Aarakshan

Prakash Jha's Aarakshan has something for everyone: To an average viewer, Aarakshan would serve to be a decent offering made special by the presence of a stellar cast led by Amitabh Bachchan himself. Aficionados would find it to be good enough to be considered as a case study on India's socio-political system. The critics will find it too absorbing to merely regard it as a satire on the prevalent education system. Jha has a great understanding of the Indian socio-political setup having himself contested elections from the state of Bihar—the second most influential state in the Indian political context. This knowledge places Jha at a point of vantage in the purview of Indian cinema. Jha's penchant for depicting realism in cinema puts him in a very elusive list of Indian filmmakers. With Aarakshan, Jha succeeds at both the technological and emotional fronts and more than makes up for the shoddy display in his previous production, Raajneeti. Jha uses his stellar cast and camera to full effect in order to capture the audience's attention right from the onset. He builds up his plot slowly but rhythmically with a scalpel like precision that one seldom sees in Hindi Cinema. What makes Aarakshan unique is that it not only succeeds in posing serious questions about the sensitive issue of reservation but also manages to propose a common humanistic solution for it—one that follows a universal approach aimed at working at the very roots of the problem.

Prabhakar Anand (Amitabh Bachchan), a private college principal, has devoted his life to the ideals of equality, righteousness and self- sacrifice. His undeterred determination for his cause has elevated and evolved the education standards in a state that is plagued by casted- based politics. During his three decade long tenure as a principal of a private college, he has not only taken the college to new heights but has also shaped the lives of hundreds of underprivileged students from the backward sects of the society and is respected by everyone alike. One of benefactors has been Deepak Kumar (Saif Ali Khan), who also happens to be his favorite pupil. Deepak Kumar comes from an extremely backward setup and owes everything to Prabhakar Anand and worships him as a disciple. He has a strong liking for Prabhakar's daughter Poorbi (Deepika Padukone), who reciprocates it fully. Prabhakar is a staunch condemner of commercialization of education and wants to provide quality education to the poor and the needy free of cost. He is the sole target of all those who advocate commercialization of education. Mithilesh Singh (Manoj Bajpai), who runs a chain of coaching institutes, heads the nexus that aims to destroy Prabhakar and his followers.

Amitabh Bachchan shines in the portrayal of Prabhakar, a portrayal that is highly reminiscent of his 'Angry Young Man' days. He goes through an entire gamut of emotions with an ineffable sense of ease that makes the portrayal utterly memorable. As Prabhakar, he is a loving husband, a caring father, a faithful friend, a staunch idealist, an undeterred revolutionary and most importantly, a humanist par excellence. It is Bachchan's best performance in well over a decade and even surpasses his portrayal of an inexorably idealistic principal in Mohabbatein. In fact, it wouldn't be a hyperbole to say that one cannot think of many actors in the country who could fit into the shoes of Prabhakar Anand better than Bachchan. Saif Ali Khan is brilliant in his portrayal of Deepak and yet again proves his versatility as an actor. It's his most powerful performance since his Langda Tyagi in Vishal Bhardwaj's Omkara. Manoj Bajpai is ever so reliable in his portrayal of a conniving business mogul and offers a great contrast to Bachchan's portrayal of an outright righteous man. In fact, Bajpai seems to be the only actor in Hindi Cinema who has never been known to act badly. His previous full-fledged performance alongside Bachchan in Aks had earned him a flurry of awards and one wouldn't be wrong in expecting the same this time round. Deepika Padukone and Prateik Babbar offer great support to a cast that is studded with veterans like Saurabh Shukla and S.M Zaheer.

