IMDb RATING
5.9/10
48K
YOUR RATING
A woman is convinced her kidnapper has returned when her sister goes missing.A woman is convinced her kidnapper has returned when her sister goes missing.A woman is convinced her kidnapper has returned when her sister goes missing.
Kate Moennig
- Erica Lonsdale
- (as Katherine Moennig)
Amy Argyle
- Tanya Muslin
- (as Amy Lawhorn)
Susan Hess
- Dr. Mira Anders
- (as Susan Hess Logeias)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Gone proved to be a much different movie from what the trailer indicated. Under the veil of a cliché game of cat and mouse, Amanda Seyfried pulls of an incredibly difficult role by riding the line between insane and driven. The movie puts its entire success on keeping the audience guessing whether this could "all be in her head" or really is part of a sick plot. It succeeds in doing so on the shoulders of Amanda Seyfried.
Unfortunately, Gone built its own wall on the road to greatness. By keeping you guessing, the writer throws plenty of false hints and possible suspects. By doing so, the movie takes on the feel of the worn-out Hollywood thriller. Although this move may have been necessary, it means other aspects of the plot are seriously lacking. Characters are completely forgotten. The climax relies on a timed event that could not be planed. In the end, this thriller lacks all the elements to make it memorable.
Despite missing its mark, Gone is completely enjoyable. In many movies, I find myself evaluating the movie halfway through. That never happened. The tension maintained itself through the entirety of the movie. I found myself holding my breath, sitting on the edge of my seat, and wanting to scream, "Don't go in there!" This is how a thriller should work. I wish the amateur mistakes could have been removed. If that were done, this movie could have been great.
I must point out the politics of the movie. It was believable on most levels. The movie is set on the basis that a girl who has experience with PychCare will usually be treated like she is insane. This idea is done very well. The investigators do give her the time of day, but still appear to brush her off. As the movie progresses, it is fascinating to watch the investigators grow more worried about Seyfried with a gun rather than a missing girl. In the end, it is quite believable.
If you are in need of a good thriller, this is the movie to see. It stumbles, but will keep you guessing. There is no great advancements made in the genre, but that does not mean it is not worth seeing. When you put an actress in the lead who can keep you guessing, you will usually have a good thriller. Congratulations to Amanda Seyfried for getting out of her shitty movie slump.
reillyreviews.wordpress.com
Unfortunately, Gone built its own wall on the road to greatness. By keeping you guessing, the writer throws plenty of false hints and possible suspects. By doing so, the movie takes on the feel of the worn-out Hollywood thriller. Although this move may have been necessary, it means other aspects of the plot are seriously lacking. Characters are completely forgotten. The climax relies on a timed event that could not be planed. In the end, this thriller lacks all the elements to make it memorable.
Despite missing its mark, Gone is completely enjoyable. In many movies, I find myself evaluating the movie halfway through. That never happened. The tension maintained itself through the entirety of the movie. I found myself holding my breath, sitting on the edge of my seat, and wanting to scream, "Don't go in there!" This is how a thriller should work. I wish the amateur mistakes could have been removed. If that were done, this movie could have been great.
I must point out the politics of the movie. It was believable on most levels. The movie is set on the basis that a girl who has experience with PychCare will usually be treated like she is insane. This idea is done very well. The investigators do give her the time of day, but still appear to brush her off. As the movie progresses, it is fascinating to watch the investigators grow more worried about Seyfried with a gun rather than a missing girl. In the end, it is quite believable.
If you are in need of a good thriller, this is the movie to see. It stumbles, but will keep you guessing. There is no great advancements made in the genre, but that does not mean it is not worth seeing. When you put an actress in the lead who can keep you guessing, you will usually have a good thriller. Congratulations to Amanda Seyfried for getting out of her shitty movie slump.
reillyreviews.wordpress.com
Jill Conway (Amanda Seyfried) was kidnapped and escaped but nobody believed her. She was sent to a psychiatric facility. Her sister Molly disappears and she is convinced that it's the same kidnapper from two years earlier.
The production value is limited but the tension is maintained throughout this film. Basically, this is a damsel alone in danger against a serial killer. Amanda is great. The production does dip into more TV level of style at times. A bigger budget would help as well as a more imaginative eye. I'm not sure if there are any unfilled plot holes and the climax definitely needed more action. It's still a good watch mostly for Amanda.
The production value is limited but the tension is maintained throughout this film. Basically, this is a damsel alone in danger against a serial killer. Amanda is great. The production does dip into more TV level of style at times. A bigger budget would help as well as a more imaginative eye. I'm not sure if there are any unfilled plot holes and the climax definitely needed more action. It's still a good watch mostly for Amanda.
This movie was well paced and well acted by Seyfried. I really enjoyed the "road trip" she takes trying to track down her target. She is slick in her conversations and smooth in her charms to converse with people and get whatever puzzle pieces they have to offer. I really like the mystery the movie conveys as it leads to the end. I really felt like the path could have lead to multiple characters in the story, and as you watch Seyfried's pace you are constantly asking yourself how much of the story is she capable of creating herself. I hope the score for this movie rises about the 5.6 it is at currently. Other movies float in this range and do not bring nearly as much to the table.
