IMDb RATING
5.5/10
5.1K
YOUR RATING
In London, a street dealer's life spins out of control over the course of one week after he borrows money from his supplier on what's supposed to be a sure thing.In London, a street dealer's life spins out of control over the course of one week after he borrows money from his supplier on what's supposed to be a sure thing.In London, a street dealer's life spins out of control over the course of one week after he borrows money from his supplier on what's supposed to be a sure thing.
- Awards
- 2 nominations total
Tracy Anne Green
- Cindy
- (as Tracy Green)
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Featured reviews
Review: Honestly, how much bad luck can one man have. He was definitely in the wrong profession! Anyway, I quite enjoyed this movie but the music was so annoying. All of the actors put in good performances, and the storyline was cleverly written to keep the audience in suspense. It does tend to go round and round in circles and it could have done with a bit more action, but for a British film, it was good to see something fresh without the same old faces. We have seen this storyline many times before, but the director showed us a the life of a drug dealer from a different point of view. I did expect more after watching the first half an hour, but its not a bad watch.
Round-Up: I haven't seen Richard Coyle in any other movies, but he brings a kind of intensity to the role as Frank, which worked well in the movie. Although his character has followed the bad path in life, you can't help but feeling sorry for him throughout the movie because of his bad luck. The main question that comes to mind whilst watching the movie is, Who Do You Trust, even though everyone seems to like Frank in one way or another. It also shows the dark underworld with drugs and violence which we have seen quite often in movies nowadays with the involvement of Eastern Europeans.
I recommend this movie to people who enjoy there British movies about drugs and violence and a man trying to pay of a debt. 4/10
Round-Up: I haven't seen Richard Coyle in any other movies, but he brings a kind of intensity to the role as Frank, which worked well in the movie. Although his character has followed the bad path in life, you can't help but feeling sorry for him throughout the movie because of his bad luck. The main question that comes to mind whilst watching the movie is, Who Do You Trust, even though everyone seems to like Frank in one way or another. It also shows the dark underworld with drugs and violence which we have seen quite often in movies nowadays with the involvement of Eastern Europeans.
I recommend this movie to people who enjoy there British movies about drugs and violence and a man trying to pay of a debt. 4/10
The original version of Pusher from Drive director Nicolas Winding Refn was an excellent crime-thriller with a stand-out performance from Kim Bodnia. This British remake stars Richard Coyle in the central role. Its narrative is really very similar to the original. It means that if you know the original then there aren't really too many surprises here. Nevertheless, this is a remake put together with some energy and style. And Coyle is very good in the central role.
The story like before depicts the downfall of a pusher who loses a kilo of cocaine worth £55,000 when he is busted. Milo the Mediterranean gangster who supplied him with the gear demands his money back within two days. This leads to an escalation of violence.
Zlatko Buric reprises his role of Milo the crime boss, which he memorably played in the original. Once again he is a scene stealer throughout. Although it's basically Richard Coyle's movie, he is in more or less every scene, and he propels the narrative. It's a story that has a real inertia. It's fast paced and has real energy. It's helped hugely here by the soundtrack by Orbital. Even when these guys were in their heyday in the 90's their music always had a film score feel to it, so it's no surprise that their music here fits the film so well.
Director Luis Prieto holds everything together well and ensures that there is a stylish look to go along with the grit. Although, I wouldn't say that this is an improvement on the original. It's just too similar. But on its own terms it is a good, energetic crime-thriller with some great performances.
The story like before depicts the downfall of a pusher who loses a kilo of cocaine worth £55,000 when he is busted. Milo the Mediterranean gangster who supplied him with the gear demands his money back within two days. This leads to an escalation of violence.
Zlatko Buric reprises his role of Milo the crime boss, which he memorably played in the original. Once again he is a scene stealer throughout. Although it's basically Richard Coyle's movie, he is in more or less every scene, and he propels the narrative. It's a story that has a real inertia. It's fast paced and has real energy. It's helped hugely here by the soundtrack by Orbital. Even when these guys were in their heyday in the 90's their music always had a film score feel to it, so it's no surprise that their music here fits the film so well.
