Kathal: des fruits mal défendus

Kathal is one of the finest light-spirited comedy movie with underlying tones of social message that I've seen in a very long time. Despite dealing with a subgenre that is almost a tightrope-balance between becoming a satirical comedy and a meaningless laughter riot it's heart remains at the right place and never attempts be either. It takes a brilliant attempt at humanising every character quite in a way "Panchayat" does . The boldness that lies in its simplistic story-telling that attempts keeps you hooked to your seat for two hours is itself commendable. "Kathal" is a must-watch for all aspiring screenwriters and cinephiles alike.

Kathal: A Jackfruit Mystery is marketed as a typical Comedy movie and I think there should be two sides of marketing this movie, One which should be primary is how due to Political Power the Time and Energy of Police is misused rather Solving other existing problems, and to the critics, this movie is not just an other comedy movie but this "Creative piece of Art" has enlighten great topics like Racial Discrimination of Caste and Gender, and highlighted how Political power should not be misused. Thanks to the team for bringing this movie, and I am unhappy with the marketing team. I rate it 8/10.

Just finished watching this on Netflix, and in summary I could say this is a must watch film.

The film premise may sound simple - solving a case of missing jackfruits, but it is actually a very cleverly and brilliantly written story which touches some of the most critical (and mostly ignored) topics of the Indian society. And it does that in a very simple yet strong and funny way.

The story is written and presented in a very beautiful way. The direction is superb. And the acting, by everyone, is outstanding.

Every moment of the film was enjoyable. If you like good satirical comedy, this would be really worth watching.

"Kathal" is a satirical comedy that delicately delivers powerful messages, particularly targeting the patriarchal ecosystem and caste-divided Bharat. The story revolves around a lost jackfruit and the police's efforts to solve the crime, highlighting how influential politicians often mock the system. Sanya Malhotra portrays Mahima Basor, a delightful character who is passionate about her job, strong, independent, and tender-hearted, as seen in her romantic moments with a constable from an upper caste. Despite addressing numerous societal issues, the movie maintains a light-hearted tone, which contributes to its overall success. Bijaya Raj and his uncle's Hong breed kathal (jackfruit) serve as the focal point of the story. Rajpal Yadav shines in his role as a journalist, while the other performances are average.

Although the movie follows the template set by "Peepli Live," it fails to deliver the final punch and falls flat during the climax. Overall, the movie is enjoyable, except for the climax, which could have been more impactful.

Sanya Malhotra has never disappointed - since Dangal but this is finally the movie that does her talent justice. She almost caries the movie singularly on her shoulder - save the fact that the support cast is just as solid and the two veterans Vijay Raz and Rajpal Yadav just claim their stake of admiration.

Rajpal Yadav gives the performance of his lifetime. I have never been impressed by him this much. (That skullcap I could have done without).

Story, screenplay and dialogues have that Coen brother feel of blending absurd, whimsical and wit - with dark.

Last 15 minutes are disappoint anticlimax where too many loose ends get neatly tied in a hurry and almost give a feel of 1970s "parivarik" drama where everything suddenly gets tidied up for a happy ending. An imperfect end would have been a perfect for a story like this - where something was left without a closure.

Sanya - her performance alone is enough though to make me watch the movie again.