While trying to manage her own life and career, a woman on the verge of a breakdown must cope with her daughter's illness, an absent husband, a missing person, and an unusual relationship wi... Read allWhile trying to manage her own life and career, a woman on the verge of a breakdown must cope with her daughter's illness, an absent husband, a missing person, and an unusual relationship with her therapist.While trying to manage her own life and career, a woman on the verge of a breakdown must cope with her daughter's illness, an absent husband, a missing person, and an unusual relationship with her therapist.
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I need to start a list of all the films that have cemented the fact I will never have children. 'If I Had Legs I'd Kick You' would go somewhere near the top. This movie was nightmare fuel.
This is one of those rare movies where there's no real plot or story, and yet you're still captivated by every moment. You need to know what will happen next. And it feels like anything could happen next, which is great feeling.
The final sequence was an interesting one and something I had to do some reading about to fully get my head around. I liked it but it wasn't quite the knockout blow I was hoping the movie would end with.
This is exactly the kind of movie where a Q&A with the director afterwards at Fantastic Fest would be a treat. To get their first hand interpretations on what certain things meant would be priceless.
Overall though I really enjoyed 'If I Had Legs I'd Kick You'. It was unique and it gives you a lot to think about. Throw in some great performances and you have a pretty engrossing couple of hours. 7/10.
This is one of those rare movies where there's no real plot or story, and yet you're still captivated by every moment. You need to know what will happen next. And it feels like anything could happen next, which is great feeling.
The final sequence was an interesting one and something I had to do some reading about to fully get my head around. I liked it but it wasn't quite the knockout blow I was hoping the movie would end with.
This is exactly the kind of movie where a Q&A with the director afterwards at Fantastic Fest would be a treat. To get their first hand interpretations on what certain things meant would be priceless.
Overall though I really enjoyed 'If I Had Legs I'd Kick You'. It was unique and it gives you a lot to think about. Throw in some great performances and you have a pretty engrossing couple of hours. 7/10.
As a woman in my mid twenties recently diagnosed with borderline personality disorder, this film was deeply uncomfortable it irritated me, pulled me in, and wouldn't let go until the end.
It captures emptiness and distorted perception with unsettling precision. I saw myself in it and that recognition brought a mix of satisfaction, fear, disgust, and acceptance.
It's a complex, haunting portrayal of despair and chaos within a wounded or unstable mind.
A brilliant work. I'll never watch it again.
It captures emptiness and distorted perception with unsettling precision. I saw myself in it and that recognition brought a mix of satisfaction, fear, disgust, and acceptance.
It's a complex, haunting portrayal of despair and chaos within a wounded or unstable mind.
A brilliant work. I'll never watch it again.
"If I Had Legs I'd Kick You" hits brutally hard if you grow up in a dysfunctional family, live with a silent chronic illness, or know the desperation of needing help that simply never arrives.
You keep moving through life with a weight that grinds you down piece by piece-slowly and in a degrading, invisible way.
It lives inside you, eating you alive, yet you're still expected to be the strong one for everyone else: listening, supporting, holding them together while you feel hollowed out, with anxiety as your only loyal companion.
It's a condition almost impossible to grasp unless you've lived it for a prolonged time, and "If I Had Legs I'd Kick You" captures it-right from its brilliantly subtle title-with astonishing accuracy.
It transforms the everyday workings of a collapsing mind into something both magnificently rendered and deeply unsettling, precisely because it feels so real.
Director Mary Bronstein, through an exceptional, skin-stripping performance from Rose Byrne as Linda, takes us on one of the most extreme and agonising cinematic journeys of the year.
The official plot tells us Linda is juggling her daughter's mysterious illness, an absent husband, a missing person, and a therapist who grows increasingly hostile.
But that description reduces something far more complex-and, honestly, difficult for me to summarise. These plot points aren't the story; they're pressure points, mirrors an internal psychological collapse that feels both intimate and volcanic.
The film hit me in a way very few do, it dredged up every burden I'm currently dragging behind me.
It resonated so deeply I found myself wishing someone were there to understand it with me, to hold my hand through it.
Its deliberate emotional architecture left me feeling its stress, exhaustion, empathy fatigue, and the kind of claustrophobic panic you simply can't ignore.
Bronstein leans heavily on stark, wordless close-ups that make even the smallest daily task feel crushing. The sound design turns Linda's anxiety into something almost physical-an unseen creature pacing just behind her.
Life isn't a fairytale. We're expected to keep functioning, keep producing, keep smiling, and never fail-but that relentlessness fractures the mind. Sanity becomes something you defend with tooth and nail.
Showing up at work, pretending everything is fine, performing normality: these become barricades you're desperate to vault over.
