After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving t... Read allAfter twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.
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It is another action / noir - or whatever you wanna name it - film. Things are explained in half a second and the action, drama and love scenes take long minutes. A typical "you don't nedd to understand it, simply enjoy the action" thing.
But you know what? That's what entertainment seems to be. Not that I like it, but it is what it is. And the film brings Samuel L. Jackson, one of everybody's favourite actors, so it is worthy trying "The Samaritan".
The twists in the plot , mainly in the last minutes, play a good role and make the 90 min projection a good time.
Try it, but don't expect a lot.
Try it, but don't expect a lot.
The background music far too loud to hear the mumbled dialogue in many scenes. Plus the background music is horrible, often vibrating in my head completely distracting me from the dialogue. The plot is disjointed and barely believable, yet predicable. The grift twists were not believable, in fact the grift itself was too simple to be realistic. Too many scenes are in the dark or weird yellow light. The 'surgeon' must been absolutely brilliant to work in the dim yellow light of his room. It's very hard to say more about this movie as it was pretty much a yawning waste of ninety minutes. Samuel L Jackson is an excellent actor, I'm a fan but I'm surprised he made this movie. The English actor/master criminal Tom Wilkinson wasn't believable, he looked more like a merchant banker. Very disappointing.
Samuel Jackson, executive producer, takes a big gamble with this movie because of its genre: film noir. These movies aren't made anymore. At one time they were prominent with stars like Barbara Stanwyck, Jimmy Cagney, Humphrey Bogart. The bad girl, the man she strings along, the steal, the con. Film noir is one of my favorite genres and I'm sorry that we don't have the pleasure of seeing them like we did.
This is an indy film, and will probably be released to the art houses. It's a good movie. Smart script, good acting. Twists and turns and a major surprise about mid-way that may make you stop the tape, walk away take a breath, come back and continue watching. I saw this video on demand. Jackson gives a worthy Oscar-rated performance, but I doubt since this is an indy movie and won't be seen by many he will get it. The main female actress, Ruth Negga, is a standout as the lost soul who gets used by man after man and finally with the help of the con Foley (Jackson) gets a second chance in life.
This is an indy film, and will probably be released to the art houses. It's a good movie. Smart script, good acting. Twists and turns and a major surprise about mid-way that may make you stop the tape, walk away take a breath, come back and continue watching. I saw this video on demand. Jackson gives a worthy Oscar-rated performance, but I doubt since this is an indy movie and won't be seen by many he will get it. The main female actress, Ruth Negga, is a standout as the lost soul who gets used by man after man and finally with the help of the con Foley (Jackson) gets a second chance in life.
The plot: An ex-con looking to go straight is blackmailed into one last grift.
I'm a huge sucker for film noir, so it's not like I could pass up a chance at watching a gritty crime thriller with Sam Jackson. I was a bit apprehensive when I saw the critical disdain, but I figured it'd be worth a try. I think some of the critics were a bit harsh, but this isn't really a great movie. There are certainly some good aspects to it, but the aggressively derivative elements really drag down the score. If it had been less of a pastiche (and outright ripoff) of certain movies, this could have been good. Unfortunately, to mention its primary inspiration would be a huge spoiler.
If you're tolerant of "homage", not looking for a unique story, and are a fan of either noir or Sam Jackson, then there's a fair chance that you'll enjoy The Samaritan. I found it quite watchable, but I was not impressed with the directing or writing. The acting, on the other hand, was fine. There are only two or three scenes with Sam Jackson's trademark outbursts of angry yelling, so you might want to load up Pulp Fiction again if that's what you're looking for.
Any true Sam Jackson fan has sat through some really terrible movies. This is nowhere near the bottom, but it's somewhat frustrating in that you can see how this could have been a good movie if they'd tried a little harder.
I'm a huge sucker for film noir, so it's not like I could pass up a chance at watching a gritty crime thriller with Sam Jackson. I was a bit apprehensive when I saw the critical disdain, but I figured it'd be worth a try. I think some of the critics were a bit harsh, but this isn't really a great movie. There are certainly some good aspects to it, but the aggressively derivative elements really drag down the score. If it had been less of a pastiche (and outright ripoff) of certain movies, this could have been good. Unfortunately, to mention its primary inspiration would be a huge spoiler.
If you're tolerant of "homage", not looking for a unique story, and are a fan of either noir or Sam Jackson, then there's a fair chance that you'll enjoy The Samaritan. I found it quite watchable, but I was not impressed with the directing or writing. The acting, on the other hand, was fine. There are only two or three scenes with Sam Jackson's trademark outbursts of angry yelling, so you might want to load up Pulp Fiction again if that's what you're looking for.
Any true Sam Jackson fan has sat through some really terrible movies. This is nowhere near the bottom, but it's somewhat frustrating in that you can see how this could have been a good movie if they'd tried a little harder.
After seeing "Meeting evil", I was concerned this was another dud for Samuel Jackson. He always gives a great performance, but the story isn't always up to par. I had never heard of this movie so I had lower than low expectations. Wow, I was pleasantly surprised. Shocking twists and turns kept me interested from beginning to end. I don't want to give a synopsis because I think it's better if you go in green like I did. But now I'm struggling to fill 10 lines without any spoilers. Glad I didn't check the reviews on IMDb else I would have never would have rented it. The 5.5 is totally undeserved, but I understand it. Many judge movies based on how many explosions and CGI it contains. And I've never seen Oldboy so it didn't feel like a remake. Bottom line, this is a great drama and all the characters are believable.
Did you know
- TriviaThe Samaritan was Samuel L. Jackson's character's nickname in Une journée en enfer (1995).
- GoofsNear the end of the film, when Iris is shot and needs a blood transfusion, Foley tells the doctor to use his blood because 'it will work.' However, parents are not automatically compatible blood donors to children. They could actually have different blood types which are incompatible.
- ConnectionsFeatured in Celebrated: Samuel L. Jackson (2015)
- SoundtracksSleazee (Dirtyloud Mix)
Written by C. David, F. Lopez, Melleny Melody (as M. Melody), E. Montiel
Performed by Melleny Melody (as Melleefresh) & Keoki vs. Decoding Jesus & David Christophere
Published by Decoding Jesus Music /Play Records Publishing
Courtesy of Play Records Inc.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Đoạt Lại Công Lý
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $2,521
- Opening weekend US & Canada
- $1,744
- May 20, 2012
- Gross worldwide
- $15,220
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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