Flight
Troubling questions arise after airline pilot Whip Whitaker makes a miracle landing after a mid-air catastrophe.Troubling questions arise after airline pilot Whip Whitaker makes a miracle landing after a mid-air catastrophe.Troubling questions arise after airline pilot Whip Whitaker makes a miracle landing after a mid-air catastrophe.
- Nominated for 2 Oscars
- 15 wins & 45 nominations total
Adam C. Edwards
- Father on Plane
- (as Adam Ciesielski)
Charlie E. Schmidt
- Tiki Pot
- (as Charlie E. Schmidt Jr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I am an aircraft mechanic, so admittedly I have trouble watching a movie which will undoubtedly abuse reality in terms of physics and aircraft design. I recall seeing previews for this and being stunned at the laughable scenario of an inverted passenger plane. That experience dropped my expectation to essentially zero.
When I watched this film I was surprised in two ways. Firstly, the scenario was more plausible than I had given it credit. Inverted flight is a problem for most planes because of aerodynamics. And while some aircraft are aerodynamically capable of inverted flight (even some passenger planes) it is additionally a problem because hydraulic and engine oil systems are often gravity fed. This means that if a plane is able to fly this way, most of them won't fly for long before systems begin to fail. The film did a reasonable job of portraying this as the plane was just barely able to sustain level flight with a full pitch down elevator position and displayed low engine oil press warnings which led to engine fire. I suspect the roll maneuver would require more altitude than the film suggests...but otherwise it's not far from what could happen in reality if this was actually attempted. Most engine fire T-handles are designed to instantly shut fuel and bleed air valves for an engine...which doesn't seem to happen here, but that was my biggest realism gripe.
My second surprise is that this movie has very little to do with aviation. Aviation seems to be the setting for the story, but the subject itself is substance abuse. The story could have just as easily been set around a bus driver or a ship captain. Given the fact that aviation was merely a setting for the story I have to give credit to the film makers for paying at least some attention to realism.
I thought the story was fascinating. It's the sort of film that requires something of the viewer. You can't watch this without making moral judgements and that process requires each viewer to evaluate how they feel about certain subjects. The story creates just enough moral dilemma to get people thinking and any story that can succeed in that gets a pass from me.
When I watched this film I was surprised in two ways. Firstly, the scenario was more plausible than I had given it credit. Inverted flight is a problem for most planes because of aerodynamics. And while some aircraft are aerodynamically capable of inverted flight (even some passenger planes) it is additionally a problem because hydraulic and engine oil systems are often gravity fed. This means that if a plane is able to fly this way, most of them won't fly for long before systems begin to fail. The film did a reasonable job of portraying this as the plane was just barely able to sustain level flight with a full pitch down elevator position and displayed low engine oil press warnings which led to engine fire. I suspect the roll maneuver would require more altitude than the film suggests...but otherwise it's not far from what could happen in reality if this was actually attempted. Most engine fire T-handles are designed to instantly shut fuel and bleed air valves for an engine...which doesn't seem to happen here, but that was my biggest realism gripe.
My second surprise is that this movie has very little to do with aviation. Aviation seems to be the setting for the story, but the subject itself is substance abuse. The story could have just as easily been set around a bus driver or a ship captain. Given the fact that aviation was merely a setting for the story I have to give credit to the film makers for paying at least some attention to realism.
I thought the story was fascinating. It's the sort of film that requires something of the viewer. You can't watch this without making moral judgements and that process requires each viewer to evaluate how they feel about certain subjects. The story creates just enough moral dilemma to get people thinking and any story that can succeed in that gets a pass from me.
Washington gives what is nothing less than a performance of a lifetime in this tension filled film dealing with a pilot wrestling with inner demons. The aviation sequences are stunning and the crash one of the most breathtaking ever filmed. The director is highly gifted and his skill and passion are clearly evident. The script is superb, with intelligent plotting and sharp dialog that captures reality. It is, once again, Washington who shines here above all else. His power as an actor is what truly gives this movies its fire. His portrayal of a substance abusing addict/alcoholic is painful to watch because of the humanity he brings to the part. It is a tremendous accomplishment and one of the finest studies of addiction ever filmed.
Robert Zemeckis' latest film Flight starring Academy Award Winner Denzel Washington is not only thoroughly entertaining and terrifically structured, it encompasses a soul that Hollywood hasn't really delivered in quite some time. The film, that closed the New York Film Festival, is simply one of the best films of the year.
Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.
Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.
The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.
Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.
Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!
Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!
Read More Reviews at The Awards Circuit (http://www.awardscircuit.com)
Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.
Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.
The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.
Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.
Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!
Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!
Read More Reviews at The Awards Circuit (http://www.awardscircuit.com)
All the way until the ending I was eating this up. "Flight" is a tense, character-driven drama about a heroic pilot who averts an epic disaster only to be caught in the crosshairs of a long, ugly investigation of his life. It presents a highly complex story, weaving themes of heroism vs. arrogance, good intentions vs. bad results, and bad intentions vs. good results. For 80% of the film, "Flight" is on par with the greatest character studies since "12 Angry Men". However, be prepared for a less than fitting ending, or at best an ending that was rushed so quickly that it leaves you wondering "did we miss an entire scene where the ghosts of Christmas past, present & future showed up?"
That's the only negative I have, although it's a big one. For the rest of my review I'll focus on the positives. The biggest positive is, of course, Denzel Washington as pilot "Whip Whittaker". He certainly doesn't disappoint. The role is a challenging one: a man whose personal life is a disaster even though his professional life is spotless. His professional arrogance leads him to deny the failure of his personal life, and this is the conflict that makes the film riveting.
Although this film is squarely about him, there were some peripheral characters who really added to the pot. British actress Kelly Reilley pulls of a convincing southern accent (though southern sticklers may spot it as more "Alabama" than "Georgia" haha) and more importantly gives us insight into the mind of a damaged person who is genuinely trying to better herself, unlike our hero who denies his faults. Another great character, though minimal, is John Goodman who shows up as a bizarre, surrealistic "fixer" and adds tremendous color and humor to the show. The attorney for Whip Whittaker is excellently played by Don Cheadle who balances slick legal professionalism with utter frustration at his client's self-sabotaging acts.
Even the action scenes were incredibly done, using a full sized commercial jet cut into sections and hoisted up on a weird contraption that made it flip around for the cameras. This is a first class production from start to finish.
It only falls shy of monumental because of its Zemeckisy ending, a trademark of many 80s directors like Spielberg and Ron Howard where everything has to be neatly tied up in a bundle with a moral ending, even if it seems out of left field considering the characters' personality. But that's just my opinion and the reason why I docked "Flight" a few points. You may find it perfect. Regardless I think everyone can agree that most of the film is phenomenal.
That's the only negative I have, although it's a big one. For the rest of my review I'll focus on the positives. The biggest positive is, of course, Denzel Washington as pilot "Whip Whittaker". He certainly doesn't disappoint. The role is a challenging one: a man whose personal life is a disaster even though his professional life is spotless. His professional arrogance leads him to deny the failure of his personal life, and this is the conflict that makes the film riveting.
Although this film is squarely about him, there were some peripheral characters who really added to the pot. British actress Kelly Reilley pulls of a convincing southern accent (though southern sticklers may spot it as more "Alabama" than "Georgia" haha) and more importantly gives us insight into the mind of a damaged person who is genuinely trying to better herself, unlike our hero who denies his faults. Another great character, though minimal, is John Goodman who shows up as a bizarre, surrealistic "fixer" and adds tremendous color and humor to the show. The attorney for Whip Whittaker is excellently played by Don Cheadle who balances slick legal professionalism with utter frustration at his client's self-sabotaging acts.
Even the action scenes were incredibly done, using a full sized commercial jet cut into sections and hoisted up on a weird contraption that made it flip around for the cameras. This is a first class production from start to finish.
It only falls shy of monumental because of its Zemeckisy ending, a trademark of many 80s directors like Spielberg and Ron Howard where everything has to be neatly tied up in a bundle with a moral ending, even if it seems out of left field considering the characters' personality. But that's just my opinion and the reason why I docked "Flight" a few points. You may find it perfect. Regardless I think everyone can agree that most of the film is phenomenal.
