IMDb RATING
3.4/10
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A playwright who begins to mentally unravel cannot decide if she is at the center of a manipulative plot or simply losing her grip on reality.A playwright who begins to mentally unravel cannot decide if she is at the center of a manipulative plot or simply losing her grip on reality.A playwright who begins to mentally unravel cannot decide if she is at the center of a manipulative plot or simply losing her grip on reality.
Michael Kincade
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I'm not surprised that such a movie is underrated in the culture of the hunger games and 3d Movies. I never expected I would ever see again a high standard movie and after the movie was over I was shocked.. without spoiling this movie reflects almost accurately that 'situation' Martin finds herself in. I longed for such films which leave a need to think and criticize reality as it is.. what is a dream..are we real..do we see everything as we should..This movie is no less then dogville in style. I hail Winona ryder for her honest and excellent acting. I think this is her best movie!
Definitely worth watching!
Definitely worth watching!
The Letter (2012)
Wow, such mixed reviews on this movie. Either all thumbs up or bomb? No, but it is weirdly both terrific and horrible at once. Here's my explanation why.
This is a re-shaped reality movie in the same big (and growing) genre as "Memento" and "Pulp Fiction." As the movie progresses you are made to figure out what's going on in the most basic sense, separating reality from hallucination from moviemaker's trickery. This is a gripping game at its best that draws you into the dilemma from the character's standpoint, and that also messes with the viewer's basic ability to create sense of it for it's own sake.
But what these movies require is a combination of characters you care about and a logic that is purely cemented by the end. The two earlier examples are brilliant at it. Not so "The Letter."
This movie has the bones of an excellent, lower-budget variation on a reality bending plot, but it fails to make the characters significant (or sympathetic in any way) and it never makes the illogic within the movie reasonable.
This might give something away, but near the end a big sweeping explanation is frankly provided by a doctor, and I told myself I've been wasting an hour making sense of what is really a series of fairly jumbled impressions. They don't quite make sense, I think, though you might be able to chart out the various mixed up sections on a piece of paper if you watched it a couple more times. Maybe.
But no one would have the stamina. It's a movie with an exterior of brilliance but it's so stripped down in its other components it's actually, oddly, boring. For one thing, most of the action happens on a theater stage, which allows a kind of reality within a reality (and this ain't new, as lovers of Shakespeare know). Quickly we see that the characters are getting mixed up with the actors—that is, from the point of view of the writer/director of the play in the film, played by Winona Ryder, the expressions and frustrations in the script of the play echo the reality of the real people. When scenes shift (often suddenly) to an apartment or other outside space, the same kinds of personae are at work. The people are the characters.
But they have almost nothing to do, no real baggage to explore, no narrative elements that matter. So there is an implied infidelity (who knows?) and a bit of concern about that, and maybe an infidelity that grows as the film is being assembled, perhaps (who knows?). But so what?
The final insult to all this is that film's low budget feel and its unwillingness to accept that—it tries to look bigger than it is. It's often filmed in a stale way, and then pumped up with tonal effects or with startling (or confusing) edits. You wish it would add up to something, but it doesn't.
Other reviewers have said that it all makes sense by the end. I think not. I think it's explained away at the end, but that's different. And either way it doesn't amount to a hill of beans.
Wow, such mixed reviews on this movie. Either all thumbs up or bomb? No, but it is weirdly both terrific and horrible at once. Here's my explanation why.
This is a re-shaped reality movie in the same big (and growing) genre as "Memento" and "Pulp Fiction." As the movie progresses you are made to figure out what's going on in the most basic sense, separating reality from hallucination from moviemaker's trickery. This is a gripping game at its best that draws you into the dilemma from the character's standpoint, and that also messes with the viewer's basic ability to create sense of it for it's own sake.
But what these movies require is a combination of characters you care about and a logic that is purely cemented by the end. The two earlier examples are brilliant at it. Not so "The Letter."
This movie has the bones of an excellent, lower-budget variation on a reality bending plot, but it fails to make the characters significant (or sympathetic in any way) and it never makes the illogic within the movie reasonable.
This might give something away, but near the end a big sweeping explanation is frankly provided by a doctor, and I told myself I've been wasting an hour making sense of what is really a series of fairly jumbled impressions. They don't quite make sense, I think, though you might be able to chart out the various mixed up sections on a piece of paper if you watched it a couple more times. Maybe.
