Rockstar

I have to say that watching this movie ALONE in an empty movie theatre added several dimensions to the whole experience of watching ROCKSTAR.

My first comment is to Imtiaz Ali-- What were you thinking, bro? To actually have the gumption to create a love story around the idea of ethereal and eternal love as envisioned by the great Sufi Master Rumi in the land of DABANGG and BODYGUARD? Did you really think that audiences (read THE COMMON MAN) would throng cinemas and multiplexes to get a taste of sublime love?

For sublime love is the thread that binds this beautiful bitter sweet tale together. It is a love story written in the idiom of NorthIndian/Kashmiri/Sufi culture, of dargahs, of spirituality, of Delhi University Campus insider jokes, of the topography of North India, especially Kashmir and I fear the film could be condemned with the "E" word--elitism.

The starting point of the story is a young ordinary low middle class callow youth who is a wannabe singer, strumming his guitar to ordinary lyrics hoping to make it big. He is accused of being shallow by his mentor and advised to seek out "PAIN" in order to light the creative spark, that divine glow that accompanies great art. Unbeknownst to him, his casual and frivolous flirtation with this search for angst leads him into the deep end where he has to come face to face first with true love and then with the inevitable pain that comes with it.

The dialogues are fabulous. So is the cinematography. The snow clad mountains of Kashmir and the misty mornings of New Delhi, the green fields full of flowers in Prague place the story in the here and now when in truth the story could belong to any era, any century, any epoch. The universality of love, the self realisation that comes with it, the realisation that this life is but a dream is what the movie is really about. The essence of the story is not in the physicality of love but love beyond the here and now, beyond right and wrong and love for the Creator who was there when there was nothing else.

See what I mean when I ask Imtiaz--what were you thinking, bro?

And now for the piece de resistance-the music, the lyrics, the singer.

If there were any doubts being expressed by the hoi polloi about A R Rehman's diminishing creativity well then, here is his rebuttal.

The music is earthy, rooted in our traditions and culture, and designed to rock. It's astonishing how Rehman is able to dive into the musical traditions of the Punjab to create the "Saada Haq" and "Katiyaan Karoon". Irshad Kamil's lyrics, if you take the time to listen to the songs and understand the words, are beyond compare. Mohit Chauhan's voice is eminently suitable for all the songs. My favorite is "Naadaan parinde, ghar aajaa" Listen to the lyrics and cry.

We have been enjoying a lot of junk food lately. Now it's time for some haute cuisine.

This is seriously Imtiaz's Best film yet!!!! When the movie end, i kept asking myself how is it possible to narrate a story like this... Story wise, absolutely amazing!!! What you guys will see in the trailer is just 1% of the movie!!!! Ranbir Kapoor was amazing too, balancing the right emotions at the right time. Some Amards should be waiting for him now... definitely AR Rahman stole the whole movie with 14 Top charting music!!!! Every Music suits the story every single time. Well he isn't called genius without a reason.

For me, its the Best Album of the year and potentially the best movie if the year!!!! All Credits goes to Imtiaz Ali for such great story/content.

Rockstar is a beautiful painting on a canvas. It's a journey through the soul of a musician; mellow and bitter sweet. It's not a feel good movie or even an actual tale. It has gaps as glaring as a 30 foot wide goal post but Rockstar has a soul and that keep you fixed to the screen long after the goal!

I liked Rockstar for three reasons; AR Rahman, the visuals and Ranbir Kapoor. A R Rahman has weaved magic and the music would be stuck in your head long after the movie; 'Saddha Haq'is raw and full of energy and will gets your fists pumping in the air. The visuals are simply scintillating; there would definitely be more Indians holidaying in Prague and Kashmir now. Anil Mehta deserves the kudos for the cinematography; Kashmir will take your breath away but the lapses quickly bring it back. Rockstar has great humor!

It's refreshing to see Bollywood have well written clean and neat humor. It's funny and does leave you in splits! The ideology that only pain begets music is a little retarded though! The movie progresses at its own pace with the music and visuals. Rockstar is not a statement or even the tale of most rock stars; it just is.

AR Rahman music is alone worth going to the film; soulful and very Sufi in nature. The 14 tracks in the movie are simply a testament to the genius he is. The rawness of the music has an addictive aura to it and will mesmerize you.

Ranbir Kapoor, I must say has matured into a fine young actor; with élan and crisp he blends the several layers of his character seamlessly into one. He's not acting, he's living it! Imitaz Ali has definitely grown as a director since Jab we met & Love Aaj Kal. Rockstar is loosely based on a friend of his, but he manages to pen it right. This is definitely not his best work but it pulls through.

What you will find hard to digest is the logic used that leaves you numb. Aarti Bajaj could have edited Rockstar better to make it edgy but you would not want to change that because you would risk hurting the soul of Rockstar.

Nagris Fakri is the new Katrina Kaif and has done an outstanding job considering that this is her debut. Shammi Kapoor spoke with his eyes and what a tribute it was to him.

