The Royal Hotel

This movie is a dramatic interpretation of the documentary film "hotel coolgardie" (I reviewed that also on IMDb)

It tells the story of two backpackers travelling through Australia and they take up a job via a job agency (very common in Australia backpacking community). Only downside the hotel is in south Australia in a mining location.

They are met with a culture shock of how rough the men are and how the women have to cope with chauvinism.

The movie portrays real life in the mining towns of southern Australia where the pub is the main gathering location and where men drink far too much.

There are a few scenes where artistic license is used to make for a more dramatic movie but all in all it's a true reflection of the experiences many female travellers have.

I recommend to watch and then view "Hotel Coolgardie" to compare.

Strangely, I had this gut feeling that I'd enjoy this movie, solely based on the poster, even before reading the synopsis or watching the trailer. I was then worried I'd set my expectations too high, so I lowered them a bunch. At the time of writing this, there are fewer than 20 IMDb reviews, most of them being 1/10 ratings, which makes me feel somewhat delusional for not disliking it.

Now, let's be clear, not much happens in this film. If you're looking for a riveting storyline, this ain't it. The characters lack depth, and while there are hints about why they left 'Canada', we never really learn much about them. It's implied there's more to them, but never shown/said. Surprisingly, I wasn't annoyed by this, just as I wasn't bothered by the lack of things happening. I genuinely enjoyed it and felt a detailed backstory wasn't necessary.

The biggest issue lies in its marketing as a "thriller," which likely skewed people's expectations, accentuated by Julia Garner's Ozark fame. If I knew it was meant to be a thriller beforehand, I might have disliked it too. It's more of an indie-style, maybe psychological film, so forget any notions of it being a thriller; that's like when movies throw in a jump scare and eerie music and slapping the "horror" label on it when it isn't. I hate that.

It reminds me of movies like "American Honey," where I felt like I was actually in the movie, experiencing everything alongside the characters. I remember seeing a lot of bad reviews for that one too, even though I enjoyed it. "The Royal Hotel" will likely be a love-it-or-hate-it kind of thing. Many people don't like it, and I get why when I hear their reasons, but personally, I really enjoyed it. It's not a mind-blowing story, as I mentioned, but it held my attention throughout. I was glued to the screen. Most of it takes place in one location, yet it feels like so much is going on.

The whole first hour and then some felt like a build-up to the last 20 minutes. There wasn't much character development early on, but they grew on me as the movie progressed. There's a sense that things will go south when the girls are left alone. The tension built up beautifully for about 1hr15, then unraveled in just 10 minutes. Climax felt short lived, then again it is a short film, think I've just been watching a lot of 2-3 hour movies lately. Strangely enough, and I probably get some flak for this, but I genuinely enjoyed this more than "Killers of the Flower Moon," even though Scorsese's film had much more to it. Underscores the importance of pacing I guess.

It feels like they created the characters first and then figured out how the plot could evolve from there, rather than starting with a story. It's a raw film and disturbing for a guy to watch how the men behave in it. There's a warning about the remote setting and men at the beginning. I love how the movie went about depicting bad characters as bad characters, in stark contrast to Barbie for instance. The message is unmistakable, yet the film doesn't hammer it home repeatedly; it's conveyed through actions, not words.

I believe that Barbie was a good movie, and if it had followed a similar approach in portraying its characters, it could have conveyed its message effectively without receiving the backlash it did regarding how the 'Kens' were depicted. The same principle applies to portraying good guys as good guys and showcasing strong female leads. I think the argument against guys not liking badass female leads is unfounded. We've had iconic characters like Lara Croft, avatar Korra, The Bride from Kill Bill, Katniss Everdeen from The Hunger Games, Camille Preaker from Sharp Objects, and most recently, Supergirl from The Flash( a lot of guys literally hated the movie but her). Anyway I side tracked big time lol but back to "The Royal Hotel," I also enjoyed the two leads and how they had a compelling and badass conclusion.

The acting was fantastic and believable, perhaps the best from the two leads I've seen. Everything felt genuine, and the plot evolved naturally based on the characters' decisions and actions, making it all the more believable. In my opinion, the best aspect of this movie is how everything progresses naturally because of it.

I loved it. But a lot of people seem to not like the movie so maybe I'm delusional one here. I guess I'll add this to my list of guilty pleasures.

I read the description of this movie expecting either a drama or a crime movie, but I got neither. What I did get to see was a portrait of an Australian pub. Period. Sometimes a bit rowdy as in any pub. And that's it. What the what?

The bad: this story is going nowhere. 2 female pub employees serve beer and ocassionally hang out with some of the pub visitors. Wanna watch that for 90 minutes long? I got bored.

There is a final to this story that does not make sense at all, making me further question the capabilities of the writer of this script.

Kinda tedious. Kinda lame. Nothing much happens except some common pub rowdiness. And that is suppose to be the basis of an entire movie?

Not any good then? Jennifer Garner is a great actress. SHE was THE reason I started watching this movie, but her performance cant cover up the simple fact that this story is void of any drama or thrill. What a dud.

There is a 2016 documentary about Hotel Coolgardie, an out of the way Australian spot where foreign backpackers can work for a time to earn money, but also where two Finnish backpackers faced inhumane treatment while working as bartenders.

This movie, "The Royal Hotel" is a fictional story that was inspired by Hotel Coolgardie. It starts in Sydney, where Canadian friends, Julia Garner as Hanna and Jessica Henwick as Liv, find themselves without funds. There in fact is a real Work and Travel program in Australia for travelers between the ages of 18 and 30 who want to earn and travel. So the two friends take advantage of that.

They get a bus ticket to a remote spot, they end up at the fictional Royal Hotel which has rooms where they stay, but is primarily a pub. The owner is played excellently by "Matrix" veteran, Hugo Weaving.

Some things happen but the movie is really about the unpleasantness that female bar workers often must contend with. As the filmmakers explain, it doesn't have to be in the Australian outback, it could be in a Manhattan bar, as rowdy men get boozed up and threaten to cross the line in behavior.

While I don't rate this movie very highly I found it interesting and the main actors are all very good. At home on DVD from my public library, my wife read the description and skipped.

The Royal Hotel sets itself up as a slow-burning psychological thriller with an interesting premise and a setting ripe for tension. The story follows two backpackers who take jobs at a remote Australian pub, where they must navigate the rowdy and often unsettling behavior of the predominantly male patrons. While the film's laid-back pacing and immersive atmosphere make for a somewhat engaging watch, it ultimately stumbles in its execution, particularly in its final act.

The biggest issue lies in how the climax squanders the film's most promising elements. The pub itself, with its claustrophobic feel and the ever-growing aggression of the drunk and unpredictable customers, seems tailor-made for a nerve-wracking escalation. However, instead of truly capitalizing on this, the film meanders, failing to push the tension to its full potential. The character of Dolly, whose presence hints at something more menacing, is severely underutilized in the final confrontation. What should have been a gripping, high-stakes moment fizzles out, leaving the resolution feeling unearned.

The ending, in particular, is frustratingly weak. Instead of a decisive or thematically satisfying conclusion, the protagonists make a baffling choice that feels more like a narrative cop-out than a natural resolution. Their decision to simply walk off with their bags, after everything that's transpired, makes for an anticlimactic and unsatisfying conclusion. It's as if the film itself is unsure how to wrap things up, resulting in a final stretch that lacks impact and cohesion.

Overall, The Royal Hotel has an intriguing setup and some effectively unsettling moments, but it ultimately misses the opportunity to fully exploit its setting and characters to deliver a truly gripping thriller. It builds toward something potentially great, only to lose its way at the finish line.