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6.3/10
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Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister's marriage troubles.Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister's marriage troubles.Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister's marriage troubles.
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In NY, Buzzy (Edward Burns) and Katie (Caitlin FitzGerald) are in their newlywed bliss. It's both their second marriage. Her sister Marsha is constantly fighting with her 18 year husband Max. Buzzy gives Katie's loser ex-husband Dara a charity vacuum cleaner to sell. The couple is surprised by the arrival of his half-sister Linda (Kerry Bishé) from LA. Katie had never met her. She has come across the country on a whim to stop her ex Miles from getting married. Her irresponsible ways start affecting the newlyweds.
Edward Burns delivers an ultra low budget indie. He uses the faux documentary concept. It is surprisingly well made. The characters are fun. He's trying for Woody Allen adjacent. It's not big laughs but it's loads of fun. I really like the Burns FitzGerald chemistry. FitzGerald is funny as frantic. Their struggles are endearing. It's one of Burns' better work.
Edward Burns delivers an ultra low budget indie. He uses the faux documentary concept. It is surprisingly well made. The characters are fun. He's trying for Woody Allen adjacent. It's not big laughs but it's loads of fun. I really like the Burns FitzGerald chemistry. FitzGerald is funny as frantic. Their struggles are endearing. It's one of Burns' better work.
It actually took us three goes to complete the viewing of the Burn's indy gem. Quite Allenesque in it's deep examination and joy in the the humour of everyday relationships. Superbly acted, interestingly shot, but most importantly, very truthful. A normal couple gets turned every which way with Shakesperean ease and we can relate to the finesse of dealing with family. Burns was type-cast, but his supporting cast were tremendous. Delighted to see the range from Bishé (who I loved watching in Halt and Catch Fire). I think the title is rather disappointing. Worth opening a good bottle of wine for and enjoying with the love of your life.
Despite treading in those dangerous waters of 'a newly married couple's love and trust being put to the test' Newlyweds is a surprisingly comfortable film to watch.
Edward Burns is the Writer/Director/Actor/Tea & Sandwich Maker & etc. playing genial Buzzy. With his reedy voice and understated charm Burns reminds me of Gene Kelly - who he physically resembles but for an extra twelve inches in height. He's a regular guy working as a trainer at a gym. He has a prim, young and well-to-do wife, Katie (Caitlin Fitzgerald). We're informed early on that despite the fact they don't see much of each other the relationship thrives on this. We have to be told the fact because we don't actually see it in the 90 minute span of the film. Still, you have to bear it in mind as one of the questions the film poses is rather like that old joke: Should a married couple be Frank and Earnest? ("No, one of them should be a girl!" is the answer they give in Utah). For despite being newlyweds they are safe and contented. Their personalities and personal situations don't seem to allow for doubt and jealousy, drama and, perhaps, passion. And as neither is particularly big on self-analysis or inveterately curious about the other much has been left untouched and undiscovered. There is a lot of talk about 'telling the truth' and being 'honest' while wordlessly asking the question 'about what?' The major catalyst comes in the shape of Buzzy's sister Linda who has come to New York from the west coast to get an old boyfriend back (played by Kerry Bishé – who wins a gold star on her resume for a terrifically deft portrayal of a girl who's immature, unstable, provocative, self absorbed, heartbroken and a dozen more things I can't think of the words for). Throw in Katie's ex husband and her bickering sister and spouse and you have a tight ensemble cast who seem to be having a lot of fun with their characters and manage to present them in a way that allows us to criticize them but never come near to hating them.
Something I love about the film: Burns has developed the Annie Hall faux documentary interviews to a new level that follow relevant scenes to behave rather like the person's conscience speaking. I know Kurt Vonnegut had a gripe about writers telling us what a person thinks but I've never had a problem with it (if a writer can tell us what underwear someone is wearing they can sure as hell tell us what they're thinking). But how do you do it in film? Having every character doing voice-overs would be dumb. So while we might wonder what the real motives of characters are in some of the emotional exchanges the 'interviews' act as a clarifying narrative. OK, I'm assuming they are telling the truth as far as they see it. I'm assuming a lot. That's the way it came across to me. And this has an intriguing effect on the way you feel (I felt) about the outcome. You may not be sure how all of the plot lines are going to unfold but you don't dread a negative outcome due to these personality building blocks that give it all a sense of karma.
This is the most accomplished of Burns' films that I've seen. It has a grace and polish that makes me disbelieve stories of how quickly it was made. Surely there was a lot of workshop rehearsal work before shooting? Good film making just can't be this easy.