Director Luis Prieto holds everything together well and ensures that there is a stylish look to go along with the grit. Although, I wouldn't say that this is an improvement on the original. It's just too similar. But on its own terms it is a good, energetic crime-thriller with some great performances.
Pusher is a flat film, leaving you waiting for a climax that never happens. The films gives you a chocolate box assortment of every character in every drug related film you can think of. You have the loose cannon side kick, the stripper girl friend, the pathetic junkie and of course the drug dealer heavies. The only person that manages to escape two dimensions is Zlatko Buric the main bad guy who gives a standout performance as the smiling psychotic Milo.
For all its style and flashing lights and camera tricky, lies a poorly executed film and I found myself just waiting for it to be over not caring who lives or dies. For it attempts to be modern it's also quite a dated film and seems more like something from the early 1990's. Avoid this film and just buy the amazing orbital sound track. I'm just happy this film was made so that orbital made another album. Bad film! Great Music!!
For all its style and flashing lights and camera tricky, lies a poorly executed film and I found myself just waiting for it to be over not caring who lives or dies. For it attempts to be modern it's also quite a dated film and seems more like something from the early 1990's. Avoid this film and just buy the amazing orbital sound track. I'm just happy this film was made so that orbital made another album. Bad film! Great Music!!
Although there is nothing seriously wrong with the movie, it is however a pointless remake of a superior product. Basically the only point of the movie is to cash in the 'executive producers' name/previous work. The performances of most of the actors was adequate, however I would advise anyone interested in the themes and concepts explored in this sub- standard remake to watch the original (in fact watch all 3 of the Pusher trilogy, although 2 and 3 seem a little rushed they remain better quality than this version). Having said that; it was good to see Zlatko Buric in a role in this film.- hmmm only nine lines and just like my friend said to me last night: 'I need another line'. ANyway I give Pusher (2012) 4/10 and thats Pushing it...
PUSHER was a strong and vivid little Danish crime thriller, made by Nicolas Winding Refn back in 1996. It was the start of what has become a successful Hollywood career, and obviously at some point somebody had the grand of idea of shooting an English-language remake. Unfortunately, this remake is completely redundant for anybody who's seen the original. It's a scene-for-scene copy, one of those which I hate, and other than the different backdrops and actors everything plays out almost exactly the same. And, somewhat inevitably, it's an inferior product to the first film in every respect.
The cast just don't scream authenticity here as they did in the original film. Richard Coyle is a selfish, mean-spirited protagonist and I found myself actively wishing for his demise. Bronson Webb takes the Mads Mikkelsen role from the first film and is absolutely awful, going way over the top without any attempt at restraint. The only decent performance comes from Zlatko Buric, making a welcome turn from the Danish film and playing the same role.
Inevitably the sex, violence, and profanity are ramped up from the original movie, but the script feels lowbrow and director Luis Prieto is no Nicolas Winding Refn, that's for sure. His attempts at style, with the camera speeding around his protagonist while thumping music plays, just feel dated and very 1999. Not a good film at all.
The cast just don't scream authenticity here as they did in the original film. Richard Coyle is a selfish, mean-spirited protagonist and I found myself actively wishing for his demise. Bronson Webb takes the Mads Mikkelsen role from the first film and is absolutely awful, going way over the top without any attempt at restraint. The only decent performance comes from Zlatko Buric, making a welcome turn from the Danish film and playing the same role.
Inevitably the sex, violence, and profanity are ramped up from the original movie, but the script feels lowbrow and director Luis Prieto is no Nicolas Winding Refn, that's for sure. His attempts at style, with the camera speeding around his protagonist while thumping music plays, just feel dated and very 1999. Not a good film at all.
Did you know
- TriviaZlatko Buric reprises his role as Milo from the original film. He is the only actor to appear in the three films of the original trilogy and this remake.
- ConnectionsFeatured in Projector: Pusher (2012)
- SoundtracksDeluge
Performed by Filthy Kicks
Written by Darren Turze, Jane Skene, Ibraham Sha'ath, and Roland Heap
Published by Copyright Control
Courtesy of Creative Commons
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Details
- Release date
- Country of origin
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- Also known as
- Tội Phạm Ma Túy
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- See more company credits at IMDbPro
Box office
- Budget
- £2,300,000 (estimated)
- Gross worldwide
- $197,857
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