And you do eventually break, because this world isn't gentle-and even kindness is often misread as a threat. Take the motel neighbour James (A$AP Rocky), whose well-meaning attempts to connect only intensify Linda's unraveling.
Linda's environment reflects the stigma around mental illness-the inadequacy of institutions, the exhaustion of those meant to help-embodied perfectly by her unnamed therapist (a brilliant Conan O'Brien), whose detachment borders on cruel.
"If I Had Legs I'd Kick You" is a draining experience. I absolutely recommend it, but as someone who lives with many of the symptoms and emotional states depicted, I'd urge viewers to approach with care.
This film is an emotional rollercoaster-and it doesn't offer safety bars.
You keep moving through life with a weight that grinds you down piece by piece-slowly and in a degrading, invisible way.
It lives inside you, eating you alive, yet you're still expected to be the strong one for everyone else: listening, supporting, holding them together while you feel hollowed out, with anxiety as your only loyal companion.
It's a condition almost impossible to grasp unless you've lived it for a prolonged time, and "If I Had Legs I'd Kick You" captures it-right from its brilliantly subtle title-with astonishing accuracy.
It transforms the everyday workings of a collapsing mind into something both magnificently rendered and deeply unsettling, precisely because it feels so real.
Director Mary Bronstein, through an exceptional, skin-stripping performance from Rose Byrne as Linda, takes us on one of the most extreme and agonising cinematic journeys of the year.
The official plot tells us Linda is juggling her daughter's mysterious illness, an absent husband, a missing person, and a therapist who grows increasingly hostile.
But that description reduces something far more complex-and, honestly, difficult for me to summarise. These plot points aren't the story; they're pressure points, mirrors an internal psychological collapse that feels both intimate and volcanic.
The film hit me in a way very few do, it dredged up every burden I'm currently dragging behind me.
It resonated so deeply I found myself wishing someone were there to understand it with me, to hold my hand through it.
Its deliberate emotional architecture left me feeling its stress, exhaustion, empathy fatigue, and the kind of claustrophobic panic you simply can't ignore.
Bronstein leans heavily on stark, wordless close-ups that make even the smallest daily task feel crushing. The sound design turns Linda's anxiety into something almost physical-an unseen creature pacing just behind her.
Life isn't a fairytale. We're expected to keep functioning, keep producing, keep smiling, and never fail-but that relentlessness fractures the mind. Sanity becomes something you defend with tooth and nail.
Showing up at work, pretending everything is fine, performing normality: these become barricades you're desperate to vault over.
And you do eventually break, because this world isn't gentle-and even kindness is often misread as a threat. Take the motel neighbour James (A$AP Rocky), whose well-meaning attempts to connect only intensify Linda's unraveling.
Linda's environment reflects the stigma around mental illness-the inadequacy of institutions, the exhaustion of those meant to help-embodied perfectly by her unnamed therapist (a brilliant Conan O'Brien), whose detachment borders on cruel.
"If I Had Legs I'd Kick You" is a draining experience. I absolutely recommend it, but as someone who lives with many of the symptoms and emotional states depicted, I'd urge viewers to approach with care.
This film is an emotional rollercoaster-and it doesn't offer safety bars.
Damn. A mother whose daughter has some mysterious illness when her husband is not present and her home gets a big hole in her ceiling. That's the plot of this movie where a mother has to live her life and balance between being a professional therapist while she does her own therapy.
A downpour of troubles falls on her when we get to see her life. She has to be a mother, stay in a not-so-nice hotel, with troubling neighbor, her own patient having panic episodes and what not.
The entire movie is kind of a horror in its own way. How a simple mother facing all this on a day to day basis and needs to cope up. She is at the brink of explosion mentally.
A downpour of troubles falls on her when we get to see her life. She has to be a mother, stay in a not-so-nice hotel, with troubling neighbor, her own patient having panic episodes and what not.
The entire movie is kind of a horror in its own way. How a simple mother facing all this on a day to day basis and needs to cope up. She is at the brink of explosion mentally.
Make no mistake, Rose Byrne puts on a show. Other than that, spend 2 hours elsewhere. The themes of motherhood and anxiety on full display, without lacking any substantial plot or moments of comedic relief certainly not a dark comedy by any stretch of the imagination Completely and utterly fell short.
Did you know
- TriviaStars Conan O'Brien in his first serious acting role in a movie.
- SoundtracksHot Freaks
Written by Robert Pollard & Tobin Sprout
Performed by Guided By Voices
Courtesy of Scat Records
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- If I Had Legs I'd Kick You
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,091,404
- Opening weekend US & Canada
- $90,267
- Oct 12, 2025
- Gross worldwide
- $1,342,802
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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