Shor in the City

The movie is a cock-tale of three stories simultaneously taking place in Mumbai within the span of 11 days of Ganesh Chaturthi. The narration consists of three different class and tastes having different background struggling in one or the other way to get a place in the heart of India.

Let me mention one name first of all, Pitobash Tripathy. I remember him right from the 3 Idiots. I knew the man has got the talent and he has accorded himself very well in the character. He brings in the gags in each and every scene he is featured.

The film has got one of the strongest end credits and all thanks to the brilliant scene in the end credit.

Rensil has a descent debut and is same with Preeti Desai.

Stories,though simple, are well narrated. Screenplay is engaging.Writing team comprising Raj Nidimoru, Krishna D.K., Sita Menon has done a good job.

Editing is good.The track fails to show the third story connecting with the other two in the end. Tusshaar Kapoor's track could have been chopped a little.

Music is unconventional.All songs are used in the background score which boosts the movie in a positive way.

In the end, this "Shor" is a must watch!

Completely Different Type of Movie In Bollywood.

DK and Raj Direction is Very Good.

Narrated 3 Different Story Lines and Intersected Those 3 Stories in the Climax is Very Good.

Technically Very Good Movie .

Could see Rawness in the movie .

Go Watch it if you are bored of routine Bollywood Movies .

There has indeed been a lot of "shor" throughout 2011. The cacophony of corruption , the noise made by Anna Hazare against it , the cheer of India triumphing at the cricket world cup , the hullaballoo of the royal wedding , the euphoria surrounding Osama's death and not to forget the annoying IPL trumpet.

We are indeed living in noisy times. Raj Nidimoru and Krishna DK get it right stating with the title itself.Mumbai in the last few years has ceased to be the dream city conjured up by Bollywood over the years. It has emerged into the city of the Slumdog , of Aamir , of Dhobhi Ghat and now as a noisy ,dirty and eccentric metropolis.

Three stories run parallely during the Ganpati festival. Each story deals with fringe characters desperate to make it into the mainstream. So we have petty criminals , foreign returned Indians and an out of favour cricketer. In Inarritu style they criss-cross each other's lives which culminates into the climax.

Hats off to the directors for the mood they lend to the film. The opening credits run amidst chaotic Mumbai streets where cars narrowly miss you. A sense of claustrophobia persists throughout along with intense , scorching heat. The bustling and crowded outdoors , the narrow dingy lanes , the deserted rooftops hardly give you any breathing space. The viewer is immediately overtaken by a sense of visual noise.

The sudden cuts coupled with edgy music and pedestrian language keeps the narrative tight. Again , hardly any breathing space anywhere. The performances blend into the story. Pitobash as Mandook stands out. Special mention for Tusshar (he's dropped the Kapoor) here for whom its been a long journey from Bore to Shor .

The 'shor' gets heightened as Tilak (Tusshar) who been married for a while now hardly even knows his wife. The story unfolds during the Ganesha festival with his idols dotting the city. But its almost as if God himself has been rendered helpless against the times. Is he just an excuse for another festival? While the ending may remind one of Travis Bickle from Taxi Driver , its best left to the viewer to be the judge of it.

This is a film "full of sound and fury" Signifying existence in between -Sushovan Sircar for MuvieMadlyDeeply.com

Shor in the city is one of the finest movies released in 2011 from the usual trash producing bollywood. The treatment is more like babel but mumbai as the location adds color to the story. It indeed lives as a character in the movie! Wonderful performances from everyone and the script is well executed. Its damn right funny at times and pretty intense when it has to be. The crooks, the mafia, tushar & radhika apte brings life to the story. The dialogs are hilarious and there is a small sweet melody which bleeds nothing but romance.

If you like Guy Ritche films or you just want to see something other than the usual run of the mill films, this would be a good choice.

I wasn't expecting much of Krishna D.K. and Raj Nidimoru's 'Shor In The City'. Despite the rave reviews, I was under the impression that this would be another one of those slick-wannabe crime thrillers. I'm glad that I was wrong because the film positively surprised me.

Intertwined stories are becoming quite common in Hindi cinema and I enjoy them when they're told well. Here the link between them isn't significant in the sense that it's not what the story focuses on. The connection is shown smoothly. Each story has its own strength but for me the best one was that of Tilak which was refreshing and it had a wicked sense of humour. The sequence with the child and the bomb and the scenes that follow (concerning the child) still make me laugh. The scenes between Tilak and his wife are also amusing. The Sawan story presents an interesting theme but I felt the romantic angle was a little melodramatic. The Abhay story has a deja vu feel to it but it's well told and engaging.

The cinematography is stunning. It captures the rawness and authenticity of the title city and citylife very well. The background score, sound and art direction are brilliant. The pacing is slightly uneven as it tends to go slow in the middle. The performances of Zakir Hussain, Sendhil Ranamurthy, Tusshar Kapoor, Nikhil Dwivedi, Sundeep Kishan and Pitobash are good too (in the given order). The women hardly get any scope but Radhika Apte is a delight to watch.

The main highlight of 'Shor In The City' is its detailed screenplay which is also co-written by D.K. and Nidimoru (who have done a fantastic job as directors). Overall, 'Shor in the City' has been a pleasant and funny surprise.