When a veteran 911 operator takes a life-altering call from a teenage girl who has just been abducted, she realizes that she must confront a killer from her past in order to save the girl's ... Read allWhen a veteran 911 operator takes a life-altering call from a teenage girl who has just been abducted, she realizes that she must confront a killer from her past in order to save the girl's life.When a veteran 911 operator takes a life-altering call from a teenage girl who has just been abducted, she realizes that she must confront a killer from her past in order to save the girl's life.
- Awards
- 1 win & 11 nominations total
Evie Thompson
- Leah Templeton
- (as Evie Louise Thompson)
Featured reviews
"The Call" is a tidy little thriller, modeled, in large part, on the movie "Speed." Halle Berry plays the Southern California 911 dispatcher who's in a race against the clock to rescue a teenage girl (Abigail Breslin) locked in the trunk of a serial killer (Michael Eklund).
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Others have already told all in spoilers, so I'll just say a smart, capable woman who's very good at her job and has a cop for a boyfriend decides to throw her brain away and act incredibly dumb for the last 20 minutes of the movie. I was riveted until then.
I really like the first half, it keeps you involved but second half has unnecessary plot. Ending could have been different.
'The Call' is one of those movies where the feel dictates everything- Either you find yourself deeply engrossed,excitedly anticipating what's next or you feel disconnected and cant sit through it.With 'The call' it's the former.The movie wastes no time in getting things started and once they do,there's hardly a dull moment.The actors are well cast. Halle Berry plays a gutsy 911 phone agent who is desperate not to repeat a mistake made.Frankly she was amazing...way better than i expected.
The movie works because it has it's ingredients well cooked.The acting is superlative,the pace exhilarating.The background score is brilliant and adds another dimension to this thriller.The movie captures perfectly the horror and terror of being a kidnapped victim to a psychopath,the tension of being a 911 phone helper(Who needs to display equanimity,sympathize and be nimble-minded,all at the same time).It is a genuine tale,thrilling,intriguing .......and at times even scary.Definitely worth a watch.Go for it.
The movie works because it has it's ingredients well cooked.The acting is superlative,the pace exhilarating.The background score is brilliant and adds another dimension to this thriller.The movie captures perfectly the horror and terror of being a kidnapped victim to a psychopath,the tension of being a 911 phone helper(Who needs to display equanimity,sympathize and be nimble-minded,all at the same time).It is a genuine tale,thrilling,intriguing .......and at times even scary.Definitely worth a watch.Go for it.
I enjoyed this film quite a bit: it kept a good pace of tension which makes for a good thriller. The acting is good (no academy awards), and it did a good job of giving a glimpse into the operations of 911 call centers which is a fresh topic - and it did so without dragging the pace.
The main bad guy becomes ever more creepy as the plot progresses which helps build the tension. The ending takes an interesting twist which, in the moment, doesn't feel quite as out-of-character as others describe - mainly due to a good segue shot that probably took more than a few takes to get right.
The weak spots consist mainly of some CSI style technology leaps that only technology morons would buy into, and a single bit of clumsiness that just feels scripted. Unfortunately the CSI technology leaps are very popular in Hollywood (to my dismay) and the bit of clumsiness is key to the plot progression.
If one or two minor transgressions make you feel like you wasted your money, wait for it to show up on Netflix. If you enjoy a good edge of your seat thriller and can overlook the transgressions, go see it!
The main bad guy becomes ever more creepy as the plot progresses which helps build the tension. The ending takes an interesting twist which, in the moment, doesn't feel quite as out-of-character as others describe - mainly due to a good segue shot that probably took more than a few takes to get right.
The weak spots consist mainly of some CSI style technology leaps that only technology morons would buy into, and a single bit of clumsiness that just feels scripted. Unfortunately the CSI technology leaps are very popular in Hollywood (to my dismay) and the bit of clumsiness is key to the plot progression.
If one or two minor transgressions make you feel like you wasted your money, wait for it to show up on Netflix. If you enjoy a good edge of your seat thriller and can overlook the transgressions, go see it!
Did you know
- TriviaIn the opening scene, one of the callers in the 911 center states "I think I'm having an overdose and so is my wife." The line was made famous by Edward Sanchez, a policeman who confiscated marijuana from a suspect and then made brownies with it. He called 911 when he thought he had taken too much.
- GoofsWhen Jordan stumbles upon the trapdoor access to the underground bunker, it is covered with leaves and debris. But Michael is already inside, so the debris would have fallen away when he opened the trap door.
- Quotes
[last lines]
Michael Foster: You're an operator. You can't do this!
Jordan Turner: It's already done!
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #21.105 (2013)
- SoundtracksPartly Cloudy
Composed and Performed by Ronald A. Mendelsohn (as Ronald Alan Mendelsohn)
Courtesy of Megatrax Music
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Línea de emergencia
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $51,872,378
- Opening weekend US & Canada
- $17,118,745
- Mar 17, 2013
- Gross worldwide
- $68,572,631
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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