Rage: Midsummer's Eve

I am a huge fan of Scandianvian films and for me this was no exception. I was waiting for it to be more gore and bloody but then I got the point that it allows one to use their imagination and own interpretation of what is actually happening to the five wanderers in the woods. I aim to give good an and not so good feedback on all films I see. This film is no exception. I really enjoyed the way the film was shot and thought that the actors were pretty good, even though a few of the scandi actors could have tried to pronounce in some scenes some words a bit more clear but that is no biggie. I think the director took a good and gutsy move by shooting a horror that focuses on events happening in daylight, and it worked fine for me. Yeah there was a bit too much running, but it felt like it keep the claustrophobic feel going. I really felt like this flick had a good feel to it. Yes there were a lot of clichés but realized that it was kind of the point after reading an interview on the film. I have no problem recommending this and in the end I think it was good to see something that was different to the cliché torments in the dark. Thumbs up from me and look forward to what this director brings next. Rock on Scandiland!!!

I'm not a friend or relative of the film makers, as I suspect, that the writers of all these positive reviews must be. Either that, or a random group of people with poor taste, just happened to come upon this film. I'm just writing this review to let you know, that this movie is very poor, 2/3's of it being just an extended chase scene, which finally ends with . . . nothing. The actors and the camera work are adequate, the little bit of music is passable; however, the non-existent plot simply consisting of the characters perpetually running through the woods, with no pay-off, is tiring, and ultimately very disappointing. A child could have easily dreamed this up. I just wanted to warn you.

For me the point of horror films has always been the fear of unknown or something which you cannot control. Several other films has done it for me, and Rage: Midsummer's Eve is also one of those films. Whereas Michael Myers is explained to viewers as using "talk to me like I am four years old" method there are films which you never really know why you have to be afraid or who is threading you. And that is awesome! Tii Ricks has created a roller coaster kind of horror experience which starts from a little push - the easy and joyful, excited feeling in the beginning of the ride - and once you get to the peak point of it, you just realise that all you can do is to hold on and go with the flow. The Director of Photography for Rage is Lawrence Dolkart whom has previously shot music videos for example for Marilyn Manson and Stone Temple Pilots. This really shows in a film.

The idea of making horror movie in broad daylight is great! And when you add that all this is happening in Finland (where I'd love to visit) the movie really makes difference. I've heard a lot nice things about Lapland and the white nights during summer time.

The places in the film are really authentic and scary. The production design is just amazing. And it was nice to see new and talented actors. I liked that the main character is female. Holly Georgia does great as Hannah.

I recommend this film for all horror fans. And also those who are interested in Finland!

-Rage: Midsummer's Eve (2015) movie review: -I am going to make this quick. Rage: Midsummer's Eve is a generic horror film about a group of young adults who go to a creepy house and there's death and bad things and stuff.

-The story has been done to death, -The film took forever to start and didn't pick up that much until the last third.

-None of the acting is anything better than any other film like this.

-The characters were all horror stereotypes minus the black guy.

-I did not pay attention to the music because none of it stood out to me.

-Nothing else in this film is original or better than cliché in any way. Therefore, Rage: Midsummer's Eve is not worth seeing. Ever.