Maggie

First of all, this is not a horror movie. You might not even call it a zombie movie, even though people transform into zombies, urging the autorities to put people in quarantain which is the final stage before simply killing them. It's also not an action movie. IIt's an effective drama, that serves well as a metaphore for children groing up, transforming, and the inability of adults to transform with them. The biggest surprise is Arnold Schwarzenegger who makes you forget his action roots and is a loving father who choses his daughter above everything else. But It's mostly Breslin who sucks the audience into her slow and inevitable transformation, and the emotions that comes with it.

A beautiful film in regards to its humanity as shared through the film's characters.

A family is confronted by their teenage daughter Maggie (Abigail Breslin) who is contaminated with a dreadful disease which is Zombieism. She did not catch it inadvertently but caught it by having been bitten while out in an escapade on a night out when the town was invaded by zombies when she new it was forbidden to go. Teenage rebellion against the family like the two brats in the movie 28 weeks later that caused the destruction of London and Paris.

Now, this movie depicts what it would be like if a member of a family would be confronted with a contagious disease which is irreversible and that only the death of the infected one can preserve the safety of the others.

Indeed, the movie goes on a step by step development of the contagion of Maggi and the results on her environment such as family, friends and other members such as the police, doctor which will lead her at the end to commit suicide.

The only problem I have with the movie is this: Can life continue as usual with an extreme infected member of the family? Further more, with such an infection in this case Zombieism, at what moment does Maggie lose her humanity since all along the movie it is said that she should be quarantined ipso facto. A reference to the Anne Frank Diaries is a must to understand life as usual in extreme conditions.

In fact, all along the movie she shows no loss of her humanity. We can clearly see this in the scene where Wade Voegel (Arnold Schwarzenegger) is sleeping on a sofa and Maggie approaches and smells him. Her transformation to a complete zombie has not yet peaked to the irreversible.

However, if the doctor and police insist she be put away, have they lost their humanity knowing there is nothing that can be done and to save the rest of the population Maggie must be killed? Who is truly human here?

We can also ask, how far will a family go in denial or semi-denial? Does denial mean keeping one eye open while sleeping?

At the end, she commits the inevitable by putting an end to her life.

I ask myself this question: Was she dead at the moment she was bitten and her loving family going into denial or did slowly die as to have a family act in a way to have her live live as long as possible with them showing the last of their humanity as they know it when she dies.

As Hamlet would state it: To kill her immediately or not to kill her immediately, that is the question.

'MAGGIE': Four Stars (Out of Five)

An indie zombie flick, made on a budget of just $4 million, starring Arnold Schwarzenegger and Abigail Breslin! It was directed by first time feature filmmaker Henry Hobson and written by first time feature film writer John Scott 3. The movie is actually more of a dramatic character study, than an action or horror film, dealing with the relationship between a teenage girl, in the Midwest, and her loving father. The catch is that the girl is infected with a deadly zombie virus. It's definitely not the type of movie that a lot of Schwarzenegger fans are expecting, but I really liked it.

The story is set in a small Midwest town, where a virus, called the necroambulist virus, has broken out. It slowly turns it's victims into zombies and the government deals with the problem by throwing 'the infected' into isolation wards. Maggie (Breslin) is a young teenage girl, who was recently infected by the disease. Her father, Wade (Schwarzenegger), must do his best to care for her, in her last days, and also come to terms with what must be done, when she finally changes.

I wasn't sure what exactly to expect, going into this movie. The premise, and idea of Arnold Schwarzenegger starring in a low-budget zombie drama flick, were both very intriguing to me. I am a little disappointed it doesn't have more action, and gruesome thrills, but it is a very well made drama film. Arnold gives, arguably, his best performance to date, and Breslin is pretty impressive as well. I wish there would have been a little more to the story, than just another drama flick about a terminally ill teen, and her relationship with her friends and family. It's almost like a zombie version of 'MY SISTER'S KEEPER' or 'THE FAULT IN OUR STARS', except with a little Schwarzenegger thrown in as well. I think he's making a lot of wise career choices lately, and he's starting to resemble Clint Eastwood, more and more, with each movie. This isn't a great film but it is a nice entry in Arnold's impressively expanding resume.

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STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A contagious virus has spread across America that is causing the infected to slowly mutate in to cannibalistic zombies. Wade Vogel's (Arnold Schwarzenegger) daughter Maggie (Abigail Breslin) would be one such person, a young girl grimly aware of her terrible predicament. As the inevitable closes in, father and daughter bond in a final, all encompassing way, before they're drawn towards a terrifying final outcome.

After his much hyped comeback a few years ago, Schwarzenegger has achieved what can only at best be called the most hit and miss results with his new batch of explosive, '80s flavoured action films. There was still something resembling an audience, but most people's tastes have cleaned up quite a bit. And so, out of nowhere, it seems, he delivers this latest offering, which on paper comes off just like one of his regular shoot 'em up type films, with him versus zombies. But instead, he's taken such a plot line and given it a more mature angle, as a more tender and heartfelt examination of the final days of a father and daughter, that shows a departure from his usual type of fare.

As more emotionally driven as the plot is, it doesn't really have the best sense of structure or direction, and instead seems to be driven more on a moody, lingering sense of atmosphere and tension, with the lighting drained out and brightened up in subsequent shots to affect the mood. Debut feature length director Henry Hobson has shown a certain knack and sense of style behind the camera, but he needs to go back to school a little on his structural narrative abilities, and crafting a film that has somewhere to go in spite of it's heart.

So, we have it, then, Arnie's most bizarre film, ever, a totally unexpected and different effort from him that's appeared out the blue. In spite of it's strangeness, it's better than anything he's done lately, and shows a more mature and emotional side developing after so many years. ***

Veteran star Arnold Schwarzenegger shows some real depth and emotion in this decent horror drama that stresses something not always seen in a zombie feature film: the human element. Arnold plays Wade Vogel, a farmer struggling to cope with a fairly apocalyptic future. Many people are succumbing to what the makers of this film call "Necroambulist Virus"; in other words, zombification. Among them is Wades' teen aged daughter Maggie (Abigail Breslin). He is determined to spend all the quality time with her that he can, while she can still appreciate it.

"The turn" into a zombie is a slow and drawn out process in this narrative, written by John Scott 3 and directed by Henry Hobson. It's painful for the loved ones of the victims to have to watch as the humanity steadily drains away. The story can be seen as a metaphor for any number of diseases, or even just the aging process itself. Ultimately, it's a yarn about learning to let go, which people like Wade find very hard to do. Some of his neighbors will go so far as to run contrary to common sense or the afflicted persons' best interests.

Suffice it to say, this is for people who want to see Arnold take on a different kind of challenge. It is nice, after all this time, to see him take more chances and grow as an actor. This isn't for fans who want to see him do bad ass things, which are few and far between. You don't even see very many zombies, or much gore, for that matter.

Set in the Midwest, but shot in Louisiana, this makes decent use of its locations, has a fine music score by David Wingo, and an appropriately drab picture quality.

Arnold does a creditable job as the star. Breslin does elicit quite a bit of sympathy. Joely Richardson rounds out the trio of Hollywood names as Wades' second wife, who is able to accept things that Wade cannot.

Arnold was also one of the many producers on this thing.

Seven out of 10.