I think Gone is a film that is pretty much destined for bad reviews, which is a shame because I actually found it quite good, the story is about a girl who was abducted a year ago, but escaped her captor, she goes on living day to day life with the help of mess to deal with the trauma, that is until her captor comes back for her and takes her sister instead, a game of cat and mouse ensues and the viewer is taken on a fast paced cracking thrill ride. Yes there are problems with Gone, for starters the script is slightly underwritten and some story lines are totally forgotten about, particularly some of the story lines surrounding the supporting characters, and it has a bit of a 90's b-grade thriller vibe to it, but for what it's worth it also has a lot of good things about it too. The central performance by Amanda Seyfried is a good one, she is very convincing as the determined heroine of the story, the cinematography is very fitting to the story, the cold and damp setting of Portland is wonderfully captured by the camera, the pace is fast as a bullet, each scene is quick and doesn't drag on and it has some genuinely scary and tense scenes, particularly towards the end.
Some reviews I have read say that Ananda Seyfried deserves better roles, yes she deserves great roles because she is a supremely talented young actress but I really don't see what's so bad about this role, it's a strong female character, I think people may only want to see her in romantic comedies and that's it. Speaking of Ms Seyfried, she gets better and better in every film I see her in, she has a very natural acting style, she never seems forced, everything seems very natural for her, I look forward to seeing where her career goes.
Gone is a real middle ground kind of thriller, it's not a teen slasher and it's not a more mature adult thriller either, it kind of takes what's great about both types and combines them into a highly entertaining movie that will have you guessing tight until the very end. My only criticism is just the abandoned story lines of the supporting characters, I dint know if it's lazy writing or what but for me I felt I was steered in a direction only to be left thinking, but all in all the movie is great, I would definitely watch it again.
Give it a go, I hope you enjoy, Amanda Seyfried is wonderful. :) excellent.
Some reviews I have read say that Ananda Seyfried deserves better roles, yes she deserves great roles because she is a supremely talented young actress but I really don't see what's so bad about this role, it's a strong female character, I think people may only want to see her in romantic comedies and that's it. Speaking of Ms Seyfried, she gets better and better in every film I see her in, she has a very natural acting style, she never seems forced, everything seems very natural for her, I look forward to seeing where her career goes.
Gone is a real middle ground kind of thriller, it's not a teen slasher and it's not a more mature adult thriller either, it kind of takes what's great about both types and combines them into a highly entertaining movie that will have you guessing tight until the very end. My only criticism is just the abandoned story lines of the supporting characters, I dint know if it's lazy writing or what but for me I felt I was steered in a direction only to be left thinking, but all in all the movie is great, I would definitely watch it again.
Give it a go, I hope you enjoy, Amanda Seyfried is wonderful. :) excellent.
A completely focused Performance highlights this somewhat familiar Tale of a Woman who has been severely traumatized by...that is the question. Is it all in her head, is she delusional, did something really happen to her or is she completely "Gone"?
This is played out throughout this competent Thriller as She believes that the source of her pain and suffering is back and has abducted her Sister. This unleashes Her barely pent up Rage and propels Her on an unstoppable quest to evoke Revenge and rescue Her Sis.
This is a bit above a routine exercise in Serial Killer Clichés as it focuses on a truly riveting and believable Amanda Seyfried as the troubled Heroine. Truth is that she is damaged and not really in complete control of her affliction and this lends a certain edginess to the Film as you never really know what She is going to do next, or what Lie She will fabricate, it seems at will, in a moments notice.
Worth a look for Fans of this type of thing and those who like strong Females willing to go the distance even if it means facing your most frightening fears.
This is played out throughout this competent Thriller as She believes that the source of her pain and suffering is back and has abducted her Sister. This unleashes Her barely pent up Rage and propels Her on an unstoppable quest to evoke Revenge and rescue Her Sis.
This is a bit above a routine exercise in Serial Killer Clichés as it focuses on a truly riveting and believable Amanda Seyfried as the troubled Heroine. Truth is that she is damaged and not really in complete control of her affliction and this lends a certain edginess to the Film as you never really know what She is going to do next, or what Lie She will fabricate, it seems at will, in a moments notice.
Worth a look for Fans of this type of thing and those who like strong Females willing to go the distance even if it means facing your most frightening fears.
Did you know
- TriviaDirector Heitor Dhalia stated to Brazilian newspapers that he had no control over this movie and that all the major decisions were made by the studio. He couldn't even meet actress Amanda Seyfried before shooting to rehearse and prepare her for the role. Dhalia almost took his name out of the project, but in the end decided not to.
- GoofsWhen Jill is nervous getting into her sisters car in her driveway, as she looks around a black cat can be seen crossing the road behind her. The camera angle changes slightly and while Jill continues moving to enter the vehicle the cat is frozen in motion since the background is now a still photo.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.90 (2012)
- SoundtracksEven If I
Written by Reed Dahlmeier
Performed by Reed KD
Courtesy of Crucial Music Corporation
Details
Box office
- Gross US & Canada
- $11,682,205
- Opening weekend US & Canada
- $4,770,360
- Feb 26, 2012
- Gross worldwide
- $19,767,535
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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