Kusama: Infinity - La vie et l'oeuvre de Yayoi Kusama
Original title: Kusama: Infinity
- 2018
- Tous publics
- 1h 16m
IMDb RATING
7.3/10
1.3K
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Artist Yayoi Kusama and experts discuss her life and work, from her modest beginnings in Japan to becoming an internationally renowned artist.Artist Yayoi Kusama and experts discuss her life and work, from her modest beginnings in Japan to becoming an internationally renowned artist.Artist Yayoi Kusama and experts discuss her life and work, from her modest beginnings in Japan to becoming an internationally renowned artist.
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- Writers
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- Awards
- 1 win & 7 nominations total
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Documentaries are not easily found for artists. I am an avid Yayoi Kusama fan. When I heard there was a movie being made I couldn't wait for it to come out. I went to the premiere and loved it. I smiled with delight and excitement throughout the entire movie. I purchased the DVD because I had to own it. This movie did not disappoint. I have watched it 3 times now. If you want to learn more about Yayoi Kusama, watch this documentary. If you want to learn and be introduced to an incredible living artist, watch this documentary. If you want to learn about art, see this documentary. If you support women and their plight to be noticed, watch this documentary. I loved it. I highly recommend it. Heather Lenz did a wonderful job showing us who Yayoi Kusama is, what her art is about and why she is such an important living artist in our lifetime.
Heather Lenz directs an important, timely, and fascinating film about the now 89-year-old artist, Yayoi Kusama. A Japanese who in the early 1960s escaped her stifling family to begin her career in New York, where she innovated--as Lenz's film reveals--only to have her concepts and techniques stolen by the likes of Warhol, Oldenburg, et al. These men soon eclipsed her celebrity, and at her expense. Very critical correction of the historical record. Lenz also locates the origins of some of Kusama's visual motifs in childhood trauma, which had resulted in hallucinations and then obsession with hallucinated shapes and patterns. Kusama herself acknowledges as much and credits art-making with her survival. Her mirrored "infinity room" installations, giant polka-dotted pumpkins, and huge paintings covered obsessively with her personal iconography, now draw huge crowds at museums and galleries all over the world. Heather Lenz has not only drawn a powerful portrait of an artist whose late fame has intense cultural significance, but has also set a humanistic standard for the accounting of biographical details and, critically, for setting the historical record straight.
This has to be one of the best documentaries I've seen this year. This film really makes justice to one of the greatest artists of our time. The way Kusama's work is depicted on screen is absolutely incredible. At times, it almost feels like you've been absorbed by one of her paintings. This film also reveals key facts of her life and the art scene of the time. You'll be blown away! Definitely there should be more documentaries like this. A must-see on the big screen!
Score: 10/10
FJ Medina
Score: 10/10
FJ Medina
Yayoi Kusama is without question an utterly fascinating character. I am happy that she finally gained recognition for her life-long, singleminded dedication to art, even after so many rejections and shunnings (and pilfering of ideas by artists!) by people in both the US and the Japanese art worlds. I suspect that there are many other people like her who were not strong enough to continue on in the face of so much adversity, so she should be applauded as a human being as well as an artist.
That said, I think that it is pretty clear that her late recognition is a part of the unfortunate and relatively recent phenomenon of the hyper-commodification of art, with collectors and gallerists and curators all out on the hunt for artists whom they can champion so that they (the hustlers) can get rich quick, along with their clients. The completely insane prices commanded for some artists´ works (including, now, Kusama´s) while most artists starve as they await to be (in most cases never) discovered is a result of a massive quantity of wealth concentrated in the hands of a few powerbrokers who trade art in the manner of stocks and bonds. In recent decades, such persons, and their agents, have come to wield enormous power in the art world. The entire system has become corrupt as a result. Now we have con artists posing as not only art critics and art dealers, but artists as well!
Many films have dealt specifically with this new development, of collectors buying art in order to flip it for profit, so if you are interested in that topic, I recommend that you watch some of those films. I have created a list here at imdb, but it appears that they will not include a link within the text of this review.
That said, I think that it is pretty clear that her late recognition is a part of the unfortunate and relatively recent phenomenon of the hyper-commodification of art, with collectors and gallerists and curators all out on the hunt for artists whom they can champion so that they (the hustlers) can get rich quick, along with their clients. The completely insane prices commanded for some artists´ works (including, now, Kusama´s) while most artists starve as they await to be (in most cases never) discovered is a result of a massive quantity of wealth concentrated in the hands of a few powerbrokers who trade art in the manner of stocks and bonds. In recent decades, such persons, and their agents, have come to wield enormous power in the art world. The entire system has become corrupt as a result. Now we have con artists posing as not only art critics and art dealers, but artists as well!
Many films have dealt specifically with this new development, of collectors buying art in order to flip it for profit, so if you are interested in that topic, I recommend that you watch some of those films. I have created a list here at imdb, but it appears that they will not include a link within the text of this review.
I wish I saw this 2018 documentary before I saw Yayoi Kusama's wondrously expansive exhibit at the New York Botanical Garden last year because it would've given me a deeper appreciation of the genesis of her art and how she views the enveloping scope of nature, something she realized she shared with Georgia O'Keefe. As seen through her unique eye-popping pieces, Kusama's colorful expressiveness is meticulously hypnotic, and filmmaker Heather Lenz does a remarkably thorough job tracking the now-93-year-old artist's relentless tenacity in light of the racism and sexism she faced over the decades in getting her art seen.
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Details
Box office
- Gross US & Canada
- $360,931
- Opening weekend US & Canada
- $30,998
- Sep 9, 2018
- Gross worldwide
- $744,884
- Runtime
- 1h 16m(76 min)
- Color
- Aspect ratio
- 1.78 : 1
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