Run Out

A plot nicely laid out in Johannesburg...

But the movie failed to have control and the director miserably failed to get a thrill out of it.

It can be considered a better City Tour of Johannesburg then a movie worth enjoying.

By the name and the cast the movie was to be a thriller...

But it was more of a waster.

I always consider a movie a HIT when it keeps coming to your mind even the next day and the next day.

Its the flavor...

But this one i wanted to sleep in the theater rather than waste my time watching it.

"There was a mix-up. That car was meant to be picked up by one of our undercover police officers." Michael Woods (Walker) flies to South Africa to see his girlfriend that he hasn't seen in a long time. When he gets to the airport there is a problem with the rental car agency and he grabs another car just to get to his girl as fast as he can. While driving he receives a call from a stranger telling him the car was not meant for him. When he finds a woman in the trunk with a secret that can take down the entire police force Michael is forced into a situation he is not used to. I have to admit that I am not a Paul Walker fan at all so remember that in this review. For the plot and idea of this the movie was pretty slow moving. Do not expect a Fast & Furious type movie. This is more like the Transporter, but slower. The entire movie, except for the first few minutes takes place entirely in a car. Normally that doesn't bother me, but this just didn't have enough action to keep me interested in the one shot. Overall, to me Paul Walker was neither fast nor furious in this, and neither was the movie. I give it a C+.

I am a fan of the Fast & Furious movies, some more than others, and my expectation was that this movie would offer a similar level of entertainment and action. Unfortunately it fell way short of that.

If it is meant to be a tense thriller then Paul Walker's terrible over-acting in scenes of anger or 'this can't be happening to me!' provided no credibility and thus failed to be in anyway gripping. And with no real back story or character build-up to balance this, you immediately get turned off the petulant man-child with anger management issues. For me this was from 5 minutes in.

I'm not sure if it was a bad story line or poor editing but the movie often jumps from scene to scene with little cohesion. One has to totally suspend disbelief during any chases given the car he is driving vs those who are chasing.

Finally, Paul Walker's script defies logic as he continuously fails to have a conversation with other characters about what has happened or is happening. If this was supposed to be 'angry alpha male type that doesn't communicate well'.....then it simply doesn't work.

3 out of 10 for a promising plot with a few tense moments.

One reviewer says this film has a "nice plot", but the plot of Vehicle 19 is actually its greatest downfall, and, as movies generally succeed or fail or their plots, this movie is a bit of a bummer.

What I am about to say might, for some films, be a plot spoiler, but as I've established the plot is poop, I don't think I need to worry.

So, Paul Walker arrives at Jo'burg airport, picks up the wrong rental car and subsequently discovers a silenced gun has been left for the rightful renter for the purpose of killing the female lawyer currently tied up and gagged in the trunk. Hmm. Someone has gone to the trouble of kidnapping this woman, sourcing a silenced weapon, bundling her into a rental car, but doesn't bother with that extra step of killing her. (This is a little like that old James Bond moment when the baddies always but always fail to actually kill him when they have the chance.) Instead, they have hired someone from abroad to fly in, pick up the car, take it somewhere remote and kill the woman. Come on, people, this is one of the most violent countries on earth; you couldn't find someone local to do the job?

This is, therefore, one of the most contrived plot openings ever, and its discordant noise reverberates throughout the entire film. Paul Walker's character makes some equally idiotic moves with the sole purpose of progressing what remains of the plot, ignoring common sense at every turn in a sterling effort to place himself in as much danger as possible.

You get the gist.

The final scene is a direct rip-off of Clint Eastwood's The Gauntlet, which is a far better get-this-lady-to-safety film than Vehicle 19 could ever hope to be.

It's rather sad. As much as I really like Paul Walker as an action hero, and mourn his untimely passing, this is a pitiful epitaph for the man.

A low budget indie thriller with an interesting concept, but VEHICLE 19 suffers from sluggish pace and short of adrenaline rush. The first thing that attracted me to watch this low-budget indie thriller called VEHICLE 19 is its irresistible concept -- the movie is shot entirely from inside the car. Now that's what I called a great novelty. However, South African director Mukunda Michael Dewil fails to capitalize his own concept. Instead of a fast-paced thriller normally expected from this kind of movie, VEHICLE 19 sputters as it moves along. Somewhere in between, director Mukunda Michael Dewil manages to stage some claustrophobic moments and worthy action scenes within the confined space of a car (and limited budget). Paul Walker is fairly adequate to put on a (mostly) one-man show as a brooding and manic anti-hero. It's a shame that Mukunda Michael Dewil's script is lackluster. More than often, the movie loses its momentum whenever it tries to elaborate the storyline. The pace is patchy, while the movie's overly-stylized look is too distracting for its own good. Overall, VEHICLE 19 only works in certain angles. The rest of them are as rusty as a beat-up engine.