Fast & Furious 6

Well, this was unexpected! Going into this film I found myself with no hype at all. I expected a good, fun and cheesy movie time and I came out of the theater happy and surprised. While this isn't a masterpiece of filmmaking it does achieve what it sets out to do. To entertain you. And it does this quite good and sometimes it goes further than this by showing us some amazing set pieces and action sequences. For example one car, tank chase sequence! This is achieved by the gigantic production value of the film. You can literally smell the money that comes out of these guys. The whole movie you have this sense of scale, and I mean BIG scale! The amazing sound mixing and design including the music pumps you up and puts you in the mood! While the acting isn't Oscar worthy it is very fluid and it doesn't always feel forced. The chemistry between the cast is very solid and credible. Diesel and "The Rock" where pretty solid along with the secondary characters, and the villain was surprisingly tolerable. Another thing that solidifies the movie are the effects. These are outstanding along with the camera-work! The things that brought the movie down for me a little bit where some of the stunts, and weirdly some of these I found pretty amazing but although I understand this movie isn't supposed to be taken seriously there were some stunts that were just plain unbelievable, specially in the third act of the movie. And finally, the plot. While not groundbreaking it did have its interesting points but it doesn't drift away from the cheese factors. Overall I was quite surprised by what this movie did and how the director and producers exploited and used their huge production value. This is an example of a good quality action flick.

Bigger, faster, crazier — that's the motto of the "Fast & Furious" franchise six films in. If you thought the action, scale and stunts were off the charts in "Fast Five," prepare to have your mind blown by "Fast & Furious 6."

The previous films were an acceleration, and the series hit full throttle with "Fast Five." The road was open and endless for Universal, and returning writer Chris Morgan and director Justin Lin. What they opt to do in "F&F6" is bend the limits of reality to their will. From the initial London chase to a highway tank sequence to the grand finale, which involves a massive cargo plane, this is an action movie jacked up on steroids. In fact, there are a couple references to Marvel "Avengers" characters — a not-so-subliminal suggestion that Universal would like you to think of Dominic Toretto's crew/family as a team of superheroes.

The trouble is for every "wow!" moment there are twice the number of "what?" moments. The action is so ludicrous that you lose all sense of what's happening. They're like little blackout moments as you drink more and more of the movie's high-octane Kool-Aid.

Morgan pulls together a perfectly viable plot. Dom's (Vin Diesel) presumed deceased former lover, Letty (Michelle Rodriguez) has been spotted in association with a criminal mastermind named Owen Shaw (Luke Evans) whose ex-military crew is essentially the shadow image of our heroes. Dobbs (Dwayne Johnson) presents this info to Dom in hopes that it'll persuade Dom into doing him favor in taking Shaw down. It naturally works, and the crew must put a hiatus on their quiet life spending all the cash they stole in the last film; when the patriarch of the family calls, you answer.

The movie doubles down on the notion of the crew as family. Shaw is supposed to be the antithesis. He doesn't care about allegiances but about precision and planning. He's cold and calculated, whereas the "family" is warm and spontaneous. It's cliché, but at least time is spent on the characters. There is only one newbie in former MMA fighter Gina Carano as Hobbs' new right hand, meaning the character time is invested in the existing characters, which is good, though the script doesn't pierce beyond the surface traits we're already familiar with.

It also bears mentioning that at one point the script reveals a twist that's solely for the purpose of a twist. This "surprise" makes no sense and has no actual bearing on what happens in the film. Morgan wanted a surprise moment to keep things interesting and it's a nice moment — but then you realize it's actually meaningless and changes nothing. Another example of how flash without substance is the M.O. of this series. You have to like flash for the sake of flash to be a big fan.

Of course any scene in which an engine of any kind is not running only matters so much in these films, but "Fast & Furious 6" will start to really separate out the pure action junkies who've been hooked on this series from those who prefer some plausibility and gravity —literally and figuratively — in their blockbusters. Lin's sensibilities would probably be of more use in a sci-fi or fantasy movie where he could break all laws of common sense and completely get away with it. In this movie, depending on your taste, it will either get you stoked or spoil the moment.

One could argue that this franchise has found a niche in larger-than-life action movies — that there's a viable space for films that maintain the trappings of the real world but play by the rules of a superhero movie. That's fair, but in many ways by blowing the ceiling off what's possible, they've created another ceiling. If anything is possible, at some point we will no longer be surprised by the impossible. The films would be better served by maintaining some thread of connection to the laws of physics, then when they broke them a little, it would have a bigger impact. "Fast Five" did this well and it's a shame this movie takes such a tremendous leap in believability.

Nevertheless, there's an undeniable adrenaline rush that comes with Lin's style of direction and the size and stature of the stunts and action sequences. It's three-fold true in this entry. That's the kind of thrill that maintains a sufficient baseline for enjoying these moves.

~Steven C

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Fast & Furious over the last few installments has become all about action. And the latest outing takes it a step further. Almost 20% of the movie is comprised of action sequences. And at the expense of action, plot, writing, characters all take a backseat. But no one's complaining. Why ? Because the action makes up for all of it.

Do the above statements sound cliché ??? The movie's plot is full of such silly dialogs so its best ignored in the current context. What works is the action - Lin and his crew bring us some of the most ridiculously outrageous and boldly conceived action sequences. There's an intense chase through London in the initial reels and also a race later on. There's a whole plane take-off-crash sequence towards the end that you've probably got a glimpse of in the trailers. The girls are no slouches either and we see an intense hand-to-hand fight of sorts between Michelle Rodriguez's Letty and Gina Carano's Riley.

