Los delincuentes

I am smarter than your average bear, really, but I am amazed at how much I truly disliked this very well reviewed film. I think the director is horrendous. The acting was good. The main story had some good elements. It may have played pretty well with a more mainstream style and at about half the runtime, but what weird choices this director made. He loves using awkward split screens that have little to no relevance. "Oh look it is a split screen, both those characters are being reflective and smoking a cigarette in the dark at the same time. How creative!"

I really despised the soundtrack. It never evoked a relevant feeling or enhanced any scenes. It reminded me of the music in a 1970s Western TV show. Boring and forgettable.

I suppose some people are going to get a lot from the long seemingly strange uneventful scenes that make up more than half the runtime. Many critics did at least. I sure did not though.

This is an incredibly original piece of cinema. It mixes philosophical tale with a bank heist which really is not the centre part of this movie. The centre part of this movie is a reflection on modern living and the insanity of the race to do things faster the pointlessness of the modern lifestyle, or something akin

The slow deliberate rhythm of this film seems to be a stumbling block for many personally I wish it carried on for a couple more hours ; it leaves us at the end with a lot of unfinished business a lot of untied loose ends

And maybe that is exactly what is needed but it could've gone so many other ways

The director and the scriptwriter (one and the same) made some choices here and they will please some and leave others guessing

It can take a while to see that something is happening that is worth watching if you stick at it you will be rewarded with a very unusual tale .... touch of Rohmer (the highest accolade possible) touch of Antonioni (also the highest accolade possible) 🙂🙃😉

A movie for thinkers romantics and dreamers ...... others will not like this i would surmise ....

For me a solid nine. Oh yes and this is definitely a comedy not hahaha but subtle and simmering ....

PS and then the penny dropped the face of Esteban Bigliardi kept reminding me of another actor and it was French-Italian Yves Montand ... so an Italian face then.

This movie is so good, just a long, sweet mediation. The actors are great, the scenery is lovely, the story has a neat twist - I just can't say enough about what refreshing change of pace it was, a very 70's-late hippie sensibility to the film, like Easy Rider, say, laid back but with meaningful social commentary with a very respectful portrayal bordering on documentary of a sweet, simple land and life, none of which had to be explained or described or tediously walked through in a simplistic narrative fashion as is the case with most movies. It was a very satisfying aesthetic experience. The poem of the Great Salt Flats was new to me and I look forward to reading it again, I hope sales go through the roof thanks to the movie.

Filmmaker Rodrigo Moreno creates a three-hour long heist drama with some interesting dynamics and concepts explored within the setting of the narrative and while Moreno does provide some strong elements, it isn't strong enough to withhold the entire movie.

Throughout, the camerawork, production and the sound design is pretty good as it helps capture the environment and tone. Many of the performances from the cast members are pretty good with some interesting dialogue and concepts explored. Moreno's direction is pretty solid as well. The narrative is a slow-burn heist drama movie that explores different themes including bank robbery, capitalism, freedom and so forth and the narrative does explore some of these concepts well but at the same time, not so well. Because the structure of the narrative feels uneven as if the narrative is a bit lost on what it is trying to be or wanting to tell.

Due to the uneven structure, it causes the story to feel a bit messy as it the first 1-hour is amazing but the rest feels a little convoluted or a bit lost. Which causes the run-time to feel a little exhausting and unfulfilling. There are some good soundtrack choices, some of the characters are interesting but some could have been explored a bit more.

Overall, Moreno definitely has a vision with this movie and it's a decent achievement from him and Argentinian cinema. But it could be stronger.

I am a bit sad giving a low rating in this movie, because there were many positives here. There is a great movie inside this movie but unfortunately, it was buried beneath Moreno's overambitiousness. There is a lot of originality and creativity in this movie, i liked both the first and the second part but it should have been AT LEAST one hour shorter.

I love slow paced movies but this was too much to endure. At times, it's unbearable to watch and this is a strong word to describe it, but it's not a hyperbole. It didn't need to be like this. Many scenes were pointless. Even the pace was terrible at times, i don't want to see a man walking for 3 minutes in the city. Bela Tar and other similar directors can pull it off. This movie shouldn't be that slow.

I managed to watch the whole movie because i wanted to give this a fair rating, besides there were many positives as i said and most of the time, i liked it. Great acting, an interesting story, beautifully shot, it's obvious that the creator had an artistic vision and he served it, without caring about the outcome. I respect that and i love overambitious movies even if they failed. But this shouldn't fail. It was too good and unique for a 20's movie.

Sadly, also about 60 minutes longer than it should.