Goddess

Well, I have never written a review before, but after just seeing it at the Orpheum and chatting over it with friends, six of the seven of us really enjoyed it. At first I though we had a 'chick - flick' on our hands (well it is) and was prepared for a a bit of shut eye. It was however well worth seeing. The film warms up well and had me engaged completely from about fifteen minutes in.

Its a story about life, relationships, choices and sacrifices made, played out is a pleasing way. I kept on feeling the plot was going to turn down a less savory/disappointing path and it did not. The end result was better than that.

The wardrobe showed a very retro fifties/sixties feel and like the movie was light and fun.

It was light and fun ! The music was original, and performances excellent. My wife was very impressed with Dustin Claire, recently on TV's Spartacus. He sings pretty well too.

Magda Szubanski is a bit of an Aussie icon, and she was great, cast into her role brilliantly.

It was a musical, and I usually avoid musicals, but the sung parts were key to the movie, ie they didn't feel tacked on, and performed well.

I liked it, and it is worth seeing, but take your wife/girlfriend !

A musical comedy about the history of Elspeth Dickens, who loves to sing and would like to be able to achieve fame thanks to her vocal capabilities. The problem is that she is stuck on a farm with her ​​twins. The installation of a web cam on her computer and the Internet allow you to embark on her journey to stardom, but there will be a pretty high price to pay.

Goddess is an original totally new musical very fun to watch and entertaining. It deserves a better rating than just a 5. The musics are OK but what it is extremely important about this title is the stand out of Laura Michelle Kelly which perform fantastically. It definitely IS a must watch for those who love musical genre. Definitely not a let down but it equals several other musicals plus all with its own style (australian "british" humor). Againg Laura M. Kelly was just great with her performance and she totally should be seen more often on screen moreover if she sings on it. 7 out of 10

I loved this film. I don't generally do musicals, but I do tend to like anything that is different from a lot of the mainstream bilge pumped out by Hollywood. I'm a big fan of Australian cinema precisely because it produces quirky, charming films like this. I agree it's unlikely to ever win any Oscars, but that is possibly part of its appeal. The "stars" are not A-list but who cares. Like champagne, the film is light and frothy and lacking in substance but, if you accept it for what it is, it's still thoroughly enjoyable. I saw this film on an international airline, so hopefully its gradually picking up a worldwide fan base and rightly so. Be proud Australia - your films are much better than you give them credit for!

This is a great night out - enjoyable and unapologetically feel good - part Bollywood; part Hollywood; part Strictly Ballroom; part Mary Poppins; part desperate housewives. Tight performances all round. Good music, good choreography - .This movie is not what you think - unlike Muriels wedding, Priscilla etc - it does not rely on audience nostalgia for well known songs. The songs/choreography are original and work. It will be a great pity if this movie is not well publicised and I really hope word of mouth will do the trick. Backers - publicists - don't shirk - this is a gem. I have heard three separate reviewers also give it the thumbs up. do yourself a favour and have some fun.

Let's start with the good. The main actress sings well and there's plenty of colour and rhythm with all the dance routines. (She can't lip sync to save her life, but she's a musical theatre actress not a popstar, so it's probably to her credit). Generally it's solidly acted by all the cast.

The bad: the grotesque "moral" of this story. Basically you can't have a glittering career if you're a mother. Despite the fact that your husband is working away from home for months on end enjoying his glittering career, and that there would be no issue whatsoever with taking two pre-school age kids to the US with a nanny for a couple of months: no, your husband will go off with someone else, so you must go back to the remote rural town in Tasmania you've inexplicably chosen to reside in, put your rubber gloves on, and be a small town stay-at-home mom.

I watched with increasing heart-sinking as I saw the ending of this approaching, knowing exactly where it was going, and I hated it every bit as much as the similarly dismal ending of View from the Top (2003).