Rockstar is no 'Dabaang' or 'Singham'; not a movie for the masses but it appeals to you. RB has the charm to keep you stuck to the screen. Frankly, Rockstar could be the perfect cure for the Ra One hangover. It's not a great movie, but it will suffice to rid of the week! It's a half baked chocolate cake. Who cares; it's chocolate anyway! Baked or half baked!

I believe good directors are great Narrators. That is what enables them to breathe life into a mere series of scenes. And when the story being told is their own or perhaps very close to them, they break the surly bonds of commercial success themes and formulas. Movie then becomes a ruthless pursuit to expose and convey the most naked emotions buried within the story. Many times such an attempt becomes an awkward experience for us as a viewer. Sometimes it turns into a masterpiece. Rockstar is the latter.

This movie, too, is a signature imtiaz Ali movie where he yet again explores the most famous four lettered invention called "Love". However, this time its portrayed as an unverbalized camaraderie between a Jim Morrison idolizing artist, yearning to be a Rockstar, and a College sweetheart soon to be married off into affluence. Janardhan Jhakar (Ranbir K), is searching for a heartbreak to happen as it will fuel his creativity and hence his dream to be a rockstar. He bumps into Heer (Nargis Fakhri), believing getting dumped by her should seal the deal. But mindless fooling around soon blossoms undetected and before they know has grown into a chronic tumor of love.

By the time they realize this its too late. Though it may seem formulaic, Imtiaz's treatment of the subject is very unique. So much that it transcends from a Raw human emotion to borderline supernatural and yet seems very beautifully plausible. People complain about a slow second half have missed the point. I guess they were waiting for something to happen while missing to savor some of the most beautiful unsaid portrayals of love.

Imtiaz experiments with non-linear editing in this one and has done some really cool stuff. Its like a novel which tells you in the first 5 lines that the protagonists dies in the end and grips the reader wondering how did that come to pass. The Cinematography too is brilliant and has produced one of the most memorable scenes of Bollywood cinema. At least for me. To top it all off is a shell of fresh and innocent humor which helps the movie remain easy going and yet not loose its depth.

Ranbir has arguably done a marvelous job, for his role is that of silent anguish, which can easily become one of a chronic constipation in the hands of a clumsy actor. He has also done one of the most close to reality portrayal of a guitarist within Bollywood and should be given credit for that.(looking at Rampal in rock on). Nargis is a Newcomer and is just that, a novice, however she is as beautiful as she is delicate and portrays her character well enough.

Last but not the Least, A R Rehman, trademarks the soundtrack with Kun Faya and cranks up the distortion with Saada Haq. (it has liberal sprinkling of guitar riffs and some good ones at that). Orianthi lends her gifted talent to this song. The Music is a true soul of the movie.

With a climax which can send jitters into many Bollywood directors this movie is definitely a feather in imtiaz Ali's Cap.

A Must watch by me, but then I am a sucker for Imtiaz Ali movies, hence a Pinch of salt is advised.

Even though the Indian film Industry releases countless big budget films every year, only once in a while there comes a movie like "Rockstar" which moves away from the usual story and casts an impression on the viewers.

Imtiaz Ali has created such a masterpiece this time. His story is a fresh take on romance and pain and he has shown he is one of the best directors around.

The story revolves around 2 characters Janardhan Jakhar a.k.a Jordan(Ranbir Kapoor) and Heer(Nargis Fakri) and their feelings towards each other. The special thing about this movie is that despite being a love story, the lead characters never act as the clichéd lovers..they never said "I love you" throughout the movie and still their love was so intense and powerful..The self inflicted pain of 'Jordan' is the soul of this movie and moves the audience.

Ranbir has done a remarkable act and has again proved he is an exceptional actor in the film industry. His transition from the innocent and confused 'JJ' to the ruthless, shattered 'Jordan' is flawless. The audience were in awe of him throughout the movie and rightly so.

The music blends with this movie perfectly and most of the time lifts the movie to higher levels. The voice of Mohit Chauhan along with the expertise of AR Rahman is just superb and this duo will be in demand for a long time. The joy, enlightenment, pain and suffering of 'Jordan' is portrayed very well through the songs. And this is one of those movies in which you feel that the songs weren't just forced in the story.

Despite everything being so good there was one shortcoming, Nargis. The model turned actress had weird expressions in few scenes in her debut film. This created some funny moments in the first half but she did a convincing act post interval.

One thing which the director couldn't balance was the pace..The first half was expanded into few years showing the pair's love and relationship but post interval they didn't do that, and stuck to a straight and small period with longer scenes. This gave most of the general audience an idea that it was slow. If the story in between intervals was balanced in terms of the time span, more people would have appreciated the whole movie.

This an emotional, and an intense journey of a simple man who goes on a path of self destruction. A Must Watch, this movie needs deep understanding and appreciation.