A desperate single mother moves with her three children into the notorious, supposedly haunted, real-life Amityville house to try and use its dark powers to cure her comatose son. Things go ... Read allA desperate single mother moves with her three children into the notorious, supposedly haunted, real-life Amityville house to try and use its dark powers to cure her comatose son. Things go horribly wrong.A desperate single mother moves with her three children into the notorious, supposedly haunted, real-life Amityville house to try and use its dark powers to cure her comatose son. Things go horribly wrong.
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This is my first movie of this entire series. I don't know, there is any connection with other movies or not but I really get the whole story without watching the previous ones. All I can say, it's a decent movie which can be enjoyed with your whole family. If I talked about story, all horror movies stories are same xD. All horror movies either start with moving into a haunted house which they didn't know :) but eventually get to know or someone has possessed someone.
Personally, I kind of love this. It was average type of movie. It has what I usually look for ''Jump scares''.
Personally, I kind of love this. It was average type of movie. It has what I usually look for ''Jump scares''.
This film has had a long, strange road behind it. Starting with a Daniel Farrands (Halloween 6) and Casey La Scala (Grind) found footage style script in play, over time it was scrapped. Leading to this film. Written and directed by Franck Khalfoun (P2, Maniac).
Straight away, Khalfoun has a solid list of directed films under his belt. Being said, ones written prominently by other writers turned out a much better product. With this film, cliché and limitations are at play. Early on, this film sought a theatrical release and I can see what changed it all. It is lacking a cinematic punch. Lighting and atmosphere gave way to what was ultimately a tightly wound production schedule. Followed by even more delays. Even so, the film the film is directed well. Some effective scares and setups set a decent tone at times. Again, those missing atmospheric ingredients keep us in the dark with knowing who is at the helm.
I did find this film an interesting blend of the catatonic, ESP driven thriller Patrick with Amityvilles sense of possession an interesting take on the property. It provides a decent backstory and drama to the plot to keep the terrors grounded in reality. Solid writing there.
The rating is a problem here too. Originally an R, it was recut to suit a PG-13. Why? The Ryan Reynolds remake was a hard R and found solid success. This merely added less scares and a plethora of cutaways. Missed opportunities and a waste of filmmakers time and money that could've gone elsewhere.
The actors are actually quite solid, ranging from new stars and seasoned ones. They manage to convey conviction to each of their roles, even when moments seem over done.
The issue here is that this film is an okay film mostly because of its delay, but also because of its redundancy. How many Amityville films do we have at this point? Including redbox DTV's, it's off the charts. Hence why Farrands and La Scalas earlier premise may have been a better pay off.
Instead of replaying the Amityville saga again and again, maybe a modern deconstruction of the age old tale is just what that old haunted house needs to set those demon eyed Windows ablaze again.
Straight away, Khalfoun has a solid list of directed films under his belt. Being said, ones written prominently by other writers turned out a much better product. With this film, cliché and limitations are at play. Early on, this film sought a theatrical release and I can see what changed it all. It is lacking a cinematic punch. Lighting and atmosphere gave way to what was ultimately a tightly wound production schedule. Followed by even more delays. Even so, the film the film is directed well. Some effective scares and setups set a decent tone at times. Again, those missing atmospheric ingredients keep us in the dark with knowing who is at the helm.
I did find this film an interesting blend of the catatonic, ESP driven thriller Patrick with Amityvilles sense of possession an interesting take on the property. It provides a decent backstory and drama to the plot to keep the terrors grounded in reality. Solid writing there.
The rating is a problem here too. Originally an R, it was recut to suit a PG-13. Why? The Ryan Reynolds remake was a hard R and found solid success. This merely added less scares and a plethora of cutaways. Missed opportunities and a waste of filmmakers time and money that could've gone elsewhere.
The actors are actually quite solid, ranging from new stars and seasoned ones. They manage to convey conviction to each of their roles, even when moments seem over done.
The issue here is that this film is an okay film mostly because of its delay, but also because of its redundancy. How many Amityville films do we have at this point? Including redbox DTV's, it's off the charts. Hence why Farrands and La Scalas earlier premise may have been a better pay off.
Instead of replaying the Amityville saga again and again, maybe a modern deconstruction of the age old tale is just what that old haunted house needs to set those demon eyed Windows ablaze again.
The original Amityville horror (1979) spawned a hardcore following and had the mystery of being based on true events. Being an instant hit it created a franchise sadly going downhill after part two. A remake (2005) did bring the story to the new kiddies in town and it had to happen, 2017 brought the story back again.
Bright thinking of the production to bring back the original story and some parts of the original flick is shown. So far so good but let me say that this was the best part.
There's nothing scary at all in this flick. Of course they tried to add some jump scene's but they are so predictable that it doesn't work. On the other hand all the killings are done off-camera that it becomes so low on horror that it is really bad.
And so cliché, the sister being the outcast, a Goth chick, really? Nope, this wasn't really worth watching for me. Just watch the 1979 version and forget the awakening.