Flight (2012)
**** (out of 4)
Denzel Washington turns in one of the strongest performances of his career playing Walt Whitaker, a pilot who becomes an overnight hero after he saves the majority of the passengers on a doomed plane. Soon after becoming a hero Walt starts to get questioned on whether or not he was up all night partying and in fact was flying the plane drunk and soon he's forced to face himself and the events. Robert Zemeckis has certainly delivered a very entertaining, honest and depressing look at a man who seems to be good at just about everything except being honest with himself. Going into the picture I really wasn't sure what to expect but the film turned out to be great from start to finish and it's certainly one of the more honest looks at an alcoholic to come along in a while. The screenplay by John Gatins is extremely well-written and I think it deserves a lot of credit because I really appreciated the way we get to know this character. Because it's Denzel you're automatically going to want him to do good but the challenging aspects of the screenplay are so well handled by the actor and director that you really do feel like you're getting a complete character study. Zemeckis adds in some great song selections, the cinematography is top notch and there's no question that the film contains some excellent and tense drama. The Q&S session is perfectly handled and the crash sequence is one of the most chilling I've ever seen. Washington is excellent in the role of the troubled pilot as he contains that charm we all love but it also gives the actor a chance to give a full performance. He's so great at everything he does I think he often doesn't get the chance to do a role as complete as this one but he proves why he's one of the best out there. John Goodman, Don Cheadle and Kelly Reilly are all great in their supporting roles as well. You've also got to give everyone credit for not watering down the material and going for a safe and clean PG-13 rating. While there's nothing overly offensive here, the R-rating does allow for an honest and open look at this very flawed character. FLIGHT is certainly one of the years best films.
**** (out of 4)
Denzel Washington turns in one of the strongest performances of his career playing Walt Whitaker, a pilot who becomes an overnight hero after he saves the majority of the passengers on a doomed plane. Soon after becoming a hero Walt starts to get questioned on whether or not he was up all night partying and in fact was flying the plane drunk and soon he's forced to face himself and the events. Robert Zemeckis has certainly delivered a very entertaining, honest and depressing look at a man who seems to be good at just about everything except being honest with himself. Going into the picture I really wasn't sure what to expect but the film turned out to be great from start to finish and it's certainly one of the more honest looks at an alcoholic to come along in a while. The screenplay by John Gatins is extremely well-written and I think it deserves a lot of credit because I really appreciated the way we get to know this character. Because it's Denzel you're automatically going to want him to do good but the challenging aspects of the screenplay are so well handled by the actor and director that you really do feel like you're getting a complete character study. Zemeckis adds in some great song selections, the cinematography is top notch and there's no question that the film contains some excellent and tense drama. The Q&S session is perfectly handled and the crash sequence is one of the most chilling I've ever seen. Washington is excellent in the role of the troubled pilot as he contains that charm we all love but it also gives the actor a chance to give a full performance. He's so great at everything he does I think he often doesn't get the chance to do a role as complete as this one but he proves why he's one of the best out there. John Goodman, Don Cheadle and Kelly Reilly are all great in their supporting roles as well. You've also got to give everyone credit for not watering down the material and going for a safe and clean PG-13 rating. While there's nothing overly offensive here, the R-rating does allow for an honest and open look at this very flawed character. FLIGHT is certainly one of the years best films.
Did you know
- TriviaThe accident in the film was inspired by a real-life disaster, the crash of Alaska Airlines 261 on January 31, 2000. Some dialogue in the film closely resembles the CVR transcript. Like in the film, the pilots of Alaska 261 rolled the airplane to an inverted position to try to stabilize the flight. Unlike the film, however, this did not assist them in recovering the aircraft. The root cause of the crash was found to be inadequate maintenance of the airplane's stabilizer "jackscrew," which caused its threads to wear down excessively and eventually jam the jackscrew. While the pilots were trying to reach Los Angeles for an emergency landing, the threads were ripped out and the stabilizer moved to a position that forced the plane into its fatal dive.
- GoofsThe NTSB investigation portrayed in the movie includes recovered data from the Cockpit Voice Recorder. US law requires Cockpit Voice Recorders to include at least 30 minutes of audio data from both pilots and Air Traffic Control radio transmissions. Since the plane crashed in less than 30 minutes, the audio from the CVR should have included Evans and Margaret's conversation about Whip sleeping on the job. This would have raised serious questions about Whip's behavior aside from his alcohol and drug usage. However, nothing about this is mentioned at any point during the NTSB hearing.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #21.22 (2012)
- SoundtracksAlcohol
Written by Stephen Duffy & Steven Page
Performed by Barenaked Ladies
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El vuelo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $93,772,375
- Opening weekend US & Canada
- $24,900,566
- Nov 4, 2012
- Gross worldwide
- $161,772,375
- Runtime
- 2h 18m(138 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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