Une femme de confiance

A lesser production about the West's story would have probably gone for Se7en style moods and grisly gory details. A horror.

Fortunately, and far more rewardingly for any engaged viewer, the story focuses on a human relationship story whilst allowing the imagination to piece together events in the background.

The dynamics of the relationship are fascinating, more-so because they are true. In the final analysis, that Janet (the appropriate adult) allowed herself to be manipulated and seduced by Fred West is a chilling illustration of the true nature of what we are dealing with here. The thought that this same psychological treatment would have led countless others into his trust, and ultimately their deaths, is far more terrifying in its cold reality than any conscious attempts at "horror" could have been.

Janet doesn't only represent the victims but also the vast majority of normal human beings - vulnerable to emotional needs, a willing and optimistic mindset, and the inability to always separate imagination from reality.

A very fascinating angle on a difficult subject.

APPROPRIATE ADULT is a superior, true crime drama. Fans of those masterful UK cop shows (i.e.: PRIME SUSPECT, A TOUCH OF FROST, REBUS, WIRE IN THE BLOOD, etc.) will not be disappointed.

Emily Watson is wonderful as the dedicated Janet Leach, and Dominic West lives his role as the oddly sympathetic serial-killer, Frederic West. The relationship between Leach and West is reminiscent of the cat and mouse game between Starling and Lecter in THE SILENCE OF THE LAMBS.

Monica Dolan is incredibly terrifying as West's sadistic wife Rosemary. She's truly wicked, with facial expressions and stares that do far more than mere words to instill fear.

Highly recommended...

Excellent dramatisation of this deeply disturbing case. Respectfully done with classy performances and simple but effective direction. Seriously gripping.

After conquering stage and screen and making them her own with a talent both exquisite and overwhelming, Ms. Emily Watson assaults the small screen and is once again victorious. She is absolutely stunning as she assays the role of Janet Leech, interpreting a character so sublimely that it takes the breath away from the unprepared casual viewer who is somehow unaware of Ms. Watson's incredible acting genius. Ordinairly, she alone would make this film a personal gem in her crown but she bows to the rest of the cast and humbly assists them in giving performances well worth her association. Watson inspires others to greatness, as she almost did even with Adam Sandler in Punch-Drunk love. In that film, neither her lovely presence and creative power could quite achieve the impossible with Sandler. However, what she does with the more substantial material of West here and with a brilliant script is amazing. She was awarded the BAFTA for her accomplishment and of course lost the EMMY to a Hollywood airhead tootsie of limited ability but a casting couch regular. True magisterial talent is usually unrecognized by Oscar and EMMY and the outrage one feels at Watson having neither been awarded the recognition she more than deserves speaks for itself. More than an outrage, it is a disgusting and repellent act of ignorance and cowardice for her to have ever left any ceremony empty-handed. Britain, however, could not in this case turn their eyes away from a performance so powerfully moving, a performance that will live for all time, and define the artistry of a gifted, supreme actor. Emily Watson's performance in Appropriate Adult is one of the finest ever recorded on film and will forever serve as an example of the national treasure she continues to be as she assays one brilliant role after another. This is simply not to be missed by anyone appreciative of an artist at the pinnacle of her career and a beautiful genius whose very presence is beyond price. Emily Watson is a rare gift to literate theater and film audiences everywhere and the finest actor of her own generation as well as all others.

APPROPRIATE ADULT may not be available on USA Format DVD as yet, but for those interested in seeing this remarkable achievement in filmmaking, it is viewable now on Sundance Channel. Watch for it. APPROPRIATE ADULT is one of the few films that relates the true story of a serial killer without resorting to forcing the audience to watch reenactments of the murders. Instead the writer, director and actors bring this savage bit of history to the screen solely through a serious of interview conducted with the killer in the presence of the British police and an 'Appropriate Adult' - one who has been trained to help the accused by detecting if the accused has learning difficulties or other encumbrances that might make the interviews invalid.

First a bit of fact: 'Frederick Walter Stephen West (29 September 1941[1] - 1 January 1995), was a British serial killer. Between 1967 and 1987, he alone, and later, he and his wife Rosemary, tortured, raped and murdered at least 11 young women and girls, many at the couple's homes. The majority of the murders occurred between May 1973 and September 1979 at their home in Gloucester. Rosemary West also murdered Fred's stepdaughter (his first wife's biological daughter) Charmaine, while he was serving a prison sentence for theft. During this time they resided at 25 Cromwell Street, Gloucester. The house was demolished in 1996 and was converted into a landscaped footpath connecting Cromwell Street to St. Michaels Square.' It is now believed that West was responsible for 20 other similarly executed murders. The film focuses on the Appropriate Adult Janet Leach (Emily Watson in an Oscar worthy performance), a trainee social worker who is asked by Gloucester police to sit in on the interrogations of Frederick West (played with extraordinary skill by Dominic West). West is a sociopath whose past of preying on women comes from the animal magnetism he owns, a factor which is strong enough to keep Janet on the case a Fred's assigned 'helper'. Janet lives with Mike (Anthony Flanagan) who is a bipolar victim and with whom Janet has three children. The tightrope of psychological stability for Janet is threatened by her hearing all the grisly details of the murders as well as facing a home where Mike stop his lithium and must be psychiatrically hospitalized. Janet is repulsed by what Fred unwinds and decides she cannot manage to remain the appropriate adult, but Fred sees her as his only friend and promises here that if she stays on the case he will tell her the truth about everything. The interviews are held in the presence of Detective Constable Hazel Savage (Sylvestra Le Tousel), Detective Superintendent John Bennett (Robert Glenister), West's assigned solicitor Howard Ogden (Gerald Horan) and Janet. There are moments when Fred tells Janet details he hasn't shared with the police, but because of her assigned role as appropriate adult she must hold these conversations with the murderer in confidence. There are times when the interrogation group accompanies Fred to his home to find the bodies buried in his garden and cellar, but these breaks are few and outside of the visits to Janet's home and to the hospital while Mike is institutionalized the film is claustrophobically viewed in the dank interrogation room. Once the interrogation is complete and hearings begin, Fred pleads with Janet to visit him in prison to share all the details of his life. The manner in which their relationship comes to an end is shocking but allows Janet to return to her home life with Mike and her three children: the paparazzi finally leave Janet alone.

The story was written for the screen by Neil McKay and directed by Julian Jarrod. The film is approximately 2 1/2 hours in length, but the story is so fascinating and the acting is so incredibly fine on the part of everyone in this cast that the film itself feels short. Dominic West and Emily Watson are absolutely extraordinary in this film. With the quality of their performances it is doubtful the movie would have the enormous impact that it has.

Grady Harp