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This sequel to "Yossi and Jagger" finds Dr. Yossi Gutmann reminiscing about his love ten years after his death. When he encounters a group of young soldiers, one of them, Tom, reignites his ... Read allThis sequel to "Yossi and Jagger" finds Dr. Yossi Gutmann reminiscing about his love ten years after his death. When he encounters a group of young soldiers, one of them, Tom, reignites his romantic feelings.This sequel to "Yossi and Jagger" finds Dr. Yossi Gutmann reminiscing about his love ten years after his death. When he encounters a group of young soldiers, one of them, Tom, reignites his romantic feelings.
- Awards
- 2 wins & 4 nominations total
Ola Schur Selektar
- Nina
- (as Ola Schur-Selektar)
Bobbi Jene Smith
- Rachelle
- (as Bobbi Jean Smith)
Nuria Lusinzky
- Nurse Lea
- (as Nuria Luzinsky)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I normally don't watch sequels when I haven't seen the original but in the case of "Yossi" I thought I would make an exception. It's a sequel to "Yossi and Jagger" and it takes up the story of Yossi, an Israeli doctor, after the death of his lover, Jagger, who was killed when they were soldiers in the Lebanon. Other than providing some kind of happy ending for Yossi this time round this seems to me a somewhat pointless film despite being very well written, directed and acted. As gay 'romances' go it's certainly up-front and honest and hardly sentimental but the 10 year gap between the two films gives this the feeling of an afterthought. Nevertheless, it's still a welcome addition to LGBT cinema if only for treating both its characters and its audience with some degree of intelligence.
The film centres around a gay man in his mid-thirties who works as a cardiologist in Tel Aviv, Israel. Still grieving his lover killed years ago, he lives a repressed and lonely life until things change in the film's second half.
This is a very compassionate film. It is occasionally satirical including a great scene that exposes the superficiality of the online dating scene. In the lead role, Ohad Knoller expresses the loneliness with much subtlety. He's quite likeable.
The film could have prolonged a passionate scene near the end. It also misses an opportunity to explore the apparent bi-curiousity of one of Yossi's colleagues. Still, it is fine entertainment. Points must be given for the avoidance of typical plotline cliches around gay characters.
This is a very compassionate film. It is occasionally satirical including a great scene that exposes the superficiality of the online dating scene. In the lead role, Ohad Knoller expresses the loneliness with much subtlety. He's quite likeable.
The film could have prolonged a passionate scene near the end. It also misses an opportunity to explore the apparent bi-curiousity of one of Yossi's colleagues. Still, it is fine entertainment. Points must be given for the avoidance of typical plotline cliches around gay characters.
I can't really remember watching a sequel of a gay film before. Either there haven't been one before or I have missed them. When I say sequel, I mean real sequel that takes the story forward and not just series like 'Eating Out'. Yossi takes the story forward from 'Yossi & Jagger', where the protagonist Jagger dies in a tragic military ambush and how Yossi is going on with his life.
Its been about 10 years since the incident had happened. Yossi is now a doctor but a very very lonely man. His anxieties are pushing their way into lonely nights with internet porn and growing detachment from his hospital's job. Yossi is still in closet, doesn't like to talk to anyone about being gay. A chance encounter with Jagger's mother at the hospital check up makes him to go to their house to tell Jagger's parents who he really is and what his relationship with Jagger was. Jagger's father is OK but the mother doesn't take it all too well. Being pushed to take a vacation, Yossi takes on a solitary road trip. He ends up picking 4 soldiers as hitchhikers who miss their bus. The groups of 4 is very very fun loving and they taunt him with the name Mozart. One of the guys in the group, Tom is gay and he and the others are very comfortable with it. Tom wants to spend time with Yossi who still prefers to be on his own just reading books but Tom won't leave him alone. Its Tom, who make Yossi come out of his cocoon and he helps Yossi evaluate his problems over a period of time and Tom helps him bring back being comfortable with who he is.
From the production values perspective, this film is Eytan Fox's best work to date. Even in terms of story and direction, it is a very accomplished work. As a viewer we really get to experience what Yossi is going through. It has been 10 years since Jagger's death but every single day, Yossi is still suffering thinking whether Jagger heard or not when he said 'I Love You'. Yossi is in denial of his nonexistent social life. Following his daily routine, the audience also sees something very humane and sad. No one would wish something like that for anyone. The inner turmoil that he goes through on whether or not to meet Jagger's parents is also done very very well. He is actually heart-wrenching. The movie then just goes in to a completely different dimension when Yossi goes a road trip. Yossi is always apologetic and ashamed of himself and his body. The young soldier Tom makes him realize that time have changed, Israel has changed and Yossi can be OK with who he is. In fact in a very touching scene when Yossi and Tom are about to get into bed, it is Tom who pushes Yossi to be comfortable with himself and his body and be proud of it. The acting from everyone is impeccable. Casuality driven Yossi, still in closet, carrying on from his military days has been acted really really well. The new guy Tom, does good job and looks cute but he does not have that mischief and innocent pure face and eyes of Jagger. He was something else.