But no one would have the stamina. It's a movie with an exterior of brilliance but it's so stripped down in its other components it's actually, oddly, boring. For one thing, most of the action happens on a theater stage, which allows a kind of reality within a reality (and this ain't new, as lovers of Shakespeare know). Quickly we see that the characters are getting mixed up with the actors—that is, from the point of view of the writer/director of the play in the film, played by Winona Ryder, the expressions and frustrations in the script of the play echo the reality of the real people. When scenes shift (often suddenly) to an apartment or other outside space, the same kinds of personae are at work. The people are the characters.
But they have almost nothing to do, no real baggage to explore, no narrative elements that matter. So there is an implied infidelity (who knows?) and a bit of concern about that, and maybe an infidelity that grows as the film is being assembled, perhaps (who knows?). But so what?
The final insult to all this is that film's low budget feel and its unwillingness to accept that—it tries to look bigger than it is. It's often filmed in a stale way, and then pumped up with tonal effects or with startling (or confusing) edits. You wish it would add up to something, but it doesn't.
Other reviewers have said that it all makes sense by the end. I think not. I think it's explained away at the end, but that's different. And either way it doesn't amount to a hill of beans.
Review: What a complete load of rubbish! With a name like Obsessed and a cast with James Franco and Winona Ryder, I was expecting something interesting and entertaining, but this was really bad. Most of the film was set on stage with Winona Ryder directing a play, which was really bad, and on top of that, you've got Winona Ryder narrating the whole story. I really can't see what the director was trying to achieve with this film because there isn't much point to it. I can understand the twist which comes out at the end, but by that time I deliberately made myself busy so I could get through the annoying pile of rubbish. The stupid piano that's going through the whole movie is really annoying and the mood if depressing. Just stay away from the film!
Round-Up: I darn see why the hell James Franco and Winona Ryder agreed to doing this film because the script is appalling. Maybe they were just paying bills. Ever since Winona Ryder got caught thieving, her career has gone from bad to worse, and this movie isn't going to so her any favours. She's need a film like Beetlejuice 2 to bring her our of the dark. As for James Franco, I always knew that he does quirky movies, but I really can't see why he would want this film on his filmography. Anyway, I really can't find anything good to say about this film because there is nothing interesting or entertaining about it.
Budget: $10million (Waste Of Money!) Worldwide Gross: N/A
I recommend this movie anyone that wants to get bored to death. 1/10
Round-Up: I darn see why the hell James Franco and Winona Ryder agreed to doing this film because the script is appalling. Maybe they were just paying bills. Ever since Winona Ryder got caught thieving, her career has gone from bad to worse, and this movie isn't going to so her any favours. She's need a film like Beetlejuice 2 to bring her our of the dark. As for James Franco, I always knew that he does quirky movies, but I really can't see why he would want this film on his filmography. Anyway, I really can't find anything good to say about this film because there is nothing interesting or entertaining about it.
Budget: $10million (Waste Of Money!) Worldwide Gross: N/A
I recommend this movie anyone that wants to get bored to death. 1/10
This film is super artistic. So artistic I would go as far as to call it artsy fartsy. It's one of those works of art that just goes too far. In being too artistic, it becomes strange. Very strange. So much so that it is hard to appreciate. Hard to even look at. That is what this films problem is. You see it is not that this is a bad movie. It's not that it is poorly done. It is just hard to watch. And it gets harder and harder to watch as it goes on. Even though it is doing its job of being artistic quite well.
It's just that this film is so abstract that it is hard to follow. It also happens in real time so it slow and boring. And is full of awkward silences and such. As well as uncomfortable situations. So those are all things that make it hard to watch. And it only gets harder because as it goes on, the story only gets more convoluted and harder to follow. Not that there's anything wrong with the story, acting, directing, filming, editing, production, etc.... I think the concept of this style of piece was just not executed in an overall manner that made it engaging and stimulating enough for today's crowd. And also it just went too far with certain things that aren't comfortable to watch, and thus made it difficult to get through. And thats not why people watch film, they watch it to be entertained and to enjoy themselves. And this film isn't really fun to watch. It's like the kind of film that super artsy fartsy people would watch just to talk about.
