La vérité sur Emanuel

The lead actresses deserve 9/10. The story concept 8/10. The whole package 6/10. The symbiotic relationship between the lead characters is realistic and develops quickly. The story line is a bit contrived but does express the characters' deep sense of loss and interdependency. It is very unfortunate that some of that energy is lost during the final symbolic scenes. Instead of leaving a lasting impression, they fall a bit flat. Nevertheless, this film is worth watching for the acting alone. It was impressive that Kaya Scodelario developed such a realistic American accent for the role. It adds another dimension to her excellent acting ability and (like Jessica Biel) she has the natural and very good looks to go with it.

On reading the reviews for this film, I was expecting a slow paced and emotionally confusing story, but having watched this film I feel it has gone hideously unappreciated. The beginning is a little slow, and it's hard to connect to the characters initially, but the bond created between the teenager and woman is both unique and thought provoking.

This film has lovely dynamics, and deals with the issues of loss and emotional wellbeing in a very poetic and intricate manner that cannot go unappreciated.

I addition to these points,the music is also very well suited.

All in all, this story is very quiet, poetic and special, and if you are someone who appreciates the relationship one can build with a film, then definitely waste no more time and watch this.

Movies (unless documentaries, though even those are not entirely "real") are not supposed to be taken straight up, because they are what someone else thought of, so its supposed to be otherworldly. In this case the movie takes it to other places literally. Not always and only at special points in the story.

The German title also might indicate this to be a bit different than you'd expect (especially concerning our female lead): Linda's Child. But the Germans always like to explain the movies you're about to watch. The female lead, a young very beautiful actress has more than a couple of flaws and issues. Not a very sociable person (even though she has the charisma to pull that off, the looks as mentioned are there from the get go), but a person that might be able to help others who have issues of their own. Be it from the male or female gender.

This isn't perfect by a long shot, the points can be guessed, but they could've been made better. Still the performances (also Jessica Biel) are more than phenomenal. If you like weird thrillers with some extra touch, you are right on the spot with this one

TL;DR An interesting watch. Probably will not stick. Passable.

This film's certainly an interesting one, at least conceptually and how it presents certain ideas, but that's about it. Visually, I can appreciate the film but it's really nothing outstanding. Lots of the dialogue feels strange, some characters feel irrelevant to the point that you could take them out and It'd literally be the same story, and some things just detract from the main focus of the film. The acting is fine but not outstanding to me, the main character never really reaches me and does some questionable things but is understandable contextually, and its unique imagery makes it stand out.

Not much great to say that's great about it in my opinion. It's just ok and I think its artistic qualities are what make this movie's concept interesting. Solid hit-or-miss in my opinion with lots of glaring flaws.

Where does this movie head at? I think this question wasn't important, as the motivation of the director must have been most important. The film does excel when it comes to technical skills and standards. The whole settings and the filming location were really a good choice, and the story itself could have been more than an overused vessel. But the movie lacks as soon as I think about the main actors. Both Jessica Biel and Kaya Scodelario (what a wonderful name) wouldn't match. Until the end I was waiting for some kind of a surprising effect. Though most actors in the supporting roles were quite convincing, the movie left me with the impression of a void, a huge yawning void. May because it was too late for watching 'The Truth About Emanuel', or the unfinished, rough performance of both main actress' led only to a shallow mood. The truth is, there have been many more movies succeeding in what the director intended with this work. However, if you like Kaya Scodelario eyes', or want to see Jessica Biel failing horribly, I would definitely recommend this movie. But don't expect to see a provocative nor sensitive film, it was more like grotesque.