Copycat Killer

This show started off very promising until it became clear that the writing was just not upto the level expected of a good serial killer drama show. All the major characters involved in solving the crime/s i.e the Prosecutor and Police Task Force act illogically and irrelevantly throughout the whole show making the viewing rather infuriating.

The directing, production values and cinematography are all top notch however. The acting is generally pretty good except for a couple of actors.

There is a good show hidden underneath but unfortunately the creators were unable to execute it successfully due to subpar writing.

Was introduced to this show when looking to fill the post-show blues after watching Light the Night.

The storytelling was a little confusing in the first few episodes when characters were introduced one after another and the plot of each episode seem to be quite siloed. The timeframe of the show was also confusing as there was little to done to suggest it was the 90s. (Some parts of modern Taiwan does resemble the 90s.) This was complicated by the non-linear timeline at the beginning which shuffles between different years.

However, the plot took a turn in the second half when the storylines start to weave together to form an engaging plot. Relationship between the media, the judiciary and the serial killer becomes clearer.

Overall, the pace and level of detail was just right. It is well-balanced between dialogues and action. All the characters were pretty well-developed for a short 10-episode drama, except the lead himself. A stronger link between his personal story and his career as a prosecutor could have added more dimension to his character.

I can't help but compare it with Taiwan's top Netflix series from a year ago which happens to be of the same genre - Light the Night. In my two cent, Copycat Killer pales in comparison as the plot was much simpler with less suspense build-up. Pacing was probably the only aspect it had triumph over Light the Night. Nevertheless, one thing I noticed and appreciate about Taiwanese mystery thriller is the way it contextualise to their local culture and societal issues. Looking forward to Taiwanese films and series making a comeback!

The show was good overall and worth a watch. However there were a few issues that held the show back from getting to the next level. I feel like the last 4 episodes were kind of unnecessary. They could of stopped the series halfway and I would of still enjoyed it. The villain's logic was flawed and the way the killer was brought to justice was lazy writing. The show seemed to drag a bit from time to time within episodes too.

There was a lot of positives though. Without giving too much away, I liked some of the motives to the villains. It seemed as a way to help redeem them in some way. Some of the twists were creative with a good storyline.

It's a dark, violent and gritty thriller nominally focused on the hunt for a sadistic serial killer. Although based on a Japanese novel and set in Taiwan, the dour tone and deliberate pace are reminiscent of Scandi-Noir. Genre cliches abound and the show doesn't shy away from depicting brutality. It's also guilty of the same thing as virtually every other streaming series in padding the run time with extraneous subplots and overcooked melodrama. That said, this show is nevertheless well-done and engaging, with good performances, slick production, and enough twists and turns to keep things interesting.

Superbly shot. Excellent attention-to-detail on old equipment; CRTs and analogue equipment of the late 1990's. Superb acting. So reminiscent of 'Memories Of A Murder' and a lot of voyeuristic viewing.

The build-up play is full-on Hitchcock suspense. It's extremely sleek and professional with a good budget but also it's done to a very high standard.

There's probably a bit of troll-rating happening as it's 6.8 but it only dropped to Netflix very recently so there's clearly bogus reviews. Anything Asian+Murder+Gore gets trolls it seems.

The sequencing of each episode and how the story is set is excellent. It's proper storyboard-to-series. I love how artifacts from the era are in pristine condition despite now being 25 years old!

Actos are great. I feel at ease with them and Cammy Chiang is a future star. Wu Kang-ren is astounding. The way he acts like a cop more than a prosecutor is refreshing. There's a bit of Triad crackdown involvement which is true to history after a Google search found a 1997 article in the Indiependent about that.

The style is very like the artistic leadership of 'Memories For Murder' (Director of Parasite) which the creators deserve huge credit for. It's glossy and well-produced and a real nugget in SEA TV criteria where there's an incredible amount of choice. Great stuff! More please.