A definite watch. I am so glad I decided to watch the prequel first and follow it up with this movie. I was able to connect with it even more and was still very very satisfied.
Its been about 10 years since the incident had happened. Yossi is now a doctor but a very very lonely man. His anxieties are pushing their way into lonely nights with internet porn and growing detachment from his hospital's job. Yossi is still in closet, doesn't like to talk to anyone about being gay. A chance encounter with Jagger's mother at the hospital check up makes him to go to their house to tell Jagger's parents who he really is and what his relationship with Jagger was. Jagger's father is OK but the mother doesn't take it all too well. Being pushed to take a vacation, Yossi takes on a solitary road trip. He ends up picking 4 soldiers as hitchhikers who miss their bus. The groups of 4 is very very fun loving and they taunt him with the name Mozart. One of the guys in the group, Tom is gay and he and the others are very comfortable with it. Tom wants to spend time with Yossi who still prefers to be on his own just reading books but Tom won't leave him alone. Its Tom, who make Yossi come out of his cocoon and he helps Yossi evaluate his problems over a period of time and Tom helps him bring back being comfortable with who he is.
From the production values perspective, this film is Eytan Fox's best work to date. Even in terms of story and direction, it is a very accomplished work. As a viewer we really get to experience what Yossi is going through. It has been 10 years since Jagger's death but every single day, Yossi is still suffering thinking whether Jagger heard or not when he said 'I Love You'. Yossi is in denial of his nonexistent social life. Following his daily routine, the audience also sees something very humane and sad. No one would wish something like that for anyone. The inner turmoil that he goes through on whether or not to meet Jagger's parents is also done very very well. He is actually heart-wrenching. The movie then just goes in to a completely different dimension when Yossi goes a road trip. Yossi is always apologetic and ashamed of himself and his body. The young soldier Tom makes him realize that time have changed, Israel has changed and Yossi can be OK with who he is. In fact in a very touching scene when Yossi and Tom are about to get into bed, it is Tom who pushes Yossi to be comfortable with himself and his body and be proud of it. The acting from everyone is impeccable. Casuality driven Yossi, still in closet, carrying on from his military days has been acted really really well. The new guy Tom, does good job and looks cute but he does not have that mischief and innocent pure face and eyes of Jagger. He was something else.
A definite watch. I am so glad I decided to watch the prequel first and follow it up with this movie. I was able to connect with it even more and was still very very satisfied.
Set in contemporary Israel, YOSSI follows the life of the eponymous hero (Ohad Knoller), a heart surgeon who spends most of his life at work to try to compensate for a non-existent social life. Having lost his lover in combat, Yossi spends his few leisure hours watching porno films on a computer, trying and failing to find dates, and making a pilgrimage to Varda's (Orly Silbersatz's) house - Varda being the mother of his deceased lover. Eytan Fox's film is a stark depiction of loneliness - there is little or no music, and the camera scarcely departs from Yossi's face as he looks at his shapeless figure and wonders whether he will be able to escape the trauma of his loss. However the film takes an optimistic turn as Yossi travels to a resort, and on the way meets up with a group of soldiers. One of them, Tom (Oz Zehavi) takes a fancy to him - even though it takes a long time for Yossi to shed his inhibitions and respond in kind. In a consciously vulgar seaside resort, full of manufactured entertainment and artificial swimming-pools, the two of them spend the night together and subsequently take a life-changing decision. Fox's film offers hope for anyone trying to cope with the pain of losing a loved one.
10palmhead
Both of these movies were powerful films and the sequel does not disappoint. Ohad Knoller did a wonderful job. One of the existing reviews seemed to judge everything based on the looks of the individual actors in the film which seemed rather shallow. I did agree with them on some points though. Yes, Yossi, in spite of the weight he has added, still carried the movie, and he is still a strikingly handsome fellow. At first I could not recognize him as the same fellow that was in Jossi and Jagger. Secondly, the toilet scene where the other doctor brings a girl in to have a threesome with Yossi, seemed a little out of place, but perhaps it added some additional perspective to the lonely and dismal place that Jossi was in his life at that stage. Overall, I loved the movie and would say that it is easily Israel's answer to Brokeback Mountain. I thought about Jossi for days after viewing the film in much the same way I did when I saw Brokeback Mountain.
I would now like to see anything with Ohad Knoller in it...he is my new favorite actor. Go Ohad!!!
I would now like to see anything with Ohad Knoller in it...he is my new favorite actor. Go Ohad!!!
Did you know
- ConnectionsFeatured in Les mains déliées: À la recherche du cinéma gay israélien (2014)
- SoundtracksLamidbar Saenu
Performed by Hadudaim
Written by Alexander Pen
Publisher: Associations for Culture & Education
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Јоси
- Filming locations
- Dan Panorama Hotel, Tarshish, Eilat, Israel(Hotel resort scenes, including revolving door and pool)
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross US & Canada
- $117,047
- Opening weekend US & Canada
- $12,287
- Jan 27, 2013
- Gross worldwide
- $128,668
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 1.78 : 1
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