La vérité sur Emanuel

On reading the reviews for this film, I was expecting a slow paced and emotionally confusing story, but having watched this film I feel it has gone hideously unappreciated. The beginning is a little slow, and it's hard to connect to the characters initially, but the bond created between the teenager and woman is both unique and thought provoking.

This film has lovely dynamics, and deals with the issues of loss and emotional wellbeing in a very poetic and intricate manner that cannot go unappreciated.

I addition to these points,the music is also very well suited.

All in all, this story is very quiet, poetic and special, and if you are someone who appreciates the relationship one can build with a film, then definitely waste no more time and watch this.

Writer/Director Francesca Gregorini brings a unique and entertaining voice to her new film Emanuel and the Truth about Fishes. This is a darkly comic yet dramatic film about a young misfit girl who befriends her new next-door neighbor who is a single mother with a newborn.

This film is about, among other things, dealing with loss, motherhood and relationships with mothers. Not being able to be a mother but wanting to, not having a mother and wanting one. It may not sound exciting, or it may sound like a set-up for a romantic comedy of sorts, but this film has elements of horror, mystery, surrealism and gets quite intense at times. The film while it is dramatic and has many moments of the above is surprisingly comedic which helps balance the darker aspects of the film. Few films can pull off the level of comedy and heart- breaking reality that this film employs.

I knew fairly early on that I was going to like this film, the way it played perfectly with the audience's emotion and the striking production design. It is amazing how fresh and different this film feels, there is always an undercurrent that something is wrong which latches you to everything on screen.

I was emotionally invested in our main protagonist Emanuel (played by Kaya Scodelario) and in-turn with the single mother Linda (played by Jessica Biel). Between this and Wuthering Heights, I think Kaya Scodelario is an actress to keep an eye on. I've never been a Jessica Biel fan, until now, she is perfect in her role as 'the perfect mother'. The family dynamic too feels authentic with great supporting roles by Alfred Molina and Frances O'Conner.

The only thing that doesn't quite work in this film is the ending; it ends a bit abruptly and offers some emotional satisfaction but in terms of 'reality' feels like more should have happened to find a resolution for the characters. Maybe that's the point though, in difficult situations like these there is no neat bow to tie and make everyone feel perfect and the dissonance at the end is a manifestation of that. Other reactions may be more mixed but thematically and emotionally it was engaging and I appreciated it a great deal.

This was an incredibly deep movie about loss and belonging.

This film is presented in a very intelligent, original way and even though the acting may seem awkward at times, it hits the mark with the overall feeling of uncertainty and UN-belonging.

It may be a bit slow, but what is expressed and observed non verbally throughout the movie creates that churning in your stomach, that ache that keeps you on the edge of your seat. It makes you wonder.

This movie is very simple, but emotionally goes beyond and is captivating. Both Jessica Biel and Kaya Scodelario played their parts perfectly.

If you love these types of deep movies that you can you emotionally attach to, this movie is a must watch!

Softness, quiescence, mellow and dull, this movie builds towards a breaking point.

Emanuel, a young woman whose mother died in child birth is still haunted by the absence. Longing, hurt inside, she forms a connection with a new next door neighbor named Linda (played by Jessica Biel).

Can't spoil the movie, but Linda and Emanuel are connected by loss.

We need one another, we love one another and sometimes, the bereavement even if we never got to truly know that lost one, is so strong it breaks our hearts, minds, souls, and future. We find ourselves surrounded by water, drowning and watching our love fall deeper and get carried away by the current.

I enjoyed this movie.

Kaya Scodelario carried the movie and Jessica Biel delivered in a believable way.

Written and Directed by Francesca Gregorini, I didn't have any complaints with the script and felt there was a great pace and rhythm to the movie, supported nicely with music.

TL;DR An interesting watch. Probably will not stick. Passable.

This film's certainly an interesting one, at least conceptually and how it presents certain ideas, but that's about it. Visually, I can appreciate the film but it's really nothing outstanding. Lots of the dialogue feels strange, some characters feel irrelevant to the point that you could take them out and It'd literally be the same story, and some things just detract from the main focus of the film. The acting is fine but not outstanding to me, the main character never really reaches me and does some questionable things but is understandable contextually, and its unique imagery makes it stand out.

Not much great to say that's great about it in my opinion. It's just ok and I think its artistic qualities are what make this movie's concept interesting. Solid hit-or-miss in my opinion with lots of glaring flaws.