Flight

"Flight" is a film that brought Denzel Washington an Oscar nomination...something his performance richly deserved. It's a terrific performance in a terrific, yet harrowing, film.

Whip Whitaker (Washington) is an absolute mess. Although he's an airline pilot, he's an addict and boards a plane under the influence of cocaine and alcohol. He's so badly impaired that during the flight, he managed to sneak MORE alcohol into his body! Now here's the amazing part....the plane literally begins to fall apart in midair and through VERY quick thinking, he manages to crash land the plane with only minimal loss of life. When Whip awakens at the hospital, he soon learns that the press is declaring that he's a hero! This film is about his actions and the airline's and the pilot union's following the crash.

The scene where the plane begins to fall apart and crashes is about the most harrowing and adrenaline-pumping scenes you'll ever see in a film. I could actually feel my chest pounding and STRONGLY recommend anyone with a fear of flying to avoid this film!!! It's well done...and it's shocking no Oscar nominations were given to the folks who created this scene!

I appreciate Denzel Washington in this film. Not only is he very good, but he really took a risk here playing such a screwed up and self-destructive guy. This was clearly a stretch for him...and it's nice to see him do something different.

Overall, this is a really amazing film...not just because of the crash but also because it really shows addiction in all its ugliness and with great realism. Among the best of 2012...though oddly apart from Washington and one minor award, the film wasn't nominated for Best Picture nor Best Director.

UPDATE: I recently found "The Pilot" on YouTube. It's a very, very similar story starring Cliff Robertson...so similar that I have to believe the writer of "Flight" was 'inspired' by it strongly. Because it's so similar, I am amending my score for "Flight" from 10 to 9....but it's still a terrific story.

Denzel Washington is William "Whip" Whitaker, an alcoholic pilot who, after a night of heavy drinking, remains drunk well into the morning he is to fly a plane into Georgia. When his flight goes into a sudden tail- spin, Whip manages to save all but six lives through his crash-landing. Whip is a hero until his toxicology report comes up positive for everything under the sun, leaving the airline, Whip's union, his friends, and Whip in a tailspin of their own.

I have often thought that Denzel Washington is one of the finest actors to ever grace the silver screen, and he proves that assertion with a film that is assured to receive him a sixth Academy Award nomination. Here is a man broken beyond measure, stumbling through his lost life until unprecedented new stress is placed upon him. Not even the intervention of those he holds close can stop his self-destructive nature - or can it?

Robert Zemeckis has been on a sturdy path with animated films recently, so it was with a bit of apprehension that I saw his most recent live- action offering since "Cast Away". But have no fear. The direction here is clean, crisp, and efficient as ever, producing a simple, but powerful script by John Gatins, chock-full of par-none supporting roles by the likes of John Goodman, Don Cheadle, and Bruce Greenwood.

Undoubtedly the best part of the film - besides the wonderful cast - was the soundtrack. Joe Cocker, Bill Withers, and more are used expertly to mold into every emotion, sometimes emotional roller coaster, Whip experiences. Each song (some used more than once) slips seamlessly into the background and keeps the audience following more than the script.

"Flight" is a powerful, dark, character study about a man who has fallen to his darkest depths, and finds out how to fall farther. It sees Denzel Washington in top form and Robert Zemeckis' triumphant return to the live screen.

All the way until the ending I was eating this up. "Flight" is a tense, character-driven drama about a heroic pilot who averts an epic disaster only to be caught in the crosshairs of a long, ugly investigation of his life. It presents a highly complex story, weaving themes of heroism vs. arrogance, good intentions vs. bad results, and bad intentions vs. good results. For 80% of the film, "Flight" is on par with the greatest character studies since "12 Angry Men". However, be prepared for a less than fitting ending, or at best an ending that was rushed so quickly that it leaves you wondering "did we miss an entire scene where the ghosts of Christmas past, present & future showed up?"

That's the only negative I have, although it's a big one. For the rest of my review I'll focus on the positives. The biggest positive is, of course, Denzel Washington as pilot "Whip Whittaker". He certainly doesn't disappoint. The role is a challenging one: a man whose personal life is a disaster even though his professional life is spotless. His professional arrogance leads him to deny the failure of his personal life, and this is the conflict that makes the film riveting.

Although this film is squarely about him, there were some peripheral characters who really added to the pot. British actress Kelly Reilley pulls of a convincing southern accent (though southern sticklers may spot it as more "Alabama" than "Georgia" haha) and more importantly gives us insight into the mind of a damaged person who is genuinely trying to better herself, unlike our hero who denies his faults. Another great character, though minimal, is John Goodman who shows up as a bizarre, surrealistic "fixer" and adds tremendous color and humor to the show. The attorney for Whip Whittaker is excellently played by Don Cheadle who balances slick legal professionalism with utter frustration at his client's self-sabotaging acts.

Even the action scenes were incredibly done, using a full sized commercial jet cut into sections and hoisted up on a weird contraption that made it flip around for the cameras. This is a first class production from start to finish.

It only falls shy of monumental because of its Zemeckisy ending, a trademark of many 80s directors like Spielberg and Ron Howard where everything has to be neatly tied up in a bundle with a moral ending, even if it seems out of left field considering the characters' personality. But that's just my opinion and the reason why I docked "Flight" a few points. You may find it perfect. Regardless I think everyone can agree that most of the film is phenomenal.

Washington gives what is nothing less than a performance of a lifetime in this tension filled film dealing with a pilot wrestling with inner demons. The aviation sequences are stunning and the crash one of the most breathtaking ever filmed. The director is highly gifted and his skill and passion are clearly evident. The script is superb, with intelligent plotting and sharp dialog that captures reality. It is, once again, Washington who shines here above all else. His power as an actor is what truly gives this movies its fire. His portrayal of a substance abusing addict/alcoholic is painful to watch because of the humanity he brings to the part. It is a tremendous accomplishment and one of the finest studies of addiction ever filmed.

Trailers might lead you to believe this is a film about flying. Or about an amazing flying feat. But it is all about the lead character, Captain "Whip" Whitaker (Denzel Washington), a man who is a pilot and an alcoholic. The flying and a terrible crash provide background for the story of this man, who has struggled with his illness for years.

In many ways the story is not that original. We have seen numerous stories about alcoholics and heard real-life testimonies of the behaviors that accompany alcoholism, and this film tracks with all of them.

It is worth seeing for the brilliant portrayal of Captain Whitaker and the performances of the other actors in the film. Some parts are difficult to watch because the acting is so engaging.

I also think the film raises some interesting questions that some viewers may not be willing to acknowledge. If one is an alcoholic, is the entire worth of that man nothing more than what his sickness drags him down to? Are we what we do? Can we rise above our neuroses or our worst behaviors? Often we see public figures condemned in media for indiscretions or harmful acts; is that, then, the measure of the man or woman?

The film, even if judged solely for its dramatic content, is worth seeing.