11.11

The concept of 11:11 carries a significant level of intrigue, promising a tale of interconnected destinies and exploring the profound impact of a split-second decision. The film attempts to navigate the emotional turmoil experienced by the characters, painting a picture of their despair and the challenging situations they find themselves in.

Eyad Nassar delivers a commendable performance as the grieving father, capturing the anguish and desperation that consume him after the loss of his son. His portrayal evokes empathy from the audience and showcases the depths of his character's pain. The supporting cast also provides satisfactory performances, adding layers to the narrative.

However, despite its promising premise, 11:11 falls short in several aspects. The execution of the storyline feels disjointed at times, struggling to maintain a cohesive narrative flow. Certain plot points and character developments remain underdeveloped, leaving the viewer with unanswered questions and a sense of unfulfilled potential.

Additionally, the pacing of the film could have been improved. The storytelling occasionally feels sluggish, hindering the overall engagement and impact of the narrative. The emotional depth that could have been explored further is somewhat overshadowed by the film's pacing issues, resulting in a missed opportunity to fully immerse the audience in the characters' journeys.

Furthermore, while the film touches upon themes of loss, grief, and the fragility of life, it often lacks the necessary depth and nuance to fully explore these themes. The emotional impact is diminished, leaving the viewer somewhat detached from the characters' experiences.

In conclusion, 11:11 presents an intriguing premise with strong performances, particularly from Eyad Nassar. However, the film struggles to deliver a consistently engaging narrative, with pacing issues and underdeveloped plot points hindering its potential impact. While it touches on poignant themes, the lack of depth and uneven execution prevent it from reaching its full potential. As a result, I would give 11:11 a rating of 6 out of 10.

The first half hour of this movie was so convoluted, repetitious and boring that I almost shut it off. But I decided to keep watching, because I have watched slow sleeper movies before that turned out to be excellent (the Russian film Stalker being one of them). So I hung in there.

Well, it did get better, and then it didn't. It built up three life stories-- very repetitively... repetitively... repetitively-- showing the same scenes over and over, each time adding one more piece of the puzzle... until we get to the very end of the film and find the puzzle is missing the most important piece: a conclusion to the plot.

The ending is so senseless and pointless that it ruins any chance this show had of pulling itself out of the gutter. The constantly repetitive scenes were tedious, but the show had potential to work out in the end. But then in the end they just leave everything hanging with no resolution, no actual point made, fade to black.

I give it 2 stars because I reserve 1 star for the worst movies ever made, and this isn't quite that bad. Close though.