The premise of "The Last Days" is different than what we are dealing with, but long /short of it, is that people can't be outside. Despite it being a horror/thriller, I remember it being a beautiful compelling and haunting film when I first saw it nearly 7 years ago. Now I'm inspired to re-watch it 😊

I do love dystopian films. They just hit the right spot in my brain, but only if they are done right. This, was done right.

With believable characters, and a proper amount of back story, this film deals with how humans cope with normal life when something as basic as stepping outside for breath of fresh air becomes impossible.

It doesn't try to be anything overly amazing, but revolves around Marc and his struggle to reunite with his love, Julia, in an unstable world. As they say, it's not the destination - it's the journey. That applies quite well here.

For those afraid of subtitled films, the dialog is sparse enough - do not pass this one by for that reason.

What a pleasant surprise! The plot for this movie sounds fairly thin and uninteresting, but the storytelling and characters make it much more compelling than expected. The story is grim yet the audience feels for the lead characters who are determined to prevail for motivations that could seem sappy but come across as noble.

The premise sounds simplistic but the storytelling is intriguing. We find ourselves in a recently post-apocalyptic world; the cause this time: People develop a fear of going outside. Through flashbacks that are visually woven into the story, we see how a few people seeming go crazy and won't leave the building they're in, or die in the process. This overwhelms more people until everyone is trapped in the building they were in when "The Panic" hit them. The story doesn't dwell on the cause but exploring the consequences.

The story packs a lot of emotion and drama with vivid characters portrayed well by the lead actors. The look of the movie, the score, the turns in the plot, and the characters' evolution come together to create dramatic punch. I look forward to more movies from the Pastor brothers.