The Thompsons

If a sequel tries to tell you a new story instead of rehashing/repeating what part 1 did, that is a good thing. Unfortunately this sequel is not only predictable (almost from start to finish), but also just above mediocre in general. That means it's not really bad, but it won't get your blood pumping either (no pun intended).

Since the main characters are established in the quirkier and better Thompsons, you'd expect this to go different places. And in a way it does, but that only is true in geographic terms. There's not a real story behind it all, it's a simple "match", that you will either like or you might find it too simple. Whatever the case, if you can bare with the characters (because you saw the previous film or just simply because you like the actors), than this is indeed watchable. Otherwise ... don't bother.

I'm reviewing this strictly as the sequel to The Hamiltons, which I did see first.

Ok, my hopes were dashed pretty quickly after witnessing 8 minutes of digital effects, digital blood, and digital fangs. Then the title card came up.

The story of The Thompsons revolves around the same character as in the first movie, and that would be Francis. Only now, he is this assertive, brooding, badass? Talk about a 180. I was assuming this movie would pick up where the last one left off, as the ending to The Hamiltons screamed "there's more coming!" Nope, this one starts off in England, and primarily takes place there, but the family has splintered (er, just hiding out) to different regions of the world.

What follows is a whole bunch of timeline shifting. 2012. How popular was Quentin Tarantino in 2012? I would say he's the master of interweaving timelines. Here, in The Thompsons, it comes off as really unnecessary.

The crux of this movie is intriguing. Francis is sent to England only with a name and a town, to try and track down an ancient vampire clan, and maybe find some place that they can call home. Oh, they're real hospitable. And this is where it gets predictable. Wait, Francis was in a box... Damn you timeline! What is interesting, is that these particular, more powerful, vampires descended directly from the Thompson/Hamilton bloodline. Now, why it was crucial to breed with the Thompson's (weaker) daughter, did not make any sense to me (well, she is real foxy...). There is a good twist at the end, when David shows up in England with their dying youngest.

Do you need to see The Hamiltons first to enjoy this movie? Besides the fact that The Hamiltons is a superior movie, especially with character depth, the answer is absolutely not. Their entire story is rehashed, through a series of flashbacks and voiceovers in The Thompsons. One thing I really enjoy in sequels, are all the "references" that you can only pick up on only by seeing the original. No such luck here.

People who liked The Hamiltons (2006) can easily pick this up because all the characters are back in action. And even if you haven't seen The Hamiltons you can see this without a doubt.

When things go awry at a diner and people are being killed the Hamiltons do have to hide themselves. Being on the run for the cops they leave the states for the UK and do come across another vampire clan. The Hamiltons now being called The Thompsons need their help but do they get it.

It do delivers on a few points but it never do becomes rather gory. Still it is watchable even as there isn't that much of red stuff. But it is the editing that aves this flick. In the beginning you will get confused by a few things but quickly you will here the story of Francis Hamilton told by himself. It do takes a while before the fighting starts between the two clans and the last part of the flick will deliver for fans over vampire flicks.

If you aren't into vampires then this isn't for you because nothing looks believable of course. Some parts I didn't like but like I just said, the last part is a must see for the ones with fangs. It won't become a classic but it's a nice start to begin your horror evening.

Gore 2/5 Nudity 1,5/5 Effects 3/5 Story 3/5 Comedy 0/5

I quite enjoyed "The Hamiltons" of which "The Thompsons" is a kind of follow up, as they have fled away from th States to Europe, where they're up to no good.

They describe the difficult life of modern day vampires. With nowadays surveillance cameras it's not easy to get a drink of blood. After Running away from the US they go looking for their ancestors in Europe, from where Hamiltons origin, the Mandersons. And you could say that they find them. But the foreign visitors aren't politely received.

If you didn't know; you shouldn't be ashamed of being a vampire. In this film we get to know vampire life as the most common thing there is, being a vampire and a killer. And it's a disgrace to not be a real vampire.

It's a modern vampire story well told. The production values is once again very good. The Butcher Brothers knows how to tell their vampire stories, so that we almost start to believe them. It's gory, funny, disgusting and bloody, as a vampire slasher has too be. When the Butcher Brothers decide to do something really serious, they'll know how to do it.

However this story is told so disjointed and without any car, then it falls short from the original one. Too many stupid coincidences and plot holes makes this far off what it should have been. Sloppy, you could say. And that becomes boring and annoying.

You won't miss out if you stop watching this half ways, as the quality falls from there.

The only thing you miss out, is that they sympathetically drive off in an Audi S-line. A pity it'll have to be blood spattered...

Forced on the run, a vampire clan arrives in London looking for help and recuperation only to find their hosts have far more diabolical plans in mind when they're captured and forced into a breeding program to ensure survival, putting the two families against each other.

Surprisingly, this turned out to be quite a decent enough vampire effort that does have some pretty enjoyable features about it. One of them is perhaps the most controversial of the film's changes, in how it deals with the vampires in here. Rather than being remorseless nocturnal bloodsuckers unsympathetic with humanity in the slightest, this one portrays two distinct differences that are rather unique: being a condition received at birth and thus being able to walk about in sunlight with no ill effects, and the second issue of having no real interest in humanity other than feeding time and being out and about without getting into the strange, rabid intensity around fresh meat. Here, they're given a little more of an ability to blend in with the rest of humanity and that's quite a fun option here as it goes against so much of what's known and given about the creatures in the folklore. While this change may not be for everyone, the fact that it's no excuse for how slow and uneventful the first half of this is really hard to take into account, which has the ever-familiar stamp of British class and restraint that makes nothing seem important to get worked up over and really drains this of its energy. That said, there's still some good parts here with some fine gore scenes from the multiple kills, a couple of outstanding action scenes coming from a multitude of brawls and gunfights, and a twisting, convoluted storyline that stays on-track throughout these twists and turns that keep this quite enjoyable though not entirely perfect.

Rated R: Graphic Language, Graphic Violence, Full Nudity and several sex scenes.