Won't Back Down

The opening scene suggests this could be a satisfying movie. Sadly, that is not the case. The problem is, Davis and Gyllenhaal lack chemistry, the characters are shallow, and while the movie isn't unbelievable, it's not believable either. There are some powerful moments, but nowhere near enough for a recommendation. It's also extremely low-key, and most of it feels like a filmed rehearsal. There's no real acting here, because everyone in the movie seems like they're just going through the motions and phoning it in. Because I didn't have high hopes for it, I can't really call it a disappointment. Reversing the two leads' roles, having stronger writing, and a stronger screenplay might have helped.

** out of ****

Won't Back Down is less a movie about living, breathing characters (with one exception) and more a political polemic about bad schools and bad unions. Viola Davis manages, as usual, to rise above surprisingly simplistic material and give a fine performance. But most of the characters were reduced to giving talking points, and some usually good actors gave surprisingly bad performances as a result. I know people worked very hard on this movie, and I'd like to be able to give it a more positive review...but I just can't.

This movie also made pretty good use of its Pittsburgh location, particularly nice use of the the incline. Points for the many sports-related T-shirts and the Giant Eagle bread.

Jaime Fitzpatrick (Maggie Gyllenhaal) and teacher Nona Alberts (Viola Davis) are both parents who are tired of their failing inner city school. They battle union boss Evelyn Riske (Holly Hunter) and others to take save the school and their kids.

There's no doubt that there is a pedigree of Christian conservative roots in this movie. The big name in production is Walden Media and they have their roots in Christian conservative ownership. So is it propaganda? Probably, but it's still a good movie.

This is a movie where the labor union is made to be complete villains, and disconnected to the teachers on the ground. They lie and bribe to save their own jobs. The teachers are either good or evil. The one bad teacher can't be just incompetent. She's is literally Evil. Having said that. It is a well made film. There is good. There is evil. There are obstacles to overcome. The acting is good. The story is compelling. Other than a couple of hokey moments and some slow spots, the story flowed well. So on the film itself without taking sides, this is a definite 7. sides, this is a definite 7.

Reading some of the reviews here and elsewhere I was getting a feeling some people simply saw another film under the same title for I don't have another plausible explanation for the shortsightedness and narrow-mindedness of some.

The film is stunning in its emotional impact, immaculately written and stupendously directed, with incredible one-shots, meticulously motivated hand-helds, color nuances (overlooked by many) and above all breathtakingly thorough and subtle work with the cast. In the world of "block-and-shoots" and gimmicky self-indulgent "me-me-me's" this rare old school picture stands out and certainly makes many uncomfortable for it appeals to something buried under layers of tweets, pretense, status, rat races and such - the human heart. Human connection. This is the most life-affirming American film I have seen in over a decade without it getting too preachy, cheesy or boring. No chemistry between Maggie and Viola? That comment is beyond me. They are so different, they are so raw and painfully believable on their own, that their union gains power via this deliberate diversity of their characters. There is not a single face in a single frame that is not totally "there", the committed "non-background" nature of supporting cast and extras makes an incredibly detailed background, full of nuance, ever breathing and alive. As is every shot of the film.

The last comment I will afford regards the union matter. First if all - if someone really believes this movie is about unions (or against them) - I have nothing to tell them. They will be as deaf to my voice as they are to the writers'/director's which tells a story of mother's love, standing up for your rights, having hope and faith and moving mountains if necessary - if the loved one needs that. The school is just a background for all that to unfold, a setting, a subplot to me. Performances are Oscar-worthy, I could go on for pages and scene by scene describe the beauty and power of them (alas, only 1000 characters here). And one more word on the union issue - what makes this film so impactive and real is how valid both points are and how the film's creators made sure that nothing about that is black and white and took time to support and justify both.

So, if you are not ashamed to cry in a theater, if you are ready to embark on an emotional journey, if you are not afraid to think and doubt - go see this brilliant work of art.

If you have a child in school tomorrow, or plan to have a child in school in the next decade, go see "Won't Back Down". Not because the writing is good, or the acting is good, but because the story could be from your own backyard, your own child's school.

This isn't a summer blockbuster like the "Avengers", and audiences loved the "Avengers", but none of us are super-heroes, nor will we ever be. We are all capable of being the type of hero so well portrayed by Maggie Gyllenhall and Viola Davis - Parents. Every adult, that experiences this film will understand that it does not take super-powers and a shiny costume to be a hero to a child, or a community.

So, yes, educating the next generation does matter. Who's going to be your Doctor, your Lawyer, your CEO in 30 years...a child being born today. If that child doesn't get an adequate education...how will they be able to achieve their dreams? How will our country survive through a generation of D and C students?

Go and enjoy "Won't Back Down" for what it is - Sometimes funny, sometimes heartwarming, striving to make us all see that somethings are worth fighting for.