A newsroom undergoes some changes in its workings and morals as a new team is brought in, bringing unexpected results for its existing news anchor.A newsroom undergoes some changes in its workings and morals as a new team is brought in, bringing unexpected results for its existing news anchor.A newsroom undergoes some changes in its workings and morals as a new team is brought in, bringing unexpected results for its existing news anchor.
- Won 1 Primetime Emmy
- 10 wins & 34 nominations total
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Summary
Reviewers say 'The Newsroom' is acclaimed for its sharp writing, timely narrative, and compelling performances, particularly Jeff Daniels as the seasoned news anchor. Key themes include the challenges of news delivery in the digital age, journalistic integrity, and corporate influence on media. Despite praise, some criticize the show for political bias, overly didactic dialogue, and a preachy tone. The cast receives mixed reactions, with certain actors deemed over-the-top. Nonetheless, many appreciate its attempt to address real-world events and engaging storytelling.
Featured reviews
In the tradition of his earlier 'behind-the-scenes of TV' shows, Aaron Sorkin's The Newsroom takes a hard (and witty) look at the behind the scenes of cable news. And like all his other shows, The Newsroom deals as much with themes of honour, ethics, loyalty, idealism and love, as it does with the news. It's also written in Sorkinese – Aaron Sorkin's fast-paced, back-and-forth, sing-song dialogue that'll leave you heady on a good day but with a headache on a bad one.
So, like critics have lambasted, is it "weighted too heavily toward sermonizing diatribes (LA Times)?" Maybe. Does it "choke on its own sanctimony (NY Times)?" Perhaps. Is it "yet another platform in which to Set the People Straight is a worthwhile purpose (Huffington Post)?" Most definitely yes. But is this all really so horribly, terribly bad? NO!
The main bone of contention for critics for this show seems to be that it tries too hard to be good, do good and instill good, just like all of Sorkin's earlier work. But when did that become a crime, in times of shows about becoming the next scrawniest supermodel, douchiest reality housemate or Tim Allen's 30th comeback? What's wrong with a show fantasizing about a world upheld by a long-forgotten morality in a time infested with shows that fall over each other to portray stark, grim realities and apocalyptic futures?
The Newsroom's got a fantastic cast with enough charm to last you till the next Woody Allen movie. Emily Mortimer's already got me falling in love with her, Jeff Daniel makes you really root for him, John Gallagher Jr and Alison Pill have an instant chemistry and Sam Waterson's singularly enough to bring you back every week. Yes, it's longer than it needed to be, and yes, it could have done with a little more Noam Chomsky and a little less Don Quixote. But really, as long as it does what so few show can ever claim to together – rouse you, make you think and ENTERTAIN, bloody well at that – who's complaining?
Admittedly, I'm a fan of Aaron Sorkin. I've seen (repeatedly) and LOVED Sports Night and The West Wing, and I think Studio 60 on the Sunset Strip is one of the best shows ever made. His writing has inspired me in the past, and after watching The Newsroom, I have all reasons to believe that it will continue to, well into the future.
Critics be damned, watch this show simply because it's good television. It may not change the world, but at least it's trying to.
So, like critics have lambasted, is it "weighted too heavily toward sermonizing diatribes (LA Times)?" Maybe. Does it "choke on its own sanctimony (NY Times)?" Perhaps. Is it "yet another platform in which to Set the People Straight is a worthwhile purpose (Huffington Post)?" Most definitely yes. But is this all really so horribly, terribly bad? NO!
The main bone of contention for critics for this show seems to be that it tries too hard to be good, do good and instill good, just like all of Sorkin's earlier work. But when did that become a crime, in times of shows about becoming the next scrawniest supermodel, douchiest reality housemate or Tim Allen's 30th comeback? What's wrong with a show fantasizing about a world upheld by a long-forgotten morality in a time infested with shows that fall over each other to portray stark, grim realities and apocalyptic futures?
The Newsroom's got a fantastic cast with enough charm to last you till the next Woody Allen movie. Emily Mortimer's already got me falling in love with her, Jeff Daniel makes you really root for him, John Gallagher Jr and Alison Pill have an instant chemistry and Sam Waterson's singularly enough to bring you back every week. Yes, it's longer than it needed to be, and yes, it could have done with a little more Noam Chomsky and a little less Don Quixote. But really, as long as it does what so few show can ever claim to together – rouse you, make you think and ENTERTAIN, bloody well at that – who's complaining?
