Crescent City

I started watching this for the presence of the ever great actor Terrence Howard and Alec Baldwin. Terrence Howard still oozes cool, but Alec Baldwin is phoning his performance in.

This is not a B-movie, but it is cop movie without cojones, without soul. It's just going through the motions of a below average predictable, boring cop story we have already seen a kazillion times before.

NOT thrilling. NOT suspenseful. NOT original. It's a total nothing burger, that is incredibly tedious to watch.

These actors deserve a better script and a much better direction and production. Definitely to be avoided.

I knew it was just a bit part for Alec Baldwin, so i wasn't expecting anything special from him. I've never really seen anything amazing from terrence Howard, but I'm a fan of Esai Morales... especially later in his career.

That said, this was truly one of the least enjoyable films I've ever seen. I've seen worse acting, worse editing, worse writing, and worse cinematography, but in those cases it was obvious going in what you were getting.

It was just mediocre all the way around, the plot was paper thin, and I didn't buy anything that was going on with Morales, Howard or the Aussie cop... absolutely no chemistry between the actors.

I really try not to give below a 5 star rating, but for some reason 2 stars felt right after watching this.

By the guys that made American Sicario, comes Crescent City, a lackluster mys-tery thriller that I couldn't stand until the end. Maybe the story spins towards something amazing or at least acceptable in the end, but the fact is that the subpar acting and cinema-tography threw me off.

The buddy cops Brian and Luke lacks chemistry, and most of it comes from the plank acting both actors Terrance Howard and Esai Morales portrait. The addition of Jaclyn Waters is a common cliché in cop movies, this time with the unoriginal idea that she will join the buddy cops rather than some old-timer loner. Nicky Whelan's acting is also bellow average - for some reason, everyone except maybe Alec Baldwin was just not feeling it, a potential direction problem.

When Act 2 started and things were still dull, I quit.

Don't actors read the script before they sign up for a project? I can't believe actual famous people with viable careers volunteered for this and weren't under duress.

The basic plot is like someone was playing police thriller serial killer mad libs. They took pages from The Wire, from Se7en and a dozen other good movies, threw them in a basket and the first hundred pages they grabbed out became the final draft script. I have seen better from Eastern Europe.

If True Detective were a Hyundai Genesis, this is a 1989 Hyundai Excel. Remember those?

There's no logical explanation as to why the people are doing the things they are doing or why they even still have jobs?

But in the end, this hot mess is to absurd that it's actually entertaining. If they hadn't taken themselves seriously, this could have been Scream.

This is a horribly written film that is not even campy worth watching and wastes a mostly decent cast. The plot, if we can call it that, is better understood as a drunken improve of frat brothers who think they are improving Silence of the Lambs.

Rather than actually develop a story line, the movie meanders from one pathetically obvious misdirection to the next, until the musical chairs of potential suspects haphazardly lands on one character. They film the pathetically tries to backfill the character's story to cobble together an underwhelming explanation of the why the killer would engage in series of crimes.

The best part of the film is that it ended and that I didn't buy it.

Shame on everyone involved.