Edward Burns is the Writer/Director/Actor/Tea & Sandwich Maker & etc. playing genial Buzzy. With his reedy voice and understated charm Burns reminds me of Gene Kelly - who he physically resembles but for an extra twelve inches in height. He's a regular guy working as a trainer at a gym. He has a prim, young and well-to-do wife, Katie (Caitlin Fitzgerald). We're informed early on that despite the fact they don't see much of each other the relationship thrives on this. We have to be told the fact because we don't actually see it in the 90 minute span of the film. Still, you have to bear it in mind as one of the questions the film poses is rather like that old joke: Should a married couple be Frank and Earnest? ("No, one of them should be a girl!" is the answer they give in Utah). For despite being newlyweds they are safe and contented. Their personalities and personal situations don't seem to allow for doubt and jealousy, drama and, perhaps, passion. And as neither is particularly big on self-analysis or inveterately curious about the other much has been left untouched and undiscovered. There is a lot of talk about 'telling the truth' and being 'honest' while wordlessly asking the question 'about what?' The major catalyst comes in the shape of Buzzy's sister Linda who has come to New York from the west coast to get an old boyfriend back (played by Kerry Bishé – who wins a gold star on her resume for a terrifically deft portrayal of a girl who's immature, unstable, provocative, self absorbed, heartbroken and a dozen more things I can't think of the words for). Throw in Katie's ex husband and her bickering sister and spouse and you have a tight ensemble cast who seem to be having a lot of fun with their characters and manage to present them in a way that allows us to criticize them but never come near to hating them.
Something I love about the film: Burns has developed the Annie Hall faux documentary interviews to a new level that follow relevant scenes to behave rather like the person's conscience speaking. I know Kurt Vonnegut had a gripe about writers telling us what a person thinks but I've never had a problem with it (if a writer can tell us what underwear someone is wearing they can sure as hell tell us what they're thinking). But how do you do it in film? Having every character doing voice-overs would be dumb. So while we might wonder what the real motives of characters are in some of the emotional exchanges the 'interviews' act as a clarifying narrative. OK, I'm assuming they are telling the truth as far as they see it. I'm assuming a lot. That's the way it came across to me. And this has an intriguing effect on the way you feel (I felt) about the outcome. You may not be sure how all of the plot lines are going to unfold but you don't dread a negative outcome due to these personality building blocks that give it all a sense of karma.
This is the most accomplished of Burns' films that I've seen. It has a grace and polish that makes me disbelieve stories of how quickly it was made. Surely there was a lot of workshop rehearsal work before shooting? Good film making just can't be this easy.
(7.5, rounded up)
Newlyweds is a tale of trashed boundaries, intertwined sloppiness, romantic yearning and object lessons among two couples, assorted relatives and exes in NYC, specifically Tribeca.
Buzzy (writer/director Ed Burns and Katie (Caitlyn FitzGerald) are newlyweds who learned from chaotic first marriages. They own small businesses and are more sunny and self-aware than their sisters, Buzzy's feral little sister Linda (Kerry Bishé), and Katie's bitter older sis Marsha (Marsha Dietlein).
Buzzy trains Marsha's husband Max at his gym. Sort of.; mainly Max comes to gripe about his wife and bemoan the sex he's not getting.
Max idolizes Buzzy, a fit, funny, guy's guy who curses warmly, and, unlike Max, has an even-keeled, gorgeous spouse who appreciates him.
Linda's drop-in from LA becomes the wrench in Katie and Buzzy's gears. Within 48 hours, Linda's passive-aggressive houseguest-from-hell havoc has Katie's teeth on edge and Buzzy backpedaling like a stranger in his own marriage.
Marsha, meanwhile, projects her misery on the stressed newlyweds and Buzzy in particular, who symbolizes all lying, doggish men in her eyes.
Linda chases down another newlywed: her ex Miles, whose weeks-old marriage she's flown in to destroy. Drunk, narcissistic and grabby...she's the younger, female mirror of Katie's actor ex Dara, another vain and irresponsible fantasist.
Meet your ghost of Christmas future, kid.
Marsha is threatened by Buzzy-who stole her sister, and dares to be cheerful. Linda envies Katie, who not only has her life together but can't be trumped on looks or style...oh, the humanity.
Whose denial about their obnoxious sister is deeper? Buzzy defends Linda with a distant oldest's guilt; Katie defends 'good person' Marsha with fierce, if myopic, devotion. Maybe hot loyalty about their sisters doth protest too much?
Which newlywed gets unrealistic first? Katie for insisting Buzzy tell her *absolutely everything*, down to Max's confidences and Linda's indiscretions...omitting what she holds back.
Or Buzzy, who chides Katie with a parallel about the 'anything goes' attitude of guy friends...the difference being, Katie and Linda are in-law strangers, not friends. Case in point, 'paranoid' Katie doesn't even try to tell Buzzy how rude and hostile Linda is when the two of them are alone.
Linda can apologize to Miles, but not Katie. Marsha treats Buzzy like riffraff, though he's gentleman enough to ignore her barrage of insults.
Kettles, meet pots. Everyone in Newlyweds has an object lesson, a nemesis and maybe even the inspiration they need, viewed in the right light.
I won't spoil the funny lines and fine messes of Newlyweds. The writing feels fresh and natural, the characters are just screwball enough, and I really wish Ed Burns had given us a sequel.
Newlyweds is a tale of trashed boundaries, intertwined sloppiness, romantic yearning and object lessons among two couples, assorted relatives and exes in NYC, specifically Tribeca.