Admittedly, I'm a fan of Aaron Sorkin. I've seen (repeatedly) and LOVED Sports Night and The West Wing, and I think Studio 60 on the Sunset Strip is one of the best shows ever made. His writing has inspired me in the past, and after watching The Newsroom, I have all reasons to believe that it will continue to, well into the future.
Critics be damned, watch this show simply because it's good television. It may not change the world, but at least it's trying to.
I've been watching television for all of my 57 years on the planet. It is a rare thing when I see a show that grabs me from the first moments and holds me to my chair until the very last, but this just happened tonight as I watched the first episode of The Newsroom. Brilliant writing, terrific characters, excellent dialog, smooth and sexy directing that organically brought all the pieces together, and there couldn't have been better casting. Every character just felt exactly right. When it was over, I said this will be the new West Wing. Jeff Daniels shines in this role and what a great opportunity to showcase his effortless acting. I can easily see major Hollywood "A" listers grabbing their telephone's right now making late Sunday night calls to their agents demanding they get a guest appearance on The Newsroom. I was hoping for good when I heard about this show last winter, but what was delivered was excellence. Well done HBO. You've got me hooked. Well done!
I am watching it for a second time. All of the critics are acting as if Aaron Sorkin kicked dirt in their faces. The critics said nothing of substance- just vitriolic rants. Maybe Sorkin has hit a nerve. In a sea of crap T.V. this is entertaining. Believe me, we all know that the Newsroom characters are no more realistic than President Bartlet or Sam or Toby, Josh,Leo, C.J., Josh, or Donna. I don't think for one minute that the President of the United States has a secretary who doles out cookies, but I desperately need to believe that we are capable of being all of these characters. I desperately need to be quixotic for an hour a week.
Boy, some people did not like this show.
Someone here said the first five minutes of the pilot were fabulous (I'm paraphrasing) and then it was downhill from there.
This is what makes the world go round. In the beginning, I found "Newsroom" too chaotic. I wasn't connecting with the characters and it was all too much.
Then I really got into it, and I found it fantastic. I loved the acting and the characters, and I don't understand why it went off the air.
I also loved the witty dialogue, and I liked the fact that it showed the interpersonal relationships within the newsroom as well as out. The whole Genoa thing was particularly chilling, when you absolutely know what's going on - fascinating to watch.
This is an Aaron Sorkin show, along the lines of The West Wing. And what actors - Sam Waterston, Jane Fonda, Jeff Daniels, Emily Mortimer, Allison Pill, Marcia Gay Harden, everyone top-notch. Even though I haven't been the age of most of the newsroom characters for many many years, I could still appreciate their lives and what they went through.
How bad can something with Sam Waterston in it be, I ask myself. Certainly worth checking out.
Someone here said the first five minutes of the pilot were fabulous (I'm paraphrasing) and then it was downhill from there.
This is what makes the world go round. In the beginning, I found "Newsroom" too chaotic. I wasn't connecting with the characters and it was all too much.
Then I really got into it, and I found it fantastic. I loved the acting and the characters, and I don't understand why it went off the air.
I also loved the witty dialogue, and I liked the fact that it showed the interpersonal relationships within the newsroom as well as out. The whole Genoa thing was particularly chilling, when you absolutely know what's going on - fascinating to watch.
This is an Aaron Sorkin show, along the lines of The West Wing. And what actors - Sam Waterston, Jane Fonda, Jeff Daniels, Emily Mortimer, Allison Pill, Marcia Gay Harden, everyone top-notch. Even though I haven't been the age of most of the newsroom characters for many many years, I could still appreciate their lives and what they went through.
How bad can something with Sam Waterston in it be, I ask myself. Certainly worth checking out.
I can not express how much this show means to me. I cried my eyes out. I could not stop watching this show, I don't understand why there is only three seasons. It is the best show I have ever seen before
Did you know
- TriviaThe last episode of the first season of all three of Aaron Sorkin's TV shows (À la Maison Blanche (1999), Sports Night (1998), and Studio 60 on the Sunset Strip (2006), as well as the series finale of "The Newsroom" (2012) are entitled "What Kind of Day Has It Been?"
- GoofsThe very beginning of the title sequence shows the Soviet Sputnik flying with its antennas oriented away from the Earth. The Sputnik rotated, which is why that design of antenna array was chosen as it allows equal transmission of radio signals in all directions.
- ConnectionsFeatured in Chelsea Lately: Episode #6.114 (2012)
- SoundtracksThe Newsroom Main Theme
Written by Thomas Newman
- How many seasons does The Newsroom have?Powered by Alexa
- How did Aaron Sorkin research for this series?
- Does The Newsroom cover important news and political events?
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- Runtime1 hour
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- 16:9 HD
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