Gore 0/5 Nudity 0/5 Effects 2/5 Story 1,5/5 Comedy 0/5
Bright thinking of the production to bring back the original story and some parts of the original flick is shown. So far so good but let me say that this was the best part.
There's nothing scary at all in this flick. Of course they tried to add some jump scene's but they are so predictable that it doesn't work. On the other hand all the killings are done off-camera that it becomes so low on horror that it is really bad.
And so cliché, the sister being the outcast, a Goth chick, really? Nope, this wasn't really worth watching for me. Just watch the 1979 version and forget the awakening.
Gore 0/5 Nudity 0/5 Effects 2/5 Story 1,5/5 Comedy 0/5
Amityville the Awakening is finally here after many, many push-backs and delays. Was it worth the wait? Well like many films that use the Amityville name, not really.
The cinematography is fine, the actors are okay. One of the biggest issues with the film itself is the audio, there are plenty of scenes where dialog is drowned out by background sound.
The film starts off on a good step, using what looks like old police footage to explain about the Defeo murders, unfortunately from there the movie makes a steady decline into worthlessness.
Instead of making the movie about the house, murders and haunting, they choose to focus on a bratty girl and her vegetable of a brother. The haunting takes a back seat to the family drama, which makes the movie even worse. Poor pacing, poor writing, the movie is less than thrilling.
Let's put it this way, there's a reason why they opted for a limited theatrical release and putting it up for free on Google play in October through December. It's a film even the producers and directors can't stand behind.
The reality is, the original Amityville was popular because it was portrayed as a true story, so the family drama was more humanized. With these other films, it's about the horror and this film completely ignores that.
The cinematography is fine, the actors are okay. One of the biggest issues with the film itself is the audio, there are plenty of scenes where dialog is drowned out by background sound.
The film starts off on a good step, using what looks like old police footage to explain about the Defeo murders, unfortunately from there the movie makes a steady decline into worthlessness.
Instead of making the movie about the house, murders and haunting, they choose to focus on a bratty girl and her vegetable of a brother. The haunting takes a back seat to the family drama, which makes the movie even worse. Poor pacing, poor writing, the movie is less than thrilling.
Let's put it this way, there's a reason why they opted for a limited theatrical release and putting it up for free on Google play in October through December. It's a film even the producers and directors can't stand behind.
The reality is, the original Amityville was popular because it was portrayed as a true story, so the family drama was more humanized. With these other films, it's about the horror and this film completely ignores that.
I really wanted to like this movie - I went into with an open mind not really knowing what to expect from it as I had not read any of the reviews.
For me it lacked atmosphere, reminiscent of a made-for-TV or direct to DVD movie.
The idea of a family moving into the actual Defeo house 40 years on was an intriguing premise, but what I could not get past was the fact that the eldest daughter had no idea about the house and it's history until her new-found friends informed her, along with it's grisly back- story. Had she been living under a rock? At first I thought - OK, the movies don't exist in this universe but then they actually mention the movies, sequels and remake and even venture to watch the 1979 original.
Still, it was watchable and although there were the usual clichéd horror tropes it did hold my interest until the end.
For me it lacked atmosphere, reminiscent of a made-for-TV or direct to DVD movie.
The idea of a family moving into the actual Defeo house 40 years on was an intriguing premise, but what I could not get past was the fact that the eldest daughter had no idea about the house and it's history until her new-found friends informed her, along with it's grisly back- story. Had she been living under a rock? At first I thought - OK, the movies don't exist in this universe but then they actually mention the movies, sequels and remake and even venture to watch the 1979 original.
Still, it was watchable and although there were the usual clichéd horror tropes it did hold my interest until the end.
Did you know
- TriviaThe movie had several failed theatrical release dates including January 27, 2012; January 3, 2014; January 2, 2015; April 15, 2016; April 1, 2016; January 6, 2017 and June 30, 2017. The film was finally given a limited theatrical release on October 28, 2017 before the eventual Blu-ray and DVD release on November 14.
- GoofsIn the first few minutes of the film, when showing the flashback of the original Amityville murders in 1974, a shot of the Amityville Long Island Rail Road train station is shown. The train seen is a modern model that was only put in service after the year 2000. Also, what looks to be a very tall cell phone tower is clearly visible.
- Alternate versionsUS prints remove Harvey Weinstein's executive producer credit, due to victims coming forward about the sexual assault and harassment they experienced at his hands in the many years prior to its release.
- ConnectionsFeatured in WatchMojo: Top 10 Biggest Scandals that Cursed Movies (2018)
- SoundtracksWhen The Sun Came Down
Written by Mathieu Carratier & Greg Taieb (as Gregory J Taieb)
Performed by Artificial Darkness
Courtesy of Mathieu Carratier and Gregory J Taieb
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Amityville: el despertar
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $742
- Opening weekend US & Canada
- $742
- Oct 29, 2017
- Gross worldwide
- $8,481,997
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 2.39 : 1
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