And thats the thing about films like these, is that you can't appreciate them if you haven't studied film and are just looking for entertainment. These types of films can really only be appreciated by those who have taken a film class or read a book on it or studied it in some capacity and can actually see and understand the finer points, and can intellectualize everything about the art of film.
This is a movie about a woman who's reality and who's writing and imagination become blurred. It does a good job of depicting that. It really does. Does that make it a good movie? No.
However, is it a bad movie? No. Is it enjoyable and entertaining? No. Is it artistic? Yes. Did I like it...not really. I felt like it was kinda neat at times, but honestly I also almost turned it off a couple times. And I can see why it gets bad ratings and why the vast majority of people wouldn't like it. I don't think it deserves such a harsh rating though. I'd give it somewhere between a 4 and a 5, I'd give it a 4.5 if I could, but I can't, so I'm rounding down to a 4. My opinion is pretty much middle of the road, maybe slightly more on the negative. Do I recommend watching it? No. Do I regret watching it? No. I think that with the creativity that went into this film it should have turned out better, but perhaps they just got too involved in their own project and were too close to it to be able to tell that it was actually turning out quite boring. These things can happen with artwork sometimes. Oh well.
It's just that this film is so abstract that it is hard to follow. It also happens in real time so it slow and boring. And is full of awkward silences and such. As well as uncomfortable situations. So those are all things that make it hard to watch. And it only gets harder because as it goes on, the story only gets more convoluted and harder to follow. Not that there's anything wrong with the story, acting, directing, filming, editing, production, etc.... I think the concept of this style of piece was just not executed in an overall manner that made it engaging and stimulating enough for today's crowd. And also it just went too far with certain things that aren't comfortable to watch, and thus made it difficult to get through. And thats not why people watch film, they watch it to be entertained and to enjoy themselves. And this film isn't really fun to watch. It's like the kind of film that super artsy fartsy people would watch just to talk about.
And thats the thing about films like these, is that you can't appreciate them if you haven't studied film and are just looking for entertainment. These types of films can really only be appreciated by those who have taken a film class or read a book on it or studied it in some capacity and can actually see and understand the finer points, and can intellectualize everything about the art of film.
This is a movie about a woman who's reality and who's writing and imagination become blurred. It does a good job of depicting that. It really does. Does that make it a good movie? No.
However, is it a bad movie? No. Is it enjoyable and entertaining? No. Is it artistic? Yes. Did I like it...not really. I felt like it was kinda neat at times, but honestly I also almost turned it off a couple times. And I can see why it gets bad ratings and why the vast majority of people wouldn't like it. I don't think it deserves such a harsh rating though. I'd give it somewhere between a 4 and a 5, I'd give it a 4.5 if I could, but I can't, so I'm rounding down to a 4. My opinion is pretty much middle of the road, maybe slightly more on the negative. Do I recommend watching it? No. Do I regret watching it? No. I think that with the creativity that went into this film it should have turned out better, but perhaps they just got too involved in their own project and were too close to it to be able to tell that it was actually turning out quite boring. These things can happen with artwork sometimes. Oh well.
"On that first night of course we didn't know who you were, or what you would do to us, or what you would do to me." Martine (Ryder) is a New York playwright who is getting a chance to direct her boyfriend in a new play she wrote. Soon after rehearsals begin an unknown actor, Tyrone (Franco) shows up and begins to cause tension. His acting is good but he is hostile to everyone except Martine. While the rehearsals are going on Martine begins to become paranoid and thinks someone is trying to kill her. Her re-writes of the play begin to confuse the actors and the line between life and paranoia are blurred. First of all I will say this is not terrible but this is another movie that tries to be artsy for the sake of being artsy. I find the easiest way to describe movies sometimes are to compare them to others that many have seen. I open with that because it seemed like this movie tried it's hardest to be like "Black Swan" but never quite making it. Very limited scenery and actors but the main focus is on Martine's slow descent into madness. You begin to question if she is just overly paranoid or if her concerns are legit. This is the type of movie that keeps you wondering about that which helps you make it through. Overall, an OK movie but tried to be artsy for the sake of being artsy. I give it a B-.
Did you know
- TriviaJames Franco filmed all of his scenes in 3 days.
- ConnectionsReferences Black Swan (2010)
- How long is The Letter?Powered by Alexa
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- Also known as
- Obsession
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- Budget
- $10,000,000 (estimated)
- Runtime1 hour 32 minutes
- Color
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