But the movie's best sequence is undoubtedly the 10 minute Tank chase across the freeway that involves most of the cast and culminates in a breathtaking "catch" (about which I'd not say any further). The camera cuts like crazy, music is pulsating and that single sequence is probably worth the price of the movie ticket.

Apart from action, Furious 6 doesn't have much going for it. Dialog is standard, at times even silly and predictable, characters are flat, performances are decent. The car chases and night scenes got me so involved, I actually felt a bit strange leaving the theater and coming out into the real world's broad daylight. And the post-credits scene is simply, a treat which makes the next installment in the series worth looking forward to. Suffice it to say that in the end, the movie drifts full circle.

Watch it for the action, and for the action alone. If you expect any sort of character development or family issues like the first installment had, you'll be disappointed. Else, you're in for one hell of a ride.

Score: 7 / 10

The Fast and Furious franchise has undergone a radical transformation since launching 12 years ago, with the changes following Justin Lin taking hold of directorial duties from Tokyo Drift (film three) onwards.

The series has made the transition from street races to include drugs, heists, and now terrorism, while lead characters Dom Toretto (Diesel) and Brian O'Conner (Walker) have gone from petty thug and law enforcer to wanted fugitives.

With an opening sequence reminiscent of Quantum of Solace, Toretto and Brian screech around mountaintops as the latter readies himself to become a father, demonstrating how adult and family-minded they've become. Meanwhile, what follows is a nice refresher for those acquainted with the series and for newcomers alike, acting as a highlights reel to bring everyone up to speed of the events experienced in the previous five films.

The antagonist for Fast 6 is Mr Owen Shaw (Evans), a former special ops military man that uses his knowledge, contacts and fast cars to make robberies for the highest bidder. In this instance, it just so happens he has his eyes on a chip that would incite terrorism in the wrong hands, which prompts baby oil-loving federal agent Hobbs (Johnson) to round up Toretto and his crew for back-up, offering them full pardons in exchange for their services.

London is the main backdrop for the film, which, naturally, features a very corny cameo, though the the bright lights, black taxis and double-decker buses dotted around the city are infinitely more welcome.

For me, five was the best of all of the films, but six gives it a run for its money, taking the stunts to ridiculous new heights (literally). You could, of course, reprimand the film for its use of impossible feats, but that's the whole point of these films, right? To get bigger and more extreme, as demonstrated with the big and extreme – and always affable – introduction of Johnson in Fast Five.

For me, Johnson changed the game and breathed new life into a franchise that was beginning to get stale, and seeing Hobbs join forces with Toretto and co makes for brilliant viewing. The action is insane and the banter is electric, with the camaraderie between the cast obvious.

The only criticism of the film is its length. There was a particular moment that seemed as though the film had wrapped, though it continued for another half hour, and while what followed was laced with adrenaline and big bangs, the film could have done with a 20 minute tightening.

Shaw isn't an intimidating or imposing character, particularly when facing off against Hobbs and Toretto, but he is devious, ruthless and sharp, presenting an entirely new threat to the series.

Those in the know will be aware Tokyo Drift threw the timeline entirely out of sequence, but the game comes full circle at the end of the film, and you won't want to miss the credits sequence that follows…

Originally posted at www.zentertainmentweekly.com

7/10

The sixth instalment in The Fast and the Furious franchise, Fast & Furious 6 follows into the footsteps of its predecessor and continues the series' new-found mantra of departing from its original street racing theme to move further into the heist thriller sub-genre. And even if it's not as refreshing & impressive as Fast Five, it nonetheless succeeds as another thrilling, ridiculously entertaining & undeniably fun extravaganza.

The story of Fast & Furious 6 concerns Dominic Toretto & his crew, all of whom have retired to a comfortable life following the heist they pulled off in the previous chapter yet they still remain wanted fugitives in their homeland. But when Hobbs asks for their services to take down a skilled mercenary organisation in exchange for clearing their criminal records, Dom accepts the deal and reassembles his team to finish one last job.

Directed by Justin Lin, Fast & Furious 6 is his final stint with this franchise and he decides to go out on a high note by delivering a picture that's far too enjoyable to worry about the laws of physics being bent here on few occasions. The screenplay packs in an interesting plot filled with excellent use of humour but it isn't as tightly gripped as the last instalment and is a slight step down in comparison. But a few elements do get an upgrade.

The technical aspects follow the same formula that was applied in Fast Five and there isn't much to complain here for the set pieces look spectacularly detailed, the action sequences benefit a lot from its energetic camera-work, brilliant editing & more use of practical effects just like the last chapter although at times the action goes way too over-the-top yet not so exaggerated for most viewers to suspend disbelief. And the background score is fitting for the most part.

Coming to the performances, the entire main cast that was present in the last one reprises its role, Michelle Rodrigues also returns to join the gang and Luke Evans is the new addition who plays this chapter's antagonist. Vin Diesel & Paul Walker do their usual best as Toretto & O'Conner, Dwayne Johnson continues to impress as Hobbs, However, Evans doesn't get enough screen time to show his mettle and his characters turns out to be a generic villain. The rest of the cast chips in with fine contributions.

On an overall scale, Fast & Furious 6 builds upon the very ingredients that worked in favour of Fast Five and, barring a couple of issues, manages to stay on the track for the most part. Although not as amazing as the previous entry, this is nevertheless an immensely enjoyable blockbuster material that promises a lot of fun & thrills, and effectively delivers it. Definitely more style than substance although the margin isn't as vast as it had been in the first four chapters of this franchise, Fast & Furious 6 comes delightfully recommended.