Titanic

The DVD hasn't been released here yet but the 'mini-series' is now over. It is difficult to call this amalgamation of snippets about an historic tragedy a miniseries because it was spread out so unevenly (3 hours on first night, one hour on second night) and we are now informed that the film is a total of 184 minutes which means that the fourth hour was completely filled with the most distracting and disrupting of commercials. Why this new version of TITANIC wasn't place on cable television where it could have been enjoyed on one uninterrupted three hour showing is beyond understanding. Perhaps when the DVD is released and there are no loud and ugly commercials every 5 minutes the story will hold together.

Julian Fellowes, so respected for his writing of such series as Downton Abbey, etc. seems to have the urge to tell the story of the event through quick snippets of personal stories among the passengers - a commendable idea, but when the tiny tales are buried in the almost immediate collision with the iceberg and the attempt to flesh out the story by making it about how tragedy affects people's relationships come as little disconnected pop-ups, it is difficult to care about anybody, much less get to know them well enough to remember them at picture's end. Granted there are some moments before the ship is finished that emphasize the fact that the unsinkable Titanic was rushed to completion before it was safely ready, and those flashbacks to offer some interesting moments.

But basically the story is the same as all the other TITANIC movies - a study about class distinction not only among the peerage of Brits but also the differentiation among first, second and third (steerage) classes - with a hefty dollop of snubbing the crass American passengers. Jon Jones directs this amalgamation of ideas. There are some brief but tasty moments for actors such as Glen Blackhall (a memorable Paolo) and Antonio Magro (Paolo's brother Mario), Peter McDonald, Steven Waddington, Ruth Bradley Linus Roache and Geraldine Somerville as the Mantons, Toby Jones and Maria Doyle Kennedy, Celia Emrie, James Wilby and Dragos Bucur (the stowaway Russian). The rest of the cast is so little used that they all but disappear.

The film was apparently shot on digital video. Some of the effects are fine, but the whole film lacks cohesion - at least on the American release on commercial television!

I have just finished a rewatch of this tv series.

My experience with it started when it was first broadcast in 2012 and I enjoyed it that much that I got it on dvd.

I then watched it several more times before it got left at the back of my dvd collection and subsequently forgotten about until now.

Dusting it off after all these years. It still holds up.

Yeah as with any Titanic related media one has to take it with a pinch of salt.

While not entirely accurate and at times it does contradict the testimony of survivors.

It is still well made. Great story. Hits all the right notes and leaves you feeling emotionally drained at the end.

It's entertaining enough with a well known bit of history as the backdrop for this tv show.

Good casting too.

Set design is alright. Parts of it are right and some aren't.

Being from the same writer as one would expect it's Downton Abbey on the Titanic.

I'd recommend it highly.

Tale of the Titanic disaster in four parts. The first three tell the same basic story but through the eyes of passengers in 1st, 2nd, and 3rd class (steerage). The story lines overlap and all meet in the same disastrous finale: the sinking of the ship.

Although there are no big names in the cast, several are familiar faces (Maria Doyle Kennedy, Linus Roache, Toby Jones, Steven Waddington, Stephen Campbell Moore, Celia Imrie, James Wilby, Linda Kash).

To my knowledge this is the only "Titanic" story that has included the real-life Dorothy Gibson (played by Sophie Winkleman), an American movie actress, who survived the disaster. Back in the US, she was rushed into "Saved from the Titanic" within a month of the sinking. She played herself, recounting the disaster, but was so overcome by grief, she suffered a nervous breakdown during the filming and retired from acting. The 1912 film was an absolute sensation, one of the biggest hits of the time. The film was tragically lost in a 1914 studio fire.

I wanted to like this mini-series, really I did. I love Downton Abbey and Gosford Park is great fun, so it isn't as if I am not a fan of Julian Fellowes. And this had a great cast on paper. Unfortunately, apart from some beautiful photography, gorgeous costumes and a wonderfully-rendered ship as well as some decent turns from Glen Blackhall and Geraldine Somerville, this soggy ITV drama sadly never seems to leave the deck. A main problem of mine was the pace. Most of the drama had a very rushed feel to it, consequently characters came and went, story lines(and rather derivative ones at that) were introduced but never satisfactorily elaborated upon or resolved(especially Mary Maloney's) and the main characters lack depth or even any sort of genuine personality and it doesn't help that here they are all underdeveloped stereotypes.

Some scenes particularly at the start take a while to get going, maybe in an attempt to give the characters depth but seeing as they failed with that aspect the first episode was dull, and the sinking scenes which had potential to be riveting lacked any true tension. The dialogue lacks the control and wit also of Downton Abbey and Gosford Park, it is all very stilted and soap-opera-ish with some parts like with the younger actors cringe-worthy and there are a couple of heavy accents too making some of the dialogue muddled. The rest of the acting considering the cast pedigree was disappointing, and the fact that a lot don't have much to do has a lot to do with it.

Toby Jones for example is a good actor, but is one of these, and for me he also had a character that was all too derivative of some of his other roles(such as a less-evil version of Quilp from The Old Curiosity Shop). The rest of the cast that aren't the main focus of the drama are so little used and so scatter-shot in their appearances that their acting is downright forgettable. All in all, a big soggy and largely unmoving disappointment, better than the animated versions, which are the "what-the-devil-did-I-just-watch?" sort of quality, but for a better version try the sumptuous James Cameron version which had an absolutely riveting last hour and especially the brilliant A Night to Remember. 4/10 Bethany Cox

I've read several reviews of Julian Fellowes' Titanic, and I agree with comments about the choppy, confusing editing (I'm sure there was a point to it, but I kept thinking I had started with the wrong episode, or in the middel of one...) I also agree with those that found the cast to be lacking in chemistry or real emotion. But what bothered me most about this version was that there was absolutely no sense of the arctic, icy cold. Nobody breathed vapor. Nobody froze to death -- EVRYBODY that went into the water drowned? Really? That sounds like (yet another) glaring historical inaccuracy. There was no mention of the cold throughout the "sinking scenes" except for one character mentioned she'd rather freeze than deal with "those people." There was no ice anywhere except the CGI iceberg. This version could have been set in a lukewarm summer lake, for all the impression of cold it produced. (And okay, maybe James Cameron put a little TOO much emphasis on clouds of vapor and frozen hair, but at least you FELT how cold it was!) If the point of this version was to make us feel the total experience of this tragedy, it missed by an artic ocean. Pun intended.