Overall, Aarakshan offers a great insight into socio-political scenario of the country while also focusing on the flaws in the existing educational setup. The movie celebrates the spirit of humanity and proposes a common humanistic solution to the paradox of reservation in our country based on principles equality and freedom. Despite the occasional lack of coherence, Aarakshan is a must watch for the fans of Amitabh Bachchan and Prakash Jha and all those who have a place in their hearts for good and healthy cinema. 8/10

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ha! i saw Aarakshan yesterday. i was expecting some thrill and political drama.it is there but only 10%, I'm not gonna recommend this film to any one. specially no need to theater.and if u like family drama and if u r not interested in any AARAKSHAN type of stories.u may watch this movie. Movie is all about Mr.bacchan.and he has done a very good job, deepika and saif were good. in first half an hr movie goes very very slow with unnecessary songs. after that, till interval it gets more slow. but after an interval movie speed like...more slow.Movie takes speed when people running out of theater.

STORY : story was so so. (5/10) DIALOGS : too much! (4/10) ACTING : every one was awesome (9/10) Speed : very boring ... too slow (2/10) TITLE : Nothing about arakshan (1/10) SONGS : so irritating .. (1/10)

How many times do you go to watch a movie with no or zero expectations... Never. There is always an acid test a filmmaker needs to go through for any movie. And even with Aarakshan, there would always be parallels drawn with Prakash Jha's Raajneeti. Although , quite a different subject and even if we don't compare this with his biggies like Gangajal, Apaharan and Raajneeti, still, Aarakshan is a 3 hour long duel filled with illogical set pieces, spineless storytelling and inappropriate casting that fails to convince and is impressive. Decent performances by Big B and Saif ,saves the day even as Mr.Jha fails to bring out a "Karaara Jawaab" like stellar performance from Manoj Bajpai.. Prateik Babbar hams a lot and needs to hone his linguistic skills and voice modulation ,though I strongly believe the lad will go a long distance. Deepika is simple and sober and the performance or whatever little we saw is fine.

The movie is very confusing in itself and it seems the director isn't sure what he wants to portray, a documentary, social drama,or just a comment on just the education culture. The first half shows how the long nurtured relations are destroyed and castrated even as the winds of reservation sweeps the nation ,but there's always a disconnect with the viewer and the emotions just don't come out gracefully. Although there are definitely some high voltage power packed sequences between Babbar and Saif and Saif and BigB /Bajpai..but the movie turns out to be a lecture in disguise. Even as you hope that the second half would bring in a spark of brilliance ,what you get is an inept story that dwindles to solving personal vendettas and one incessantly keeps staring at his watch as the movie drags on.. The movie deserves a 2/5 with an advice of Watch it only if you Must..or watch only if you have Quashed Each of your Desire (QED) { a mathematical formula that filmmaker has turned into a joke}

As an American (now living in America, despite my profile), I occasionally go to Indian movies to sort of clear my head and watch a story told in a completely different way than most American movies. For this purpose, Aarakshan fit the bill just fine. In the controversy over the school entry quota, there was an obvious parallel to the controversy over affirmative action quotas in the U.S.

The story did drag on and on a bit. The bad guys, particularly the vice principal, were a bit too over-the-top evil, and the noble persecuted principal stuck to his guns so firmly that at some point (specifically at the point where he sent the boys away rather than invite them to help him tutor the poor children) he went from principled to sort of stubborn and stupid.

A few other random thoughts that distracted me during the movie: The "American" accent, if that's what it was supposed to be, of the Cornell professor was truly lamentable. I laughed, I grimaced. It was awful.

In the scene where Sushant orders two coffees, it appears that the waitress delivers two glasses of milk.

The actor who played Prabhakar Anand, the university president, seemed too young for the character he played; the one who played low-caste love interest and firebrand student Deepak Kumar looked decidedly too old, especially when compared with the character of Sushant, who I assume was supposed to be the same age and who looked age-appropriate. I also found that "Deepak Kumar" looked gym-toned in a way that was attractive, but detracted from the verisimilitude of his character ... and a further distraction was that to me he bears a strong resemblance to American comedian Robin Williams!

Well, I told you these would be random comments. I did more or less enjoy watching the movie as a way to pass the afternoon, but it was no profound experience.

Not based on Arkshan ( reservation ). Is it like extra paid for tution and etc.