Shoot the Killer

I was very hesitant to watch yet another Cuba Gooding Jr. Direct to DVD film after the last handful or so, but the fact that Dolph Lundgren was a co-star eased up my trepidation long enough to justify to my better judgement about renting it from Redbox.

The film did indeed start off pretty awful, but got a bit better as the film plodded along, of course, picking up coincidentally when Dolph first appears about half an hour into the movie. Now that means you have to suffer the first 24 minutes and 40 seconds, so if you man up and tough it out as the seemingly trite, insipid tale of a Bible-quoting hit-man up against warring fractions of the Russian mafia, it DOES get better.

As in many movies before, Dolph Lundgren deals with his love for Eastern European / Russian mob themes. And he has always participated in strong feelings movies where love, hate, betrayal etc have been clearly up and vividly performed.

Gooding is great as always (Academy Award winner!), but Lundgren does not seem his pale shadow - has he improved so much then? And the guys depicting Russians are equal to the task - if taking into account that none of them is of Russian origin. Alike in other movies by Lundgren, there are lots of long shootings, dead bodies and changing sides - with some unexpected moments, though. If you choose to see this movie, your time will not wasted - although Lundgren has starred in better ones.

Cuba Gooding Jr. And a visibly aged Dolph Lundgren (wearing a very bright shirt and a rather fetching hat) find themselves in the midst of a dispute between two warring groups of organised criminals in a film where there are plenty of bullets flying in both directions, and a reasonably high body count.

Dolph doesn't figure until about a third of the way in.

The acting is...not great, but that's standard for these sorts of movies. The Eastern European setting is in keeping with the gritty subject matter - the violence is graphically bloody - and the scenes between Cuba and Dolph are good, if not plentiful. The action movie cliches, however, are most definitely plentiful.

You know what you're going to get from a Dolph Lundgren film. Has he made better? Yeah, sure. But this is nonetheless a reasonable direct to video film. You could do worse than this on a Saturday night.

Another movie filmed in Romania, even in Brasov the town that I was born and live for twenty-five years but still this fact doesn't save this not even the few cars explosions in it. It's just the same scenario with mobster that seeks revenge for the death of their sons, customary shooting, a few tender scenes involving some beautiful girls that plays the role of the lover of one of the mobsters. It has the same elements seen in 6 Bullets and Assassination Games with Jean-Claude Van Damme, movies also shot in Romania.

So, in conclusion it's not worth your time this filling movie with the same scenarios and story that we are all ready use to.

Whether we like it or not we DO often judge movies by the title and/or cover art promo-poster at first. I expected a true 'B' movie here, but what I got was considerably beyond it. It is an intelligent, albeit formulaic plot line, but it also has very intelligent dialog, shot extremely well, and directed substantially better than MANY "Blockbusters" we end up paying far too much for.

Here you have the many clichés and standards of an average budget action flick, but what this movie does is engross you from beginning to end. I would NOT consider this a 'B' movie by any means. It stands aside as a well thought out and inspired piece of film making on the merits of writing, casting, crew, production values and certainly Directing!

Cuba is truly outstanding here. Best performance in years(I believe). Dolf is...well, still Dolf at his best average, but good casting and acting all around. I recommend this because it surprised me as to certain nuances of actual quality of direction and cinematography AND script writing that is rarely shown in movies of this genre.

Note: Many people and critics complain of not being able to 'follow it'. That is likely because a LOT of the story and scenes here are INTELLIGENTLY executed and THAT takes a disciplined attention span to pay full attention to what is going on.

On a side note; and part of what makes the 'Love' interest in this movie so good, is that, like 'Remains of the Day', you can truly feel the wistful melancholy of the 'Inapproachable' aspect of 'Togetherness' that, as much as we want it to be, it has another more romantic aspect regarding the questions that it leaves behind.