Buzzy (writer/director Ed Burns and Katie (Caitlyn FitzGerald) are newlyweds who learned from chaotic first marriages. They own small businesses and are more sunny and self-aware than their sisters, Buzzy's feral little sister Linda (Kerry Bishé), and Katie's bitter older sis Marsha (Marsha Dietlein).
Buzzy trains Marsha's husband Max at his gym. Sort of.; mainly Max comes to gripe about his wife and bemoan the sex he's not getting.
Max idolizes Buzzy, a fit, funny, guy's guy who curses warmly, and, unlike Max, has an even-keeled, gorgeous spouse who appreciates him.
Linda's drop-in from LA becomes the wrench in Katie and Buzzy's gears. Within 48 hours, Linda's passive-aggressive houseguest-from-hell havoc has Katie's teeth on edge and Buzzy backpedaling like a stranger in his own marriage.
Marsha, meanwhile, projects her misery on the stressed newlyweds and Buzzy in particular, who symbolizes all lying, doggish men in her eyes.
Linda chases down another newlywed: her ex Miles, whose weeks-old marriage she's flown in to destroy. Drunk, narcissistic and grabby...she's the younger, female mirror of Katie's actor ex Dara, another vain and irresponsible fantasist.
Meet your ghost of Christmas future, kid.
Marsha is threatened by Buzzy-who stole her sister, and dares to be cheerful. Linda envies Katie, who not only has her life together but can't be trumped on looks or style...oh, the humanity.
Whose denial about their obnoxious sister is deeper? Buzzy defends Linda with a distant oldest's guilt; Katie defends 'good person' Marsha with fierce, if myopic, devotion. Maybe hot loyalty about their sisters doth protest too much?
Which newlywed gets unrealistic first? Katie for insisting Buzzy tell her *absolutely everything*, down to Max's confidences and Linda's indiscretions...omitting what she holds back.
Or Buzzy, who chides Katie with a parallel about the 'anything goes' attitude of guy friends...the difference being, Katie and Linda are in-law strangers, not friends. Case in point, 'paranoid' Katie doesn't even try to tell Buzzy how rude and hostile Linda is when the two of them are alone.
Linda can apologize to Miles, but not Katie. Marsha treats Buzzy like riffraff, though he's gentleman enough to ignore her barrage of insults.
Kettles, meet pots. Everyone in Newlyweds has an object lesson, a nemesis and maybe even the inspiration they need, viewed in the right light.
I won't spoil the funny lines and fine messes of Newlyweds. The writing feels fresh and natural, the characters are just screwball enough, and I really wish Ed Burns had given us a sequel.
I really enjoyed this movie. I loved the scenes....the dialoque... Both sisters enraged me.... I thought Katie was beautiful and Buzzy was charming and sexy. I was wishing I was Katie many times throughout the movie. I will work for free if I can pretend to be married to a character played by Ed Burns. ;)I wanted to choke Linda, but I felt bad for her. I was excited for Marsha's new adventures... All the characters were awesome...they drew me in and made me feel their emotions. I didn't want it to end. I wanted more of these characters and more of the city. I thoroughly enjoyed all the scenes in the restaurants and on the city streets. I thought the movie was shot well. The sounds in the movie were rich. The movie was very raw to me...in a good way. I loved how the characters talked to the camera and said the things we were thinking. It relieved that feeling of frustration your normally get when watching movies and the characters are annoying you. Awesome! I enjoyed Kerry Bishe in this movie more than in NGJ. She stirred up my emotions more in this movie. She played the part of Linda very well. She was so pathetic and yet bitchy. Good stuff.
I would watch this again... I have seen Purple Violets several times, which is another Ed Burns film. That is a fantastic movie as well. I liked Newlyweds just as much as Purple Violets and I liked both of those a bit more than Nice Guy Johnny. That might give this review perspective.
Overall, a well made, interesting film that has left me wanting more of these characters. Perhaps a cable/web series to expound on these characters. Congrats EB!!!!
I would watch this again... I have seen Purple Violets several times, which is another Ed Burns film. That is a fantastic movie as well. I liked Newlyweds just as much as Purple Violets and I liked both of those a bit more than Nice Guy Johnny. That might give this review perspective.
Overall, a well made, interesting film that has left me wanting more of these characters. Perhaps a cable/web series to expound on these characters. Congrats EB!!!!
Did you know
- TriviaAt $9000, this is the lowest film budget that Edward Burns has ever worked with.
- Goofs(at around 55 mins) Buzzy grabs a bottle of wine. In the next shot, both characters are holding full glasses, then the shot switches back to the previous angle and Buzzy pours the wine into both glasses.
- ConnectionsReferences Marty (1955)
- How long is Newlyweds?Powered by Alexa
Details
Box office
- Budget
- $9,000 (estimated)
- Gross US & Canada
- $5,000
- Opening weekend US & Canada
- $4,584
- Jan 15, 2012
- Gross worldwide
- $5,000
- Runtime1 hour 35 minutes
- Color
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