La Maison biscornue

Agatha Christie's "Crooked House" is a gripping tale that will keep you at the edge of your seats most of the time. Only most of the time because the film is oddly paced, moving either too fast or too slow. However, this is compensated for by the captivating performances of the talented cast members and the elaborate mystery that Agatha Christie herself considered one of her personal favorites. I was a bit disappointed by the detective Charles Hayward because his character was flat and static although the flashbacks offered potential. He was also nothing more than a device used to let the audience into the dysfunctional family's lives. Unlike Poirot, he was unable to reach conclusions without having them shoved into his face. I still thoroughly enjoyed the film and would recommend it to anyone who has not read the book. Knowing the twist could diminish the charm of the movie.

More than 40 years after her death, the almighty Mrs. Agatha Christie is more alive than she ever was! I've been a massive fan of her work since many, many years, so you can imagine how ecstatic I am with this Christie-revival. The BBC still regularly produces fancy mini-series based on her work (recently there was another great version of "And then there were none", starring Sam Neill and Charles Dance) and within one and the same year there were no less than two large-budgeted film productions with impressive cast ensembles. Kenneth Brannagh played it safe, with another umpteenth but nevertheless enjoyable interpretation of "Murder on the Orient Express", but most of all I was looking forward to the very first adaptation of the fantastically bonkers - and Agatha's personal favorite - story "Crooked House".

At first, I was a bit concerned regarding the choice of director. The French born Gilles Paquet-Brenner's first film "Walled In" really sucked, and he didn't do a very impressive job transferring Gillian Flynn's powerful novel "Dark Places" into a compelling thriller, neither. But hey, maybe it's because I'm biased regarding the source material, but "Crooked House" nevertheless became a good old-fashioned and absorbing mystery-whodunit with a stellar cast, lovely decors and a thoroughly ominous atmosphere. But it's the phenomenal story that is domineering here. Like I said, I'm biased, but if the novel is faithfully adapted it's difficult to ruin a good Agatha Christie tale. If you haven't read the novel or read any plot spoilers, I dare you to guess the denouement! The dead of 76-year-old family patriarch and self-made millionaire Aristide Leonidès quickly turns into murder when it's discovered that his insulin got replaced by a lethal poison. Leonidès large and entire family, including a sexy young wife and a sister-in-law from his previous marriage, all live together at the immense family estate and, in familiar Agatha Christie style, each had a motive to murder the overbearing old man. His beloved granddaughter Sophie enlists the help of private detective, with whom she had a brief romantical history in Cairo, but he doesn't make a lot of progress in unmasking the culprit.

For people who aren't as obsessed with Agatha Christie than me, "Crooked House" is perhaps slightly overlong and admittedly it takes too long before the second obligatory incident occurs. Meanwhile, however, there are many great dialogues and a continuously mounting suspense to enjoy. The young cast members (Max Irons, Stefanie Martini, Honor Kneafsey) do a more than adequate job, and it's always a pleasure to see some veterans, like Glenn Close, Terence Stamp and Julian Sands.

It is so wonderful to see Agatha Christie's work still in demand, on the small and big screen alike. Brave to see the production team take on Crooked House, a feat never before attempted. The results are pretty good, as a novel I think Crooked House is one of her best, it is outstanding, so the story is not in question, firstly it's quite a faithful adaptation, and they were brave enough to stick with the shock ending. The acting is excellent, Glenn Close is commanding in every single scene, showing the class act she is. Gillian Anderson and young Honor Kneafsey also impress. The settings and fashions are flawless, it looks wonderfully glamorous, and is again in keeping with the text. If I were being critical I would pick on some of the editing and cutting, at times it was a bit clunky, which is a shame because the core elements are strong.

I'm always glad to see a new production from Agatha Christie's catalogue of brilliance. More please, 7/10

Multi-millionaire Aristide Leonides has just died, apparently of a heart attack. Private investigator Charles Hayward is approached by his granddaughter Sophia and asked to investigate his death as she believes he was murdered. Hayward takes on the case and visits the Leonides estate, questioning the family. He discovers that it is far from a simple case - the family is incredibly dysfunctional and nothing is as it seems.

Decent, though not great, adaptation of the Agatha Christie novel. Good setup with a fair amount of intrigue and mystery. Solid performances from a cast that includes Glenn Close, Julian Sands, Terrence Stamp and Gillian Anderson. Great work by 13 year old Honor Kneafsey as Josephine - she almost steals the show.

However, after a solid start, the intrigue doesn't get built on very well and the middle-to-end part drags a bit. Even more disappointing, the ending feels very rushed and out of the blue.

Another negative is the performance of Christina Hendricks as Brenda. I know she is supposed to be a femme fatale but she didn't have to try to sound like Marilyn Monroe on helium. Way overdone and quite irritating.

I have not read the book, so I'm unable to make comparisons. Seeing as Agatha Christie thought this to be her best book, I'm guessing the novel was 10x better than the movie.

I felt the film itself moved quite slowly, despite being nearly 2 hours long. I felt myself at points losing interest. I'm thinking we needed a Marple or Poirot in this to spice it up a bit! I'm absolutely obsessed with the Poirot series; I find it thrilling, jam packed with twists, and so when I come across any Agatha Christie adaptation, I'm expecting them to live up to these high standards, but this fell short. I don't believe there was enough time with the suspects for the audience to build cases against them. However I must say that the big reveal of the actual killer left me speechless, it made up for the rest of the movie being quite boring, otherwise my score would be a lot lower. I'd say instead of big named productions, stick to the BBC/ITV adaptations of Agatha Christie's work....so much better.

By the way Glenn Close was fab.