Big Fish & Begonia

Visually pleasing and technically well executed enough, this Chinese animation started off with loads of promises but very soon fall into a narrative mess with no meaningful nor discernible plot flow, with characters introduced from nowhere then uncerimoniously dropped for no reason.

Character motivation is at best flimsy and perplexing to the point the viewer no longer has any motivation to stay engaged.

Very unfortunate this animation was decimated by the egoistic desire to show off the visual technicalities with scan attention paid to a meaningful plot with characters who can engage viewers ... instead what we have is a pointless rainbow of visuals and memes which go nowhere.

And to then get the usual bunch of paid 10* hustler-reviewers to put in their cheap adoration ... just salt into wound :(

What a missed opportunity! 😭😭😰😡😠🙁

Full Review on my blog max4movies: The art direction and quality of Da Yu Hai Tang (international title: "Big Fish & Begonia") really help to present a fantastic view on some classic Chinese folktales. The overall narrative possibilities are amazing and could provide for so much more plot, however some key moments fall short because of mediocre pacing and/or editing, and sub-par character writing.

View this movie on Shout! released Blu-ray disc. I very much would love to like this movie, but creativity is one big problem here. Animations were well done but just too much like Studio Ghibli animations - including movements and features of the characters (just look at Kun sister).

There is also a problem with the story. Even though the producers/director claimed that it was "inspired" by Chinese mythology, there is nothing much recognisable for me here, even though I am Chinese. It doesn't help when help that Chun, the main character said that she don't believe in God, yet they themselves have some kind of magical powers.This magical-powered beings were just being referred as "The Other". What was that? Why with all the power they have, they couldn't stop the flood?

I also viewed the Bonus Features, and understood that it creator had been through a lot just to make the film, but that is no excuse for the convoluted script (could this be the reason why he had problem in finding investor). Is it because China is a communist country where they were warn not to lick the script with any religion? I wonder.

Yes, it got beautiful imagery, animations, and great score from Kiyoshi Yoshida. Yet, this movie is more of a copy of Studio Ghibli (especially Spirited Away! Just look at all the cute creatures). It kind of sad to see China animation ended up like that. They did much better work before. I am not surprise that it received divided reviews in China.

We really enjoyed this movie for its striking animation, fantastic and beautiful worlds, and likable characters. Although the original language and mythological themes are Chinese, the animation was done by Studio Mir, based in South Korea, which also worked on the Legend of Korra. Almost all of the Chinese animated epics deal with how the characters (often gods, spirits, or demigods) relate to heaven; in Big Fish & Begonia, the alternative universe is under the earth, or, more precisely, under the sea. We also noticed a lot of allusions to Studio Ghibli, above all Spirited Away, especially in some of the characters (for example the steward of souls was like a male version of the witch who runs the bathhouse). Plus the strong female lead character whose story is nevertheless closely tied to a romantic interest.

I had the chance to see "Big Fish and Begonia" in the cinema yesterday. I was a little bit disappointed. Liang created a beautiful fantasy world and quite an original story background. Also the animations look fantastic. There are indeed many things to like about this movie. So it's all the more of a shame that the story is not very well told. Cuts between scenes always seems to come at the wrong moment and a lot of the characters and dialogues are redundant in regard to the main story. A lot of the movie is just a chain of depictions of cute little details in Liang's fantasy world. It feels a little bit like he tries so hard to be Miyazaki that he forgets all about the plot. Because of this, it's hard to get a feel for the movie. Which is a shame because it had a lot of potential. I hope that Liang's future works will try less to be Miyazaki and dare to be more Chinese. Although this movie may not be great, it might well be the start of a new age in Chinese animation cinema. I recommend this movie to people who are hugely into Chinese cinema and/or animation films. Otherwise, wait for something more worthwhile.