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8.2/10
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The life of Sira, a dressmaker consumed by the love of a man, left the turmoil of Madrid prior to the Civil War at Tangier, where she inadvertently becomes part of an espionage scheme.The life of Sira, a dressmaker consumed by the love of a man, left the turmoil of Madrid prior to the Civil War at Tangier, where she inadvertently becomes part of an espionage scheme.The life of Sira, a dressmaker consumed by the love of a man, left the turmoil of Madrid prior to the Civil War at Tangier, where she inadvertently becomes part of an espionage scheme.
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My wife and I really enjoyed this series. The plot is engaging, and the acting is above average. Adriana Ugarte, who plays Sira/Arish, is particularly fun to watch. More than anything I enjoyed the look of the show -- the architecture (in Tangier and Tetouan Morrocco, Madrid, and Lisbon), the cars, and the clothes. I saw somewhere that the women in this show (the dressmaker and her clients) wore well over 1000 different outfits, each more elegant, in a 1940 sort of way, than the last. This isn't what I usually watch TV for, but the look of the show is over the top and it makes the whole series more fun to watch. Also, with the first half of the show set in the Tetouan, in the Spanish Protectorate in Morocco, during the Spanish Civil War, I had to brush up on some interesting history. I had imagined that Morocco was all under French control before the country resumed full independence in the 1950s, but a strip of northern Morocco was under Spanish administrative control from 1912 on. And of course Franco had started his rebellion against the Republic, and thus the civil war, by invading Spain from Morocco..
If you had created a series just for me, it would be "The Time in Between" -- 1930s, drama, fashion, suspense, and espionage - it had my name on it from the beginning.
"The Time in Between" is carried on the beautiful shoulders of Adriana Ugarte, a young, natural beauty with dancing eyes and a warm smile, who plays the heroine, Sira, who lives with her mother in Madrid during the Civil War. Her mother is an excellent seamstress and teaches Sira her skills. Sira is engaged to a young man who wants her to buy a typewriter so that she can take some classes. On entering the shop, Sira's eyes and the eyes of the man (Rubén Cortada) behind the desk meet - he's a hunk - and it's over. When Sira takes off with him, her mother disowns her.
After a great time nightclubbing in Morocco, the business project he was to invest in never materializes. One morning she wakes up and he's taken all of the jewels and money her father (whom she just met) had given her. Broke, she escapes from the hotel, finds herself in trouble with the law, and winds up in a low-class boarding house.
When the owner of the house wrecks her dress, Sira fixes it. The owner sets her up in a shop, and soon, she is a star dressmaker for the elite. One of them is Rosalinda Fox (Hannah New), the lover of Biegeber, the High Commissioner of the Protectorate, with whom she forms an important friendship.
The film then takes us on a wild ride that leads us to Nazis, espionage, and more love for Sira.
The scenery, the atmosphere, the clothing - everything is perfect and eye-popping. I understand this series was so popular that sewing machine sales in Spain rose 197%! I can believe it.
This is an absolute must-see. It's like potato chips - you can't watch just one episode.
For trivia buffs, there actually was a Rosalinda Fox and Commissioner Juan Biegeber. After the war, Rosalinda headed to Guadarranque where she bought property to await Juan, who was under house arrest in Ronda. The two of them lived there together; Juan died in 1957, and Rosalinda died at the age of 96. Rosalinda's book is called "The Grass and the Asphalt."
"The Time in Between" is carried on the beautiful shoulders of Adriana Ugarte, a young, natural beauty with dancing eyes and a warm smile, who plays the heroine, Sira, who lives with her mother in Madrid during the Civil War. Her mother is an excellent seamstress and teaches Sira her skills. Sira is engaged to a young man who wants her to buy a typewriter so that she can take some classes. On entering the shop, Sira's eyes and the eyes of the man (Rubén Cortada) behind the desk meet - he's a hunk - and it's over. When Sira takes off with him, her mother disowns her.
After a great time nightclubbing in Morocco, the business project he was to invest in never materializes. One morning she wakes up and he's taken all of the jewels and money her father (whom she just met) had given her. Broke, she escapes from the hotel, finds herself in trouble with the law, and winds up in a low-class boarding house.
When the owner of the house wrecks her dress, Sira fixes it. The owner sets her up in a shop, and soon, she is a star dressmaker for the elite. One of them is Rosalinda Fox (Hannah New), the lover of Biegeber, the High Commissioner of the Protectorate, with whom she forms an important friendship.
The film then takes us on a wild ride that leads us to Nazis, espionage, and more love for Sira.
The scenery, the atmosphere, the clothing - everything is perfect and eye-popping. I understand this series was so popular that sewing machine sales in Spain rose 197%! I can believe it.
This is an absolute must-see. It's like potato chips - you can't watch just one episode.
For trivia buffs, there actually was a Rosalinda Fox and Commissioner Juan Biegeber. After the war, Rosalinda headed to Guadarranque where she bought property to await Juan, who was under house arrest in Ronda. The two of them lived there together; Juan died in 1957, and Rosalinda died at the age of 96. Rosalinda's book is called "The Grass and the Asphalt."
We love this series (Spanish with English subtitles), superb acting and great location shots. The first few episodes are a little slow paced, but set in Spain during WWII. This is a gem, we are definitely hooked. A dressmaker rescues her mother from Madrid during the General Franco rise to power and relocates to Morocco. She develops a clientèle in her dress shop among the German officers and gains a valuable foothold in social circles associated with the women. While the allies battle for influence in Spain, they recruit her to do undercover work in an effort to keep the Nationalists from joining Hitler. She translates messages through Morse code in the way she stitches clothing, a rather clandestine plot ensues with a number of interesting twists. The series is ideal for learning a bit of history through fictional characters and the costumes and era social life are really quite captivating.
I was always into spy films and shows since I was a kid and this was by far the most emotional I've ever been watching one. One could really relate to the protagonist, Sira Quiroga. The plot was intense and hadn't moved too quickly, n'or too slow, however the episodes always ended at a cliffhanger which made the audience crave the next one hence how I finished the drama in 3 days. Overall, it's one of those shows, that impact your life in a way that you begin to see things differently. I think I cried during at least 3 episodes, as everything really connected with me. I, for one, also began respecting the motherly figure even more than I had before watching this show. This is a definite 10/10.
It is everything one would hope for in a romantic period piece. Lovely scenery that is beautifully filmed. Lilting melodies on piano or with orchestra that remain in your head afterward. Fun scenes throughout, from the clubs, the cities, the country sides, to the costumes and cars of those times that are perfectly done. The actors all portraying their parts perfectly. I even learned things, such as the eating of the 12 grapes on New Years Eve in the main plaza in Madrid - which I looked up on my iPad without pausing the series on my TV. The story, as well, compelling, romantic, stressful at times as the main characters are always in some kind of danger. Perfect for delightfully and very satisfyingly filling a rainy day in bed with lots of sugary snack treats to indulge in.
Did you know
- TriviaAlthough the main character Sira is fictional, others with whom she interacts were real like Beigbeder, the Spanish High Commissioner in Morocco; Serrano Suner, Franco's brother-in-law; and Rosalind Fox, the English socialite/spy.
- ConnectionsFollowed by Más de El tiempo entre costuras (2013)
- How many seasons does The Time in Between have?Powered by Alexa
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- The Time in Between
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- Runtime
- 14h 13m(853 min)
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- Aspect ratio
